"While reading Placemaking Through Myths, Experience, and Drawing, memories of classic guidance from Goethe and Dürer came to mind regarding the intrinsic value of drawing. I had the pleasure of traveling and drawing with Dr. Tabb in Italy, southern Colorado and Northern New Mexico. We often would stop and sketch or watercolor a beautiful scene or building. Combined with other conceptual tools in Dr. Tabbs design toolbox, an essential methodology is presented for meaningful placemaking, especially facilitated by drawing. A clear reminder is given that static observation is vastly different from looking and seeing with awareness. We all have the potential to see from the soul and experience a more wholesome environment. Tabb provides us with a handbook for creating meaningful places. Stop! Smell, hear, touch, taste, and see where you are. Experience the place, the space, and yourself, then, perhaps, create a simple drawing. Think of the stories, the myths, that proceeded you, and that might follow you. Envision what was here long ago, what is here now, and what could be here. This is a book not just for architects or planners, but for anyone yearning to fan the spark of creativity within themselves and the joy of making or experiencing meaningful places."
Robert Armon, Architect, Denver, Colorado
"In Placemaking Through Myths, Experience, and Drawing, Phillip James Tabb offers a rare synthesis of drawing, mythology, and experiential reflection as fundamental tools in the making of meaningful places. Drawing from over forty years of journals, travel sketches, conceptual diagrams, and master plans, Tabb reveals how architecture can reconnect us to memory, myth, and spirit of place. As a longtime colleague and admirer of Dr. Tabbs work, I have long appreciated his ability to bridge abstraction and the built world through drawing. In this volume, he brings together a body of work that is both intellectually rigorous and emotionally resonant. His drawings are not mere representationsthey are acts of architectural inquiry, layered with social, cultural, and historical meaning. They invite us into stories of place, shaped by mythology and experience, reminding us that architecture at its best is not about image-making, but about engaging the human imagination across time. For students, designers, and scholars alike, this book is both a call to mindfulness and a celebration of drawing as a way of knowing. It is an inspiration, and a gift."
Smilja Milovanovic-Bertram, Associate Professor, School of Architecture, University of Texas at Austin
