Muutke küpsiste eelistusi

Paper in Medieval England: From Pulp to Fictions [Kõva köide]

(University of Cambridge)
  • Formaat: Hardback, 280 pages, kõrgus x laius x paksus: 160x235x20 mm, kaal: 580 g, Worked examples or Exercises
  • Sari: Cambridge Studies in Medieval Literature
  • Ilmumisaeg: 01-Oct-2020
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108840574
  • ISBN-13: 9781108840576
  • Formaat: Hardback, 280 pages, kõrgus x laius x paksus: 160x235x20 mm, kaal: 580 g, Worked examples or Exercises
  • Sari: Cambridge Studies in Medieval Literature
  • Ilmumisaeg: 01-Oct-2020
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1108840574
  • ISBN-13: 9781108840576
Orietta Da Rold provides a detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. Looking beyond book production, Da Rold maps out the uses of paper and explains the success of this technology in medieval culture, considering how people interacted with it and how it affected their lives. Offering a nuanced understanding of how affordance influenced societal choices, Paper in Medieval England draws on a multilingual array of sources to investigate how paper circulated, was written upon, and was deployed by people across medieval society, from kings to merchants, to bishops, to clerks and to poets, contributing to an understanding of how medieval paper changed communication and shaped modernity.

Detailed analysis of the coming of paper to medieval England, and its influence on the literary and non-literary culture of the period. In this analysis, book production is one of the elements of a wider story. The book considers a wider matrix of historical, economic, social and cultural interrelations and people's networks.

Arvustused

'Paper in Medieval England is a learned and judicious book, underpinned by Da Rold's deep and broad reading. While its argument offers several thoughtful interventions that will invite paleographers, cultural historians, and literary scholars to revisit some of their assumptions about paper, the real value of this monograph is more fundamental still: Da Rold's study restores paper to its rightful place in literary history.' Sebastian Sobecki, Speculum 'This is the great merit of Da Rold's book: it is a truly interdisciplinary study of paper in medieval England.' Joan A. Holladay, Manuscript Studies

Muu info

Explains the methods and knowledge to understand how and why paper was used in medieval writing and beyond.
List of Illustrations
ix
List of Figures
xi
List of Tables
xii
A Preface with Thanks xiii
Abbreviations and Conventions xviii
Paper and Culture in Medieval England: An Introduction 1(21)
Paper in Culture
7(9)
Culture in Paper
16(2)
The Book
18(4)
1 Paper Stories
22(36)
A New Transnational Technology
25(10)
Early Interactions
35(8)
A Familiar Object
43(10)
A Web of Paper
53(4)
Paper: Another Story
57(1)
2 The Economics of Paper
58(36)
Close Reading of an Account
60(5)
The Particulars of Paper
65(9)
Paper Routes to England
74(13)
The Cost and Value of Paper
87(5)
On Nuance
92(2)
3 Writing on Paper: Tradition and Innovation
94(49)
Title Eighty, De instrumentis conficiendis
96(3)
Normalizing Change
99(27)
Mapping Hands on Paper
126(15)
Cursivity and Paper
141(2)
4 The Character of Paper and Its Use in Medieval Books
143(37)
Sources and the Character of Paper
144(10)
Books and the Character of Paper
154(23)
Diverse Characters
177(3)
5 Paper in the Medieval Literary Imagination
180(30)
Chromaticity
186(5)
Plasticity
191(7)
Porosity and Tensility
198(10)
Literary Affordances
208(2)
6 Epilogue: The Age of Paper
210(6)
Appendix 216(12)
Bibliography 228(30)
Index of Manuscripts 258(4)
General Index 262
Dr Orietta Da Rold is Lecturer in Literature and Material Text, 1100 to 1500 at the University of Cambridge. She is the Co-Director (with Elaine Treharne) of the successful AHRC-funded project and e-book, English Manuscripts 1060 to 1220 and is currently editing the Cambridge Companion to British Manuscripts with Elaine Treharne.