The golden age of ocean liners is inextricably linked with the key decorative trends of the 20th century—Art Nouveau, Art Deco, and Modernism. This lavish visual feast explores the technical, aesthetic, cultural, and political factors that came together to define such an iconic mode of travel, considering all aspects of the ocean liner experience, from the striking marketing images, aspirational booking offices, and landmark headquarters of the major shipping companies to the ships’ opulent interiors and triumphs of engineering. The lavish fashions required for a crossing are also explored, along with the evolution of the ships’ social and public spaces, as once-rigid class structures and attitudes became relaxed. Closing the book is an exploration of the impact of the ocean liner on the wider art and design world—an icon of modernity that influenced everyone from the Futurists to Le Corbusier.
This stunning volume accompanies an exhibition at the Peabody Essex Museum, Salem, MA, May 20, 2017 to October 9, 2017
Arvustused
'lavish', Peyton Skipwith, Apollo, March 2018
'beautifully illustrated', Penny Hunter, The Weekend Australian, February 24th-25th 2018
Muu info
Brings to life the glamourous golden age of ocean travel, from grand Victorian and Edwardian barges to luxurious Art Deco floating palaces and sleek post-war Modernist liners.
| Directors' Foreword |
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8 | (2) |
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| Acknowledgements |
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10 | (2) |
| Introduction |
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12 | (12) |
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24 | (46) |
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Advertising The Ocean Liner |
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26 | (16) |
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A Close-Up Picture of a Mighty Project: Promotional Exhibition Models |
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42 | (10) |
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The Architecture of Promotion |
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52 | (14) |
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Compagnie Generale Transatlantique: Identity Through Time |
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66 | (4) |
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2 Shipbuilding: Speed, Safety and Comfort |
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70 | (18) |
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3 Floating Palaces: Victorian and Edwardian Ships |
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88 | (30) |
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4 Inter-War Liners: The Politics of Style |
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118 | (34) |
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148 | (4) |
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5 Post-War Liners: 1945--1975 |
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152 | (32) |
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180 | (4) |
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6 The Idealized Society of the Ocean Liner |
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184 | (26) |
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206 | (4) |
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7 Floating in a Dreamland: Fashion and Spectacle on Board |
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210 | (18) |
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8 Modernist Architecture and the Liner |
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228 | (18) |
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244 | (2) |
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246 | (14) |
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10 The Afterlife of Ships |
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260 | (14) |
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| Notes |
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274 | (4) |
| Selected Bibliography |
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278 | (5) |
| Index |
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283 | (4) |
| Photography Credits |
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287 | (1) |
| Notes on Contributors |
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288 | |
Daniel Finamore is Russell W. Knight Curator of Maritime Art and History, Peabody Essex Museum, Salem, MA. Ghislaine Wood is Deputy Director of the Sainsbury Centre for Visual Arts at the University of East Anglia, Norwich, England."