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Open Licensing for Cultural Heritage [Kõva köide]

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  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 240x162x18 mm, kaal: 209 g
  • Ilmumisaeg: 18-Aug-2017
  • Kirjastus: Facet Publishing
  • ISBN-10: 1783301864
  • ISBN-13: 9781783301867
Teised raamatud teemal:
Open Licensing for Cultural HeritageSuurem pilt
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 240x162x18 mm, kaal: 209 g
  • Ilmumisaeg: 18-Aug-2017
  • Kirjastus: Facet Publishing
  • ISBN-10: 1783301864
  • ISBN-13: 9781783301867
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781783301867.html
Märksõnad:
normal>This practical and explanatory guide for library and culturalheritage professionals introduces and explains the use of open licences forcontent, data and metadata in libraries and other cultural heritageorganisations. Using rich background information, international case studiesand examples of best practice, this book outlines how and why open licencesshould and can be used with the sector’s content, data and metadata. normal;tab-stops:132.0pt>normal>Open Licensing for Cultural Heritage digs intothe concept of ‘open’ in relation to intellectual property, providing contextthrough the development of different fields, including open education, opensource, open data, and open government. It explores the organisational benefitsof open licensing and the open movement, including the importance of contentdiscoverability, arguments for wider collections impact and access, thepractical benefits of simplicity and scalability, and more ethical andprincipled arguments related to protection of public content and the publicdomain.normal>Content covered includes:margin-left:18.0pt;margin-bottom:.0001pt;line-height:normal;vertical-align:baseline>an accessible introduction to relevant concepts, themes, andnames, including ‘Creative Commons’, ‘attribution’, model licences, and licenceversionsdistinctions between content that has been openly licensed andcontent that is in the public domain and why professionals in the sector shouldbe aware of these differencesan exploration of the organisational benefits of open licensingand the open movementthe benefits and risks associated with open licensinga range of practical case studies from organisations includingNewcastle Libraries, the University of Edinburgh, Statens Museum for Kunst (theNational Gallery of Denmark), and the British Library.margin-left:18.0pt;margin-bottom:.0001pt;line-height:normal;vertical-align:baseline>normal>This book will be useful reading for staff and policy makers across the gallery, library, archive and museum(GLAM) sector, who need a clear understanding of the open licensingenvironment, opportunities, risks and approaches to implementation. This includeslibrary and information professionals, library and information services (LIS)professionals working specifically in the digital field (including digitalcuration, digitisation, digital production, resource discovery developers). It will also be of use to students of LIS Science, digital curation, digital humanities, archives andrecords management and museum studies.normal>

Arvustused

Open Licensing for Cultural Heritage is as impressively informative as it is exceptionally well written, organized and presented. Unreservedly recommended as an essential, exceptional, indispensable, core addition to community, governmental, and academic Library Science collections, Open Licensing for Cultural Heritage is a necessary and invaluable instructional reference. -- Micah Andrew * MBR Bookwatch * This book will be of value to any institutions considering making their collections available digitally. The background and context information is largely clearly relevant, concise and sufficient. The book is very readable throughout. It will also be suitable for students studying courses in library and moveable cultural heritage management. Indeed I have recommended the book to my own students. -- Adrienne Muir * Journal of Cultural Heritage * 'I recommend Open Licensing for Cultural Heritage to cultural institutions who are looking for a way to make their digital content accessible to a broader audience, thus bringing them not only the visibility that comes with openness, but also to initiate them as new stakeholders that support such endeavors.'- Anastasia Weigle, Maine Archives and Museums Quarterly -- Anastasia Weigle * Maine Archives and Museums Quarterly * 'In their excellent guide Open Licensing for Cultural Heritage, Gill Hamilton and Fred Saunderson explain, advocate, and show howto implement open intellectual property (IP) licensing within the heritage sector. Their use of enlightening case studies, authored by other experts in the sector, is especially impactful. These real-life storiesperhaps the core of the bookhelp explain why it is not always possible to be as open as we might like, why openness takes time and resource, and how risk needs to be mitigated. Nevertheless, Hamiltons and Saundersons personable, persuasive, and enthusiastic tone extends unswayed to the final, practical chapters.'- Bernard Horrocks, Tate Gallery, London, UK * Archives and Records * 'Open Licensing for Cultural Heritage is a rich, beautifully researched and thought-provoking addition to the body of IP literature for the heritage sector... Hamilton and Saunderson address this with great sensitivity and thought, making this an instructive as well as inspiring volume.' -- Bernard Horrocks * Taylor & Francis Online *

