Muutke küpsiste eelistusi

Only Happy Ending for a Love Story Is an Accident [Pehme köide]

  • Formaat: Paperback / softback, 136 pages, kõrgus x laius: 216x140 mm
  • Ilmumisaeg: 31-Oct-2013
  • Kirjastus: University of Massachusetts Press
  • ISBN-10: 1933227540
  • ISBN-13: 9781933227542
Teised raamatud teemal:
  • Formaat: Paperback / softback, 136 pages, kõrgus x laius: 216x140 mm
  • Ilmumisaeg: 31-Oct-2013
  • Kirjastus: University of Massachusetts Press
  • ISBN-10: 1933227540
  • ISBN-13: 9781933227542
Teised raamatud teemal:
Set in Tokyo, in a not-too-distant future, this novel tells the story of Shunsuke, a salaryman, and his complicated relationship with his mad poet father, Mr. Okuda, whose hobby is spying on his son. When Shunsuke falls in love with Iulana, a maelstrom of jealousy is set in motion that culminates in abduction and death. In poetic and imaginative language, Cuenca subtly interweaves reality and fiction, creating a dreamlike world whose palpable characters, including a silicone doll, leave a lasting impression. Written like a crime novel, full of odd events and reminiscent of Haruki Murakami's work, this disturbing, kaleidoscopic story of voyeurism and perversion draws the reader in from the very first page.


Set in Tokyo, in a not-too-distant future, this novel tells the story of Shunsuke, a salaryman, and his complicated relationship with his mad poet father, Mr. Okuda, whose hobby is spying on his son. When Shunsuke falls in love with Iulana, a maelstrom of jealousy is set in motion that culminates in abduction and death. In poetic and imaginative language, Cuenca subtly interweaves reality and fiction, creating a dreamlike world whose palpable characters, including a silicone doll, leave a lasting impression. Written like a crime novel, full of odd events and reminiscent of Haruki Murakami's work, this disturbing, kaleidoscopic story of voyeurism and perversion draws the reader in from the very first page.

J. P. Cuenca is a surprising transnational voice in Brazilian literature whose central theme of cultural otherness urges his audience to rethink globalization in more carefully defined, more humanistic terms