Acknowledgments |
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ix | |
Introduction: Wived lo Be Inspired |
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1 | (14) |
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Part 1 Getting Started with the Patterns of Power Process |
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15 | (76) |
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Chapter 1 Into Planning: What Do You Need to Do Before Teaching the Invitations? |
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21 | (14) |
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Chapter 2 Into the Classroom: How Do You Teach Conventions with the Invitation Process? |
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35 | (24) |
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Chapter 3 Into Application: How Do You Nudge Writers to Apply Conventions? |
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59 | (32) |
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Part 2 Into the Lessons with the Patterns of Power Process |
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91 | (320) |
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Chapter 4 How Do Writers and Readers Use SENTENCES? |
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99 | (28) |
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4.1 What's This About? Making Sense of Subjects in Sentences and Fragments |
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102 | (6) |
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4.2 Use Sentences. Mostly: Making Sense of Simple Sentences |
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108 | (5) |
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4.3 If There's No Verb, Nothing Happens ... or Exists: Sentences Need Verbs |
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113 | (5) |
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4.4 Adjective Pileup: Coordinate Adjectives |
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118 | (5) |
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4.5 The Compound Spell: Don't Allow a Noun with Two Verbs to Startle You! |
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123 | (4) |
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Chapter 5 Why Do Writers and Readers Need COMPOUND SENTENCES? |
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127 | (26) |
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5.1 Compounding Interest: The Compound Sentence |
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130 | (6) |
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5.2 Don't Take That Tone with Me! The Compound Sentence and And |
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136 | (4) |
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5.3 Two Sentences Are Better Than One: Compound Sentences |
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140 | (4) |
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5.4 But I Still Haven't Found What I'm Looking ... Wait, I Did! Compound Sentence and For |
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144 | (4) |
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5.5 I Will Not Be IgNORed: NOR-Version |
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148 | (5) |
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Chapter 6 How Do Writers and Readers Use COMPLEX SENTENCES? |
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153 | (36) |
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6.1 When Introductory Clauses ... Subordinate Opener |
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156 | (5) |
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6.2 To Comma, or Not to Comma: Subordinate Clause Closer |
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161 | (5) |
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6.3 Comma Don't or Comma Do: AAAWWUBBIS Placement |
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166 | (4) |
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6.4 Comma Which: A Relative Pronoun Clause |
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170 | (5) |
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6.5 Comma Who, or No Comma Who? A Relative Pronoun Closer |
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175 | (6) |
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6.6 Beyond the Breakwaters: More Than AAAWWUBBIS |
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181 | (8) |
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Chapter 7 How Do Writers and Readers Use PHRASES and CLAUSES? |
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189 | (40) |
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7.1 If You Continue ... The Conditional Mood |
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193 | (4) |
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7.2 Could You Say That Another Way? The First Interrupter Is an Appositive Experience |
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197 | (4) |
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7.3 Double the Comma Fun: Interrupters |
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201 | (4) |
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7.4 It Don't Mean a Thing If It Ain't Got That-Ing: Participial Phrases as Closers |
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205 | (4) |
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7.5 Creating a Setting: Prepositional Phrases |
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209 | (5) |
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7.6 Closing Time: Ending Sentences with the Holy Renamer |
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214 | (4) |
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7.7 Thafery and Whichery: The Essential and Nonessential Clauses That Tell Which One |
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218 | (5) |
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7.8 Whodunit: Who or Comma Who? What Makes a Clause Essential or Nonessential? |
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223 | (6) |
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Chapter 8 What Does the MOOD of a VERB Do for Writers and Readers? |
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229 | (26) |
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8.1 Subjects Come First: The Active Voice |
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232 | (6) |
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8.2 Say It Plainly and Directly: What's Indicative of the Indicative Mood? |
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238 | (4) |
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8.3 Write Commanding Sentences: That's Imperative! |
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242 | (4) |
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8.4 To Be or Not to Be: The Basics of Infinitives |
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246 | (4) |
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8.5 Wishes and Probability: If I Were You, I'd Understand the Subjunctive |
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250 | (5) |
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Chapter 9 How Do Writers and Readers Use VERBALS? |
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255 | (16) |
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9.1 Shopping for Participles: The Bling of Sentences |
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257 | (4) |
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9.2 Inviting Understanding: Gerunds Are Activities |
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261 | (5) |
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9.3 To Infinitive and Beyond! The Definitive Infinitive |
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266 | (5) |
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Chapter 10 What Does PUNCTUATION Do for Writers and Readers? |
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271 | (62) |
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10.1 This, That, and the Other: Serial Commas |
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277 | (5) |
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10.2 And a One, and a Two, and a Three: Colons Introduce Lists |
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282 | (6) |
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10.3 He Said, She Said, They Said: Colons Introduce Quotations |
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288 | (5) |
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10.4 Birds of a Feather: Semicolons |
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293 | (4) |
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10.5 Don't Be Afraid; Use Semicolons! |
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297 | (4) |
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10.6 Dashing Through the Sentence: Dash Interruption |
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301 | (4) |
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10.7 A Little Extra: Using Parentheses |
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305 | (4) |
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10.8 Where We Put Extra Goodies: (Parentheses) |
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309 | (5) |
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10.9 Wait for It ... Ellipsis to Indicate a Pause or Break |
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314 | (4) |
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10.10 Less Is More: Ellipses to Show Omission |
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318 | (5) |
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10.11 Quotation Marks Dialogue |
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323 | (5) |
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10.12 That's What's Up: Apostrophes |
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328 | (5) |
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Chapter 11 What Do PRONOUNS Do for Writers and Readers? |
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333 | (30) |
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11.1 Who We Are: Introducing Pronouns |
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336 | (6) |
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11.2 My, My, My Boogie Shoes: Possessive Pronouns |
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342 | (9) |
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11.3 Respect Yourself: Reflexive Pronouns |
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351 | (5) |
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11.4 Make Yourself at Home: Reflexive and Intensive Pronouns |
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356 | (7) |
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Chapter 12 How Do Writers and Readers Continue Using CAPITALIZATION? |
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363 | (14) |
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12.1 Capitalize Names: It's a Date with Proper Nouns |
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366 | (5) |
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12.2 Capitalizing on Shortcuts: Initials, Initialisms, and Acronyms |
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371 | (6) |
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Chapter 13 What Other Amazing Things Can Writers and Readers Do? |
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377 | (34) |
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13.1 Sophisticated Sentence Mash-Up: Compound-Complex Sentences |
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381 | (6) |
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13.2 Comma Mash-Ups Can Be Gross: Coordinate Adjectives and Commas in a Series |
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387 | (5) |
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13.3 Feeling Coordinated? Importance of Order with Noncoordinate Adjectives |
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392 | (7) |
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13.4 Can You CorRELATE? Correlative Conjunctions |
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399 | (5) |
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13.5 Conjunctivitis Connections: Conjunctive Adverbs |
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404 | (7) |
Conclusion: Connection over Correction |
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411 | (2) |
Appendix A The Patterns of Power, Grades 6-8 Soundtrack |
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413 | (4) |
Appendix B Patterns of Power Instruction in Remote Learning Environments |
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417 | (8) |
Professional Bibliography |
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425 | (2) |
Young Adult Literature Bibliography |
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427 | (4) |
Index |
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431 | |