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Photography FAQs: Black and White [Pehme köide]

  • Formaat: Paperback / softback, 144 pages, kõrgus x laius: 210x148 mm, kaal: 370 g
  • Ilmumisaeg: 29-Dec-2008
  • Kirjastus: AVA Publishing SA
  • ISBN-10: 2884791051
  • ISBN-13: 9782884791052
  • Pehme köide
  • Hind: 29,72 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
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  • Formaat: Paperback / softback, 144 pages, kõrgus x laius: 210x148 mm, kaal: 370 g
  • Ilmumisaeg: 29-Dec-2008
  • Kirjastus: AVA Publishing SA
  • ISBN-10: 2884791051
  • ISBN-13: 9782884791052
Black and white is the heritage of photography, and this latest reference in the popular series offers a comprehensive look at the style for the amateur who wants to know more--especially those who have no experience in the form. Each section deals with a different aspect of the topic, from what black and white photography is to the lighting and exposure requirements needed to capture a good monochrome image. Learn about grey scale, how colors become tones, high and low-key lighting, light direction, infrared, film choice, the digital darkroom, noise, printing, presentation, and how to reintroduce color selectively. Lively accessible text, superb images, and a clear, easy-to-navigate design make this handy small-format guide perfect for use in the field. Black and white is the heritage of photography, and this latest reference in the popular series offers a comprehensive look at the style for the amateur who wants to know more—especially those who have no experience in the form. Each section deals with a different aspect of the topic, from what black and white photography is to the lighting and exposure requirements needed to capture a good monochrome image. Learn about grey scale, how colors become tones, high and low-key lighting, light direction, infrared, film choice, the digital darkroom, noise, printing, presentation, and how to reintroduce color selectively. Lively accessible text, superb images, and a clear, easy-to-navigate design make this handy small-format guide perfect for use in the field.
FREQUENTLY ASKED QUESTIONS 6
INTRODUCTION 10
WHAT IS BLACK AND WHITE? 14
01 The greyscale image
16
02 How black and white is produced
18
03 How colours become tones
20
04 Understanding contrast - curves
22
05 Understanding contrast - histograms
24
LIGHTING AND EXPOSURE 26
06 Quality of light for black and white
28
07 Direction of light for black and white
30
08 High- and low-key lighting
34
09 Metering for black and white
36
10 Correct versus artistic exposure
40
11 Natural and available light
48
12 Photographic light
50
13 Infrared
52
CAPTURING BLACK AND WHITE 54
14 Composition
56
15 Choice of film
58
16 Film speed and ISO sensitivity
62
17 Developers
66
18 Film grain
70
19 Digital - in-camera or on the computer?
72
20 Digital noise
74
21 Tones and zones
76
22 Subject brightness range (SBR)
78
23 Scanning film for digital black and white
80
FILTRATION FOR BLACK AND WHITE 82
24 The colour wheel and filtration
84
25 Filters for film
86
26 Filters for digital and film
88
DEVELOPING THE IMAGE (DIGITAL) 96
27 Black and white from digital colour
98
28 The power of camera raw files
100
29 Exposure control
101
30 Creating a film 'look'
107
DEVELOPING THE IMAGE (DARKROOM) 108
31 Paper types - fibre and resin coated
110
32 Paper types - warmtone and cooltone
111
33 Contrast and photographic papers
112
34 Techniques for variable-contrast papers
114
35 Local exposure control - dodge and burn
115
36 Chemical bleaching
117
37 'Liquid light'
118
38 Alternative techniques and materials
119
PRINTING 120
39 Colour and black-only printing
122
40 The question of permanence
123
41 Paper finishes
124
42 Printers other than the inkjet
125
PRESENTATION 126
43 Chemical toning
128
44 Toning for longevity
129
45 Toning for beauty
130
46 Digital toning
132
47 Print spotting and retouching
133
48 Reintroducing colour
134
49 Framing
136
50 Web
139
SUBJECT INDEX 140
ACKNOWLEDGEMENTS AND CREDITS 144
David Präkel has enjoyed a successful and diverse career in journalism, photography and education. He has taught photography at all levels in the UK and America, at the prestigious Kodak Imaging Training Centre and in his own training workshops in Northumberland. He is the author of several books on photography.