Muutke küpsiste eelistusi

Playing Recorder Sonatas: Interpretation and Technique [Kõva köide]

  • Formaat: Hardback, 235 pages, kõrgus x laius: 240x180 mm, kaal: 530 g, frontispiece, halftones, music examples, bibliography
  • Ilmumisaeg: 01-May-1992
  • Kirjastus: Clarendon Press
  • ISBN-10: 0198790023
  • ISBN-13: 9780198790020
Teised raamatud teemal:
  • Kõva köide
  • Hind: 80,85 €*
  • * saadame teile pakkumise kasutatud raamatule, mille hind võib erineda kodulehel olevast hinnast
  • See raamat on trükist otsas, kuid me saadame teile pakkumise kasutatud raamatule.
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Lisa soovinimekirja
Playing Recorder Sonatas: Interpretation and Technique
  • Formaat: Hardback, 235 pages, kõrgus x laius: 240x180 mm, kaal: 530 g, frontispiece, halftones, music examples, bibliography
  • Ilmumisaeg: 01-May-1992
  • Kirjastus: Clarendon Press
  • ISBN-10: 0198790023
  • ISBN-13: 9780198790020
Teised raamatud teemal:
This is a comprehensive introduction to the art of playing recorder sonatas, written by a teacher and player of wide experience. It is designed not only for students and teachers, but also for those self-taught recorder players who have reached the point where they feel ready to embark upon solo sonata playing. It aims to encourage players whose experience has been limited to consort music to extend their playing to sonatas by Handel, Telemann, and others, so increasing their enjoyment and skill in recorder playing in all its varied forms. Through this book they will encounter sonatas from the seventeenth, eighteenth, and twentieth centuries, which often make challenging demands upon the recorder's expressive capabilities. Each of the sonatas considered is described in relation to its musical background (illustrated by parallels with other arts) and to the performance practices of each period.
The approach to playing baroque sonatas - some general points; sound and
expression - Handel's "Sonata in G Minor"; dynamics and Italian style -
Telemann's "Sonata in D Minor"; French style and inequality - Lavigne's
sonatas; articulation and slurs - Herbert Murrill's "Sonata" and Handel's
"Furioso" ("D Minor Sonata"); ornamentation and improvization - Fontana's
"Sonata Terza"; further aspects of performance; other sonatas. Appendices:
"Three Blind Mice" and baroque trills; suggestions for starting to explore
the recorder-sonata repertoire.