Muutke küpsiste eelistusi

Painting is a Supreme Fiction: Writings by Jesse Murry, 19801993 [Pehme köide]

Foreword by , Edited by ,
  • Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 203x165x22 mm, kaal: 544 g, 26 Illustrations
  • Ilmumisaeg: 11-Nov-2021
  • Kirjastus: Soberscove Press
  • ISBN-10: 1940190304
  • ISBN-13: 9781940190303
  • Formaat: Paperback / softback, 312 pages, kõrgus x laius x paksus: 203x165x22 mm, kaal: 544 g, 26 Illustrations
  • Ilmumisaeg: 11-Nov-2021
  • Kirjastus: Soberscove Press
  • ISBN-10: 1940190304
  • ISBN-13: 9781940190303

Art writing, theory, poetry and more from a leading champion of “painting as a poetic act”

This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from AIDS-related illness at the age of 44. The result is a portrait of an original mind who sought to unite the histories of Romantic landscape painting with the realities of Black experience through “a belief in the restorative and creative powers of the imagination.” No artist before occupied the exact intersections Murry created through his work, which aimed to reclaim “painting as a poetic act” amid the “death of painting” discourse of the 1980s. In addition to Murry’s writings, this volume also includes reproductions of selected paintings; excerpts from a a pair of panel discussions on art criticism and expressionism that took place in 1980; as well as transcriptions of two of the artist's notebooks, in which the spatialization of the words across the page approaches the condition of thought. Painting Is a Supreme Fiction presents Jesse Murry in his own words, offering intimate access to this remarkable figure.

Arvustused

Jesse Murrys abstract seascapes enabled him to explore the inner world of the mind while infusing his art with his life as a gay Black man. -- Jarrett Earnest * New York Review of Books * Reading Painting Is a Supreme Fiction is a profoundly moving experience, as is looking at a Jesse Murry paintingsuch is the effectiveness of his communication with paint and with words. -- Sheryl Oppenheim * BOMB *

Foreword 9(6)
Hilton Als
Introduction: Of Sky and Mind / Jarrett Earnest 15(26)
Art History, Poetry, Philosophy, Painting (1988) / Jesse Murry
29(12)
I CRITICISM
David Smith (1980)
41(3)
Reverend Howard Finster: Man of Vision (1980)
44(10)
Remarks on Art Criticism (1980)
54(3)
Expressionism: 1980 (1980)
57(10)
Philip Wofford's Evocative Abstraction (1980)
67(9)
William Conlon's `The Blues Brothers: Sam and Dave' (1981)
76(6)
Hans Hofmann's Use of Nature as Aesthetic Norm (1981)
82(11)
Quintet: The Romance of Order and Tension in Five Paintings by Elizabeth Murray (1981)
93(8)
Reflections on Howard Hodgkin's Theater of Memory (1981)
101(8)
Paul Burlin: The Late Paintings (1981)
109(5)
Color: Four Painters---Max Gimblett, Joseph Marioni, Phil Sims, Thornton Willis (1982)
114(10)
The Three Levels of Content: An Intuitive Approach to Teaching How Paintings Mean (1984)
124(13)
Painting Is a Supreme Fiction: Why I Read Wallace Stevens (c. 1986)
137(26)
Plates
145(18)
II NOTEBOOKS
Windows, Walls, and Dreams (c. 1988--89)
163(68)
Coming to Terms (c. 1990)
231(24)
III POETRY
From Notes on Landscape (1987)
255(2)
A Page from The Book of Light---I (1988)
257(2)
A Page from The Book of Light---II (1988)
259(1)
A Page from The Book of Light---III (1988)
260(2)
FORESPEECH from The Book of Night (1988)
262(1)
A Page from The Book of Night---I (1988)
263(2)
A Fragment from The Book of Night---I (1988)
265(1)
A Fragment from The Book of Night---II (1988)
266(1)
A response to Thomas the Obscure for The Book of Night (1988)
267(2)
Traces from The Book of Night (1988)
269(1)
Stance (c. 1991--92)
270(1)
Where the spirit anoints itself in this light (c. 1991--92)
271(1)
Onslaught of sorrow (c. 1991--92)
272(1)
Exile or wanderer (c. 1991--92)
273(1)
Voice & Circumstance (c. 1991--92)
274(2)
Say next to holiness is the will to live (c. 1991--92)
276(1)
In the swiftly approaching darkness (c. 1991--92)
277(1)
At dusk it is always at dusk---how even death (c. 1991--92)
278(1)
At dusk it is always at dusk---even now (c. 1991--92)
279(1)
Shades Shadows Voids (c. 1991--92)
280(1)
One abided the dark too long (c. 1991--92)
281(2)
Aphorisms (1993)
283(21)
Biographies 304(2)
Acknowledgments 306