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Original Pirate Material: The Streets and Hip-hop Transatlantic Exchange [Pehme köide]

(University of Bristol)
  • Formaat: Paperback / softback, 80 pages, kõrgus x laius x paksus: 229x151x5 mm, kaal: 140 g, Worked examples or Exercises
  • Sari: Elements in Twenty-First Century Music Practice
  • Ilmumisaeg: 19-Dec-2024
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1009162624
  • ISBN-13: 9781009162623
Teised raamatud teemal:
  • Formaat: Paperback / softback, 80 pages, kõrgus x laius x paksus: 229x151x5 mm, kaal: 140 g, Worked examples or Exercises
  • Sari: Elements in Twenty-First Century Music Practice
  • Ilmumisaeg: 19-Dec-2024
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1009162624
  • ISBN-13: 9781009162623
Teised raamatud teemal:
With his debut album Original Pirate Material (2002) (OPM) Mike Skinner, who recorded under the name The Streets, combined the world of UK dance music with US hip-hop. OPM is the result of the so-called 'bedroom producer', hybridizing previous forms into something novel. This Element explores a number of themes in this album: white masculinity, the everyday, technology, sampling, hybridity, the Black Atlantic, and US-UK transatlantic relations. It examines the exoticism of Englishness from a US perspective as well as within the wider context of Anglo-American cross influence in post-WWII popular music. Twenty years since the album's release, this element provides an investigation of the album's content and reception, as an important case study of (postcolonial) hybridity and (English, male) identity.

This Element explores several themes in the album Original Pirate Material: white masculinity, the everyday, technology, sampling, hybridity, the Black Atlantic, and US-UK transatlantic relations. It examines the exoticism of Englishness from a US perspective and within the wider context of Anglo-American cross influence in post-WWII music.

Arvustused

'This is a superb book that takes on big questions and offers satisfying answers. Harrison's very careful examination of the development of the concepts of 'supernaturalism' and 'belief' is full of brilliant, new insights. The book is also extremely well written. The author has a knack for expressing complex ideas succinctly, clearly, and in a provocative way. Harrison is an eminent scholar who has already written several very important books. This major new work will only add to his reputation as one of the leading figures in the humanities.' Bernard Lightman, Professor of Humanities, York University, Toronto, author of Victorian Popularizers of Science: Designing Nature for New Audiences (2007) and The Origins of Agnosticism: Victorian Unbelief and the Limits of Knowledge (1987) 'How, in the West, have our understandings of 'the secular' and 'religion' been built on entirely modern notions of belief and disbelief, natural and supernatural? This is the question at the core of Peter Harrison's brilliant and fascinating exploration of religion and science as they have come to be conceptualised, usually in opposition to each other, in the modern West. Some New World is a really important work, drawing on a wide range of thinkers and ideas, that will significantly shape future scholarly discussions.' Jane Shaw, Principal of Harris Manchester College, Professor of the History of Religion, and Pro-Vice-Chancellor, University of Oxford, and author of Miracles in Enlightenment England (2006)

Muu info

Original Pirate Material represents an important historical moment: when UK MCs found a market to listen to them.
Introduction;
1. Pirate radio and the turn of the 21st century;
2. Big
England: the sounds of the black Atlantic;
3. Transatlantic relations:
analysing the special relationship musically;
4. Sample robbery;
5.
Technology and production;
6. Everyday Laddism;
7. Genre: UK garage and US
Hip-hop;
8. Little England meets big England: hybridity as originality;
9.
Mainstreaming British popular music in the 21st century;
10. The afterlife of
OPM and the streets; Conclusion; Bibliography.