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Painting as an Art [Kõva köide]

  • Formaat: Hardback, 384 pages, 30 color + 358 b/w illus.
  • Sari: Bollingen Series
  • Ilmumisaeg: 21-Dec-1987
  • Kirjastus: Princeton University Press
  • ISBN-10: 0691099642
  • ISBN-13: 9780691099644
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  • Formaat: Hardback, 384 pages, 30 color + 358 b/w illus.
  • Sari: Bollingen Series
  • Ilmumisaeg: 21-Dec-1987
  • Kirjastus: Princeton University Press
  • ISBN-10: 0691099642
  • ISBN-13: 9780691099644
Teised raamatud teemal:
One of the twentieth centurys most influential texts on philosophical aesthetics

Painting as an Art is acclaimed philosopher Richard Wollheims encompassing vision of how to view art. Transcending the traditional boundaries of art history, he draws on his three great passionsphilosophy, psychology, and artto present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrievingalmost reenactingthe creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring to the understanding of a work of art a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, Willem de Kooning.

Arvustused

"There are books aplenty on painting and art, but this is the first to explain seriously what makes painting an art, and it is our good luck to have it from a notable philosopher who is also on an intimate footing with the tradition of Western painting and who knows how to stand in front of a painting and spin tales that sparkle with truth. . . . Wollheim's interpretations are bold, revisionary and cogent. Only a philosopher of his rare gifts, and a connoisseur with his command of the art-historical tradition, could possibly have the confidence to bring off his feat of virtuoso interpretation."---Flint Schier, New York Times Book Review "It is one of the achievements of Richard Wollheim's superb book that it offers an extremely subtle sense of the mind's functioning, while providing a theory of critical relevance: it shows how psychological and cultural factors enter a painting's content, and how arguments on relevance can be conducted in difficult cases."---Michael Podro, Times Literary Supplement

Richard Wollheim (19232003) was emeritus professor of philosophy at the University of California, Berkeley. His many books include Germs: A Memoir of Childhood, On the Emotions, and Freud.