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Persistence of Witchcraft in Victorian England [Pehme köide]

  • Formaat: Paperback / softback, 202 pages, kõrgus x laius: 234x156 mm, 1 Tables, black and white; 2 Line drawings, black and white; 12 Halftones, black and white; 14 Illustrations, black and white
  • Sari: Routledge Studies in Modern British History
  • Ilmumisaeg: 20-May-2026
  • Kirjastus: Routledge
  • ISBN-10: 1041039395
  • ISBN-13: 9781041039396
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  • Pehme köide
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  • Formaat: Paperback / softback, 202 pages, kõrgus x laius: 234x156 mm, 1 Tables, black and white; 2 Line drawings, black and white; 12 Halftones, black and white; 14 Illustrations, black and white
  • Sari: Routledge Studies in Modern British History
  • Ilmumisaeg: 20-May-2026
  • Kirjastus: Routledge
  • ISBN-10: 1041039395
  • ISBN-13: 9781041039396
Teised raamatud teemal:

This book presents an alternative argument to the established opinion that witchcraft began to decline in the eighteenth century and that by the early twentieth century at the latest, it had largely ceased to exist.

The idea that witchcraft disappeared from society is partially based on a historical emphasis upon legal action concerning alleged witches. When viewed through that lens alone, the evidence for a decline appears to be persuasive. This book, however, is the first study to use a Digital Humanities methodology to examine witchcraft as represented in the Victorian press, which reveals new evidence about perceptions of witchcraft in nineteenth-century England. An examination of nineteenth-century newspapers and periodicals demonstrates that witches featured extensively in the Victorian press, appearing in articles, commentaries, reports of lectures and meetings, advertisements, book and theatrical reviews, literature, and poetry. As a result, witches were not simply participants in a courtroom drama (although they also continued to appear in that way), they had a vibrant and visible presence across a broad range of activities and were thoroughly entangled with everyday life in Victorian Britain.

This broad range of topics makes the book useful to all levels of academics, as well as non-specialist readers who will find its remarkable discoveries to be of interest.



This book is the first study to use a Digital Humanities methodology to examine witchcraft as represented in the Victorian press, which reveals new evidence about perceptions of witchcraft in 19th century England; witches were not simply participants in a court room drama but entangled with everyday life in Victorian Britain.

Introduction. Research Methodology. 1: The Press in Victorian England:
Overview. The Fourth Estate. Growth of the Press. Technological Developments.
Regulatory Framework. Journalism. Syndication and Plagiarism. Advertising. 2:
Witches and Witchcraft: Overview. What is a Witch? The Witch and the
Victorian Press. 3: The Supernatural: Overview. Aspects of the Supernatural.
Anthropology. Folklore. Ghosts. Spiritualism. Theosophy and the Theosophical
Society. Fortune Telling and Astrology. Mesmerism. Hypnotism. Psychiatry and
Psychology. 4: Witchcraft, Crime, and the Press: Overview. Witchcraft and
Crime. Witchcraft Laws. Fraud. Assault. Death. Misconduct and Reform. 5: The
Arts: Overview. The Literary Witch. Fiction in Newspapers. Poetry. Fairy
Tales. The Theatre. Opera. Mockery and Satire. 6: Community Events: Overview.
Lectures. Sermons. Meetings. Readings and Monologues. Fairs, Fetes, and
Bazaars. Dinner Speeches and Toasts. A Final Word.
Julia Phillips PhD is an Hon Senior Research Associate at the University of Bristol. Her publications include Resisting the Invader: Witchcraft in World War II (Magic, Ritual, and Witchcraft, 2024), and The Museum of Witchcraft and Magic: Toward a New History of British Wicca (Magic, Ritual, and Witchcraft, 2021).