Overview |
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Dedication |
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About the Author |
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vii | |
Foreword |
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xviii | |
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Introduction |
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xix | |
Teaching Tips |
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xx | |
Playing the Soprano Recorder and the National Standards for Music Education |
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xxii | |
Fingering Charts |
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xxiv | |
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1 | (6) |
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1 | (2) |
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Learning How to Hold the Recorder |
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Understanding the Hole Coverings |
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The First Three Notes, G, A, and B Fingering Chart |
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3 | (1) |
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4 | (1) |
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5 | (1) |
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Using the Notes G, A, and B, Compose Your Own Piece |
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6 | (1) |
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6 | (1) |
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7 | (7) |
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7 | (1) |
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Review of Fingering and Technique from Lesson I (Notes G, A, and B) |
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7 | (3) |
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Notes G, A, and B on the Staff |
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Reading Music on the Staff |
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Repeated Notes, Steps and Skips |
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10 | (2) |
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Breathe on Me Breath of God |
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12 | (1) |
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On the Staff Provided, Write Your Composition from Lesson I |
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13 | (1) |
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13 | (1) |
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14 | (5) |
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14 | (1) |
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Review of Fingering and Staff Placement for Notes G, A, and B |
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14 | (2) |
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16 | (1) |
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Almost a French Folk Song |
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Praise God from Whom All Blessings Flow |
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17 | (1) |
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Create a Composition in 4/4 Using G, A, and B Notes |
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18 | (1) |
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Tip for Writing Notes Correctly |
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18 | (1) |
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19 | (5) |
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19 | (1) |
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19 | (1) |
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20 | (2) |
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Twenty-First-Century Minuet |
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22 | (1) |
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Rhythm Sounds Composition |
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23 | (1) |
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23 | (1) |
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24 | (4) |
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24 | (1) |
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Review of Fingering for Notes C and D |
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24 | (1) |
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Dynamics: Louds and Softs of Music |
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25 | (2) |
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27 | (1) |
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Add Dynamic Markings to an Original Composition |
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27 | (1) |
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27 | (1) |
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28 | (6) |
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28 | (1) |
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Four New Notes, Middle C, D, E, and F |
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29 | (1) |
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30 | (1) |
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31 | (2) |
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Variation of Twinkle, Twinkle Little Star |
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33 | (1) |
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33 | (1) |
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34 | (3) |
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34 | (1) |
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34 | (1) |
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35 | (1) |
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36 | (1) |
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Create a Composition in 3/4 Time Beginning with a Pickup |
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36 | (1) |
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36 | (1) |
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37 | (6) |
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37 | (1) |
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Reviewing What You Have Learned (Dynamics) |
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38 | (2) |
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The Dotted Quarter Note in Famous Songs |
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40 | (1) |
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Largo (A. Dvorak from the New World Symphony) |
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41 | (1) |
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Compose a Four-Measure Rhythm Composition Containing the Dotted Quarter Note |
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42 | (1) |
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42 | (1) |
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43 | (5) |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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Reminiscent of an Old Dance |
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46 | (1) |
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Adding D.C. al fine to a Piece |
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47 | (1) |
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47 | (1) |
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48 | (5) |
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48 | (1) |
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49 | (1) |
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Terms of Expression and Tempo |
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50 | (1) |
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Brother Come and Dance with Me |
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God Be with You Till We Meet Again |
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51 | (1) |
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Finish the Melody (Question and Answer Phrase) |
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52 | (1) |
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Tempo Terms: Adagio, Allegro, Andante, Largo, Moderato, Presto |
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Expression Words: Cantabile, Espressivo, Giocoso, Grazioso, Maestoso |
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52 | (1) |
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53 | (8) |
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53 | (1) |
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Reinforcing the Fingering for F# and B |
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54 | (2) |
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56 | (3) |
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59 | (1) |
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Create Your Own Rhythm Composition |
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59 | (1) |
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60 | (1) |
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61 | (7) |
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61 | (1) |
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Three New Notes, High E, F, and G |
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62 | (1) |
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63 | (3) |
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Wake, Awake, for Night Is Flying |
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66 | (1) |
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66 | (1) |
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67 | (1) |
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68 | (5) |
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68 | (1) |
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69 | (1) |
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70 | (2) |
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Andante (F. J. Haydn from the Surprise Symphony no. 94) |
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All Hail the Power of Jesus' Name |
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72 | (1) |
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Create an Interval Guessing Game for Your Class or Friends |
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72 | (1) |
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72 | (1) |
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73 | (5) |
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73 | (1) |
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73 | (2) |
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Note Values in 6/8 Time Signature |
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75 | (1) |
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76 | (1) |
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Compose Your Own Melody in 6/8 Time |
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77 | (1) |
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77 | (1) |
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78 | (7) |
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78 | (1) |
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Staccato Playing (Jolly Old Saint Nicholas) |
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79 | (1) |
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80 | (2) |
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Little David Play on Your Harp |
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82 | (2) |
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Compose a New Melody Using the Rhythm of Either Camptown Races or Little David |
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84 | (1) |
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84 | (1) |
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85 | (6) |
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85 | (1) |
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86 | (1) |
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The Dotted Eighth and Sixteenth Note Rhythm Pattern |
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87 | (2) |
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Battle Hymn of the Republic |
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89 | (1) |
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Add Slur and Staccato Markings to a Piece |
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89 | (1) |
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Dotted Eighth and Sixteenth Note Rhythm Pattern |
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90 | (1) |
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91 | (6) |
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91 | (1) |
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Review of Fingerings for High E, F, and G and Review of Staccato and Legato Technique |
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91 | (2) |
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Eighth and Sixteenth Notes in 6/8 Time |
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Dotted Eighth Note and Sixteenth Note Patterns in 6/8 Time |
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93 | (2) |
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95 | (1) |
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Compose an Eight-Measure Rhythm Composition in 4/4 Time |
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95 | (1) |
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Dotted Eighth and Sixteenth Note Rhythm Pattern in 6/8 Time |
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96 | (1) |
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97 | (24) |
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97 | (1) |
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Lesson XVIII Pieces: Lesson Level of Difficulty |
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98 | (1) |
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99 | (1) |
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God Is Good to Me: Lesson III |
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100 | (1) |
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Go Tell Aunt Rhodie: Lesson IV |
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101 | (1) |
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Du Liegst Mir im Herzen: Lesson IV |
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102 | (1) |
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Dance for Leila: Lesson V |
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103 | (1) |
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Christ the Lord Has Risen Today: Lesson VI |
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104 | (1) |
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From Heav'n Above to Earth I Come: Lesson VII |
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105 | (1) |
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106 | (1) |
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Pomp and Circumstance: Lesson IX |
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107 | (1) |
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My Country 'Tis of Thee / God Save the Queen: Lesson X |
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108 | (1) |
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March of the Toy Soldiers: Lesson XI |
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109 | (1) |
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110 | (1) |
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111 | (1) |
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There is a Balm in Gilead: Lesson XIII |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (3) |
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Good Christian Men, Rejoice: Lesson XVII |
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118 | (2) |
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Greensleeves: Lesson XVII |
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120 | (1) |
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121 | (4) |
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121 | (1) |
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122 | (1) |
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Savior, Like a Shepherd Lead Us |
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123 | (1) |
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Swing Low, Sweet Chariot/Nobody Knows the Trouble I've Seen |
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124 | (1) |
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When Peace with the Father Attends My Way |
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125 | |