Muutke küpsiste eelistusi

Picture of Nobody [Pehme köide]

  • Formaat: Paperback / softback, 288 pages, kõrgus x laius: 215x127 mm, Illustrations
  • Ilmumisaeg: 28-May-2026
  • Kirjastus: McNally Jackson Books
  • ISBN-10: 1961341883
  • ISBN-13: 9781961341883
Teised raamatud teemal:
  • Pehme köide
  • Hind: 21,89 €
  • See raamat ei ole veel ilmunud. Raamatu kohalejõudmiseks kulub orienteeruvalt 3-4 nädalat peale raamatu väljaandmist.
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Tellimisaeg 2-4 nädalat
  • Lisa soovinimekirja
  • Formaat: Paperback / softback, 288 pages, kõrgus x laius: 215x127 mm, Illustrations
  • Ilmumisaeg: 28-May-2026
  • Kirjastus: McNally Jackson Books
  • ISBN-10: 1961341883
  • ISBN-13: 9781961341883
Teised raamatud teemal:
Transposed into the early twentieth century, a nonentity named Shakespeare rails against poverty, mediocrity, and misunderstanding, in forgotten modernist Philip Owenss brilliant, one-of-a-kind satire.





Every year, theres a new crop of sad, dirty poet boys coming up to the city without a penny to their names. In six months time, who on earth will remember these nobodies, with their so-called blank verse and their extravagant plotsthis Marlowe, Kyd, and Will Shakespere? (A pseudonym, surely!)Better that they write thrillers, or advertising copy, or speeches for the media baron John Falstaff, who looks to be running for office. Now theres a man with a strong hand, wholl keep us out of any nasty foreign wars!





Published in 1936 and soon forgotten in the chaos of World War II, Picture of Nobody is one of the strangest, most accomplished, and most remarkable one-offs in English fiction. A comic yet credible reimagining of the milieu of Elizabethan London in modernist dress, it transcends its premise to provide a poignant portrait, of a Shakespearean mind coming to grips with the twentieth century. Populated by an assortment of characters familiar from Wills life and writing both, it is as much a loving parody as a grim prophecy regarding the fate of genius in interesting times.

Arvustused

Picture of Nobody is truly unlike any other book I have read. Shakespeare and AntiShakespeare, a time-slipping tragicomedy of errors, grim and gorgeous, sparkling and sliding with wit and melancholy, a confusion triumphant, with some shady Beasts at the Doors. Its idiosyncrasyand its rarityhave left it unread and unrecognised, and its authors early death in WWII meant nothing else was to come from him. Picture of Nobody is a masterpiece, and a very strange one too.



David Tibet







Mr. Owens overloads his page with an Elizabethan generosity. He has felt love and pain and beauty. He burns with a fine anger. At a time when so much unadventurous competence comes from the presses, this uncompromising, passionate voice should be heard with respect.



L.A.G. Strong







Picture of Nobody is a witty, audacious reimagining of Shakespeare in 1930s London, written with great brio and panache. It conveys a lot about Shakespeare and his contemporaries in an original and inventive way, and also gives a dramatic picture of interwar turmoil. This remarkable work richly deserves rediscovery.



Mark Valentine







Picture of Nobody has a fun premise, transposing the figure of William Shakespeare to (then-)contemporary (i.e. 1930s) London and showing how the talented writer might fare . . . Owens doesnt just have writers of this and that day change places, with literary-historical play that also extends to and includes wordplay, making for multiple levels of entertaining meaning . . . As clever as the conceit of the novel is, its also the style that is particularly striking . . . An impressive and often very funny piece of work.



M. A. Orthofer, Complete Review







A brilliant idea! . . . His purpose, apart from entertaining himself and us, is to expose the greater vulgarity of our day: and this he does with a ferocity and satiric anger which is extremely enjoyable.



London Daily News







A fantastic affair in which a reincarnated Shakespeare with some of his contemporaries is found battling against twentieth-century odds . . . It is a brave and stimulating business, the kind of queer story which persistently remains in your mind . . . A provocative and whimsical story which deserves serious attention.



Ralph Straus, The Sunday Times







The characters here are mediocre and thats what makes this novel so great. The satirized life of a struggling poet is laugh-out-loud funny and at the same time shows how little has changed for everyday, unglamorous writers since this books initial publication 90 years ago. Picture of Nobody delivers and Owens, despite his flawed characters, is certainly no chump himself."



Clarisse Jorah, Literati Bookstore (Ann Arbor, MI)







Fresh and original.



Time & Tide







A very amusing and witty jeu desprit . . . Mr. Owens is an original writer and his first novel can be warmly recommended.



A. G. Macdonell, The Observer







The book is brilliant . . . Mr. Owens is a gifted and fiery writer; there are many ways of making ones debut, and this which he has chosenone might describe it as swallowing a crocodilewill anyhow give him a pleasant insouciance for his next attempt.



The Manchester Guardian







It is quite unusually vivid both in irony and in genuine feeling; it has a good deal of humour and is arresting because of its sincerity . . . one can have no doubts about what the author means to say, nor that he says it well and with originality.



The Times

Philip Owens (19001945) was a poet, translator, and editor. He published one novella, Hobohemians, in 1929, as well as several verse plays and poems over the succeeding decade. He translated two novels by Hans Fallada, and his poetry appears in the 1930 Samuel Putnam-edited anthology European Caravan, which also introduced the world to Samuel Beckett and William Empson. In the penultimate year of his life, Owens edited the collection Bed and Sometimes Breakfast: An Anthology of Landladies (1944). He died in an accident in Greecewhere he was serving with British Intelligencejust three months before the end of the Second World War.

Allen Bratton is the author of the novel Henry Henry. His short stories have appeared in the Sewanee Review and Granta. He holds an MA in English Language and Literatures, having written a thesis on medieval English kingship. He lives in Dublin, Ireland.