| Perface |
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ix | |
| How to Follow the Highlighted Scores |
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xii | |
| A Note on the Recordings |
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xiv | |
| A Note on the Performance Practice of Early Music |
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xv | |
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1 | (2) |
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Alleluia, O virga mediatrix (Alleluia, O Mediating branch) |
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3 | (5) |
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Notre Dame School Organum, Gaude Maria Virgo (Rejoice Mary, Virgin), Excerpt |
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8 | (2) |
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Motet, Mout me fu Grief/Robin m'aime/Portare (Greatly grieved am I/Robin loves me/To Carry) |
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10 | (3) |
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Troubador dance song, Kalenda maya (The First to May) |
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13 | (4) |
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Rondeau, Puis qu'en oubli (Since I am forgotten) |
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17 | (2) |
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L'homme arme Mass (The Armed Man Mass), Kyrie |
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19 | (7) |
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Motet, Ave Maria...virgo serena (Hail Mary ... gentle virgin) |
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26 | (9) |
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Pope Marcellus Mass, Gloria |
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35 | (8) |
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Giovanni Pierluigi de Palestrina |
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Motet, O quam suavis (O How sweet) |
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43 | (10) |
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Renaissance Secular Music |
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Chanson, Mille Regretz (A thousand regrets) |
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53 | (3) |
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56 | (4) |
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Madrigal, Ecco mormorar l'onde (Here, now, the waves murmur) |
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60 | (9) |
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69 | (5) |
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L'incoronazione di Poppea Act III, Scene 7 |
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74 | (10) |
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Dido and Aeneas, Act III, Dido's Lament and Chorus, ``With drooping wings'' |
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84 | (7) |
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Rinaldo, Act I, Scene 1: Aria, ``Molto voglio'' (``I have great desires'') |
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91 | (5) |
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The Beggar's Opera, end of Act II |
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96 | (5) |
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Baroque Cantata and Oratorio |
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Cantata, Begli occhi (Beautiful Eyes) |
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101 | (98) |
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Cantata No.80, Ein Feste Burg ist unser Gott (A Mighty Fortress Is Our God) |
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109 | (27) |
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136 | (8) |
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144 | (18) |
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162 | (3) |
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165 | (6) |
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Nos. 14--16, Recitative,`` There ware shepherds abiding in the field'' |
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171 | (2) |
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No. 17 Chorus, ``Glory to God'' |
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173 | (5) |
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No.
18. Aria, ``Rejoice greatly'' |
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178 | (6) |
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No.
44. chorus, `` Hallelujah'' |
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184 | (11) |
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195 | (1) |
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196 | (3) |
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Sonata in C major, K. 159 (La Caccia) (The Hunt) |
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199 | (4) |
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Contrapunctus 1 , from The Art of Fugue |
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203 | (80) |
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La primavera, from Le quattro stagioni (Spring, from The Four Seasons) |
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208 | (11) |
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219 | (4) |
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223 | (60) |
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Brandenburg Concerto No. 2 in major First Movement |
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283 | (12) |
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Water Music, Suite in D Major |
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259 | (5) |
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264 | (7) |
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Suite de symphonies Rondeau |
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271 | (233) |
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String Quartet in D Minor, Op. 76, No. 2 (Quinten) |
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275 | (9) |
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Eine kleine Nachtmusik (A Little Night Music), K.525 |
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284 | (7) |
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291 | (5) |
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296 | (1) |
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297 | (10) |
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Symphony No. 40 in G minor, K.550 |
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307 | (27) |
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Symphony No. 94 in G major (Surprise) |
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334 | (13) |
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Symphony No. 5 in C minor, Op. 67 |
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347 | (16) |
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363 | (15) |
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378 | (12) |
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390 | (45) |
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Piono Concerto in G major, K. 453 |
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435 | (32) |
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467 | (11) |
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478 | (26) |
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Trumpet concerto in E-flat Major Third Movement |
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504 | (67) |
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Piano Sonata in A major, K. 331 |
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521 | (5) |
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Piano Sonata No. 14 in C-sharp minor, op. 27, No.2 (Moonlight) |
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526 | (3) |
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529 | (1) |
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529 | (10) |
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Classical Choral Music and Opera |
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539 | (5) |
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544 | (5) |
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549 | (5) |
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Die Schopfung (The Creation), Part I |
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No. 12 Recitative,``Und Gott sprach: Es sei'n Lichter'' |
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554 | (1) |
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No.
13. Recitative, ``In vollem Glanze'' |
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555 | (2) |
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No.
14. Chorus, ``Die Himmel Erzahlen'' |
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557 | (14) |
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Le nozze di Figaro (The Marriage of Figaro) Overture |
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571 | (56) |
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Act I, Scene 6: Aria, ``Non so piu'' |
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593 | (7) |
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Act I, Scene 6: Recitative, ``Ah, son perduto!'' |
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600 | (8) |
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Act I, Scene 7: Terzetto,``Cosa sento!'' |
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608 | (19) |
| Appendix A: Reading a Musical Score |
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627 | (2) |
| Appendix B: Instrument Names and Abbreviations |
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629 | (5) |
| Appendix C: Glossary of Musical Terms Used in the Scores |
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634 | (9) |
| Appendix D: Concordance Table for Recordings and Listening Guides |
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643 | (3) |
| Credits |
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646 | (3) |
| Index of Forms and Genres |
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649 | |