List of figures and tables
ix
Acknowledgements xi
About the authors xiii
1 Introduction
1(6)
2 The open movement: its history and development
7(24)
Introduction
7(2)
Open source: the foundation of the open movement
9(3)
The web and the open movement
12(1)
Post-2000 and the major initiatives in the open movement
13(12)
Notes
25(6)
3 Copyright and licensing: a background
31(34)
Introduction
31(1)
Intellectual property rights
31(4)
Copyright in the UK
35(11)
Copyright around the world
46(3)
Licensing and open licences
49(11)
The public domain
60(1)
Notes
61(4)
4 Open licensing: the logical option for cultural heritage
65(32)
Introduction
65(1)
Acting with purpose: why are you making digital collections available?
65(4)
Why `open'?
69(5)
The benefits of an open approach
74(7)
The risks of an open approach
81(8)
Reasons for retaining closed material
89(2)
Reasons for maintaining closed material
91(1)
Notes
92(3)
Introduction to case studies
95(2)
5 Small steps, big impact --- how SMK became SMK Open
97(14)
Starting small
97(2)
Choosing the right licence
99(1)
Open access is just the first step
100(3)
Embracing the public domain
103(3)
Collaborating around an open collection
106(2)
What is the impact of having an open approach?
108(1)
Notes
109(1)
References
109(2)
6 The British Library experience of open metadata licensing
111(8)
The British Library and open bibliographic metadata
111(1)
Licence choices
112(2)
Outcomes
114(3)
Conclusions
117(1)
Notes
118(1)
7 Open policy and collaboration with Wikimedia at the National Library of Wales
119(14)
The collaboration
120(2)
Sharing digital images with Wikimedia
122(2)
Impact
124(5)
Conclusion
129(1)
Notes
129(4)
8 Newcastle Libraries-the public library as a place to share culture
133(4)
Introduction
133(1)
Commons Are Forever
133(2)
Sharing data and information
135(1)
Open by default
136(1)
Notes
136(1)
9 Developing open licensing at the National Library of Scotland
137(12)
Introduction
137(1)
Exploring external drivers
137(4)
Advancing internal drivers
141(4)
Conclusion
145(2)
Notes
147(2)
10 The Wellcome Library
149(10)
Introduction
149(1)
Unlocking 20th-century content
150(5)
Licensing
155(1)
Conclusion
156(1)
Notes
156(3)
11 Developing an open educational resources policy and open approaches to mitigate risk at University of Edinburgh
159(8)
The University of Edinburgh context
159(1)
The open educational resources vision for higher education
160(1)
Institutional infrastructure for sustainable open educational resources
161(1)
Copyright debt: a new approach to open educational resources
162(3)
Supporting open practice
165(1)
Conclusions
165(2)
12 How to implement open licensing
167(26)
Introduction
167(1)
How to make the case for open licensing
167(8)
The work of implementing open licensing
175(14)
How to perfect the use of open licensing
189(2)
Notes
191(2)
13 Using and reusing openly licensed resources
193(16)
Introduction
193(1)
Correct use of resources
193(4)
Tools and resources
197(10)
Notes
207(2)
14 Conclusion
209(2)
Index 211
Gill Hamilton is Digital Access Manager at the National Library of Scotland where she leads on access to the Librarys extensive digital collections, and oversees its resource discovery and library management systems. Fred Saunderson is the National Library of Scotlands Intellectual Property Specialist where he has responsibility for providing copyright and intellectual property advice and guidance, as well as coordinating licensing and re-use procedures.