A clear, detailed, and practical account of how the Alexander Technique can help liberate performers from habitual psychophysical tensions, allowing them to access the deepest and most creative impulses in their work. * Walton Wilson, Chair, Department of Acting, and Head of Voice and Speech, Yale School of Drama * In small, doable steps, Bill guides the actor toward a healthy, creative life as a performeralways with a supportive, encouraging tone and attention to process as opposed to results. * Kim Jessor, faculty, Tisch School of the Arts at the New York University Graduate Acting Program * Bill Connington writes with insight, clarity, and flair about a subject he loves and shares his valuable perspective on the training of actors by exploring the all-important connection between body, mind, and spirit. In a voice both friendly and knowledgeable, Physical Expression on Stage and Screen guides the actor from class to rehearsal to performance. * Jessica Wolf, Assistant Professor, Yale School of Drama; director of 'Jessica Wolfs Art of Breathing' * Physical Expression on Stage and Screen provides new insight into the Alexander technique, which was pioneered by F. M. Alexander in the late 1800s The best part of the book is the exercises (more than 100) that help actors explore their unique styles. Many of the exercises are also supported by free online videos created by the author. This no-nonsense explanation of the Alexander technique is accessible to untrained students and a good refresher for those knowledgeable about acting. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals -- E. C. Skiles, Lone Star College-Kingwood * CHOICE *
