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Persistently Postwar: Media and the Politics of Memory in Japan [Pehme köide]

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  • Formaat: Paperback / softback, 208 pages, kõrgus x laius: 229x152 mm, Bibliography; Index
  • Ilmumisaeg: 01-Jun-2026
  • Kirjastus: Berghahn Books
  • ISBN-10: 1836956622
  • ISBN-13: 9781836956624
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  • Formaat: Paperback / softback, 208 pages, kõrgus x laius: 229x152 mm, Bibliography; Index
  • Ilmumisaeg: 01-Jun-2026
  • Kirjastus: Berghahn Books
  • ISBN-10: 1836956622
  • ISBN-13: 9781836956624
Teised raamatud teemal:
From melodramas to experimental documentaries to anime, mass media in Japan constitute a key site in which the nations social memory is articulated, disseminated, and contested. Through a series of stimulating case studies, this volume examines the political and cultural representations of Japans past, showing how they have reinforced personal and collective narratives while also formulating new cultural meanings, both on a local scale and in the context of transnational media production and consumption. Drawing upon diverse disciplinary insights and methodologies, these studies collectively offer a nuanced account in which mass media function as much more than a simple ideological tool.

Arvustused

Persistently Postwar uses a variety of detailed case studies to demonstrate how the contested legacy of the Asia-Pacific War has helped to shape the artistic and intellectual life of postwar Japan. This thought-provoking and highly readable collection of essays leaves the reader with deep insights into not only depictions of war in Japanese popular culture, but also how the war has affected broader cultural production from yakuza films to the anime industry. Philip Seaton, Tokyo University of Foreign Studies

Introduction: The Politics of Media and Memory Representation in Japan

Blai Guarné, Artur Lozano-Méndez, and Dolores P. Martinez



PART I: WARS AFTERMATH



Chapter
1. The Death of Certainty: Memory, guilt and redemption in Ikiru

Dolores P. Martinez



Chapter
2. Postwar Narratives and the Avant-garde Documentary: Tokyo 1958
and Fury Shnen

Marcos Centeno Martín



Chapter
3. Radical Subjectivity as a Counter to Japanese Humanist Cinema:
shima Nagisas Nberu Bgu

Ferran de Vargas



PART II:  THE PAST IN THE PRESENT



Chapter
4. Recreating Memory? The Drama Watashi wa kai ni naritai and Its
Remakes

Griseldis Kirsch



Chapter
5. From Myth to Cult: Tragic Heroes, Parody and Gender Politics in
the 1960s1970s Bad Girls Cinema of Japan

Laura Treglia



Chapter
6. Collective Remorse for the Past: Japanese Film and TV
Representations of the 1960s Student Movement

Katsuyuki Hidaka



PART III:  THE PERSISTENCE OF MEMORY



Chapter
7. Depicting the Persistence of Being Postwar: Eden of the East

Artur Lozano-Méndez



Chapter
8. Rethinking Anime in East Asia: Creative Labour in Transnational
Production, Or, What Gets Lost in Translation

Tomohiro Morisawa



Afterword: The Persistence of Trauma

Dolores P. Martinez, Blai Guarné, and Artur Lozano-Méndez
Blai Guarné is an Associate Professor and Coordinator of the East Asian Studies Programme at the Universitat Autònoma de Barcelona. He has been Visiting Fellow at the University of Tokyo and a Postdoctoral Scholar at Stanford University. His publications include Antropología de Japón (Bellaterra 2017) and Escaping Japan: Reflections on Estrangement and Exile in the Twenty-first Century (Routledge 2018).