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Playing the Soprano Recorder: For Church, School, Community, and the Private Studio (Complete Edition: With Piano Accompaniments) [Multiple-component retail product]

  • Formaat: Multiple-component retail product, 312 pages, kõrgus x laius x paksus: 281x237x30 mm, kaal: 875 g, Contains 1 Audio disc and 1 Paperback / softback
  • Ilmumisaeg: 13-Feb-2008
  • Kirjastus: Rowman & Littlefield Education
  • ISBN-10: 1578867134
  • ISBN-13: 9781578867134
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  • Multiple-component retail product
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  • Formaat: Multiple-component retail product, 312 pages, kõrgus x laius x paksus: 281x237x30 mm, kaal: 875 g, Contains 1 Audio disc and 1 Paperback / softback
  • Ilmumisaeg: 13-Feb-2008
  • Kirjastus: Rowman & Littlefield Education
  • ISBN-10: 1578867134
  • ISBN-13: 9781578867134
Teised raamatud teemal:
Written for general music classes, group and private instruction, and self-learners, Playing the Soprano Recorder provides teachers and students with a sequential and musical approach to learning Western music notation and soprano recording playing. In addition, each lesson provides opportunities to apply, in creative ways, the notation and concepts they learn and also to support the development of creative thinking and the tools needed for composing music in Western notation. The teaching materials and pieces presented in the text are extremely musical and satisfying to learn from the first lesson to the last. Students enjoy the richness of ensemble playing. In addition to a practice/performance CD, written piano accompaniments for all 76 pieces are included, many with optional, additional instrumental parts. The words of songs are included for nurturing both singing and instrument playing. The text can be used successfully in multiple and varied settings of teaching and learning, making collaborations between teachers in school, church, private, after school enrichment, and outreach programs easy. Usage is flexible; as excellent as a college text in teacher preparation and adult general music classes as in third - eighth grade classes due to the "go to your own pace" comprehensive instructional format of the book. Performance of the beautiful ensemble pieces is a natural and desired outcome of "players" learning. Due to the selection of pieces, there are many possibilities for interdisciplinary education as well as expansions of and links to other areas within the discipline of music. All nine of the National Standards in Music Education are supported in this approach.

Arvustused

Playing the Soprano Recorder...is a comprehensive recorder book for beginners of all ages and groups of all sizes. The author presents not only music fundamentals and recorder techniques with a wealth of well-chosen repertoire but she also integrates activities to foster creative thinking and good teaching strategies. While the music literature is extensive, including works from folk music, jazz style to opera tunes and more, the piano accompaniments are simple yet very expressive. A few pieces place the recorder playing along with a small string ensemble, with other recorders, or Orff instruments. Words are included for many of the songs so that the instructor may incorporate much singing and other music activities. This is the book most music teachers would love to use. The lessons are attractive, logical, well organized and the content maximizes opportunities for musical learning. What makes this book most valuable and unique is the original arrangement of the melody as well as piano accompaniment by the author. The result is most musical in expression and with a sound pedagogy. -- Dr. Cecilia Wang, associate professor of Music Education, University of Kentucky Rarely do we see methods texts of this sort that are informed so well by practice and research. Guderian has created a marvelous resource for learning the recorder, full of so many features - including wonderful creative activities. -- Peter R. Webster, PhD, Professor Emeritus, Northwestern University, Scholar in Residence, University of Southern California I am happy to say that Playing the Soprano Recorder has become our recorder book of choice for our music educators and Sunday School teachers throughout the USA. The musical methods, activities and music created by [ the author] have led to wonderful developments in our recorder ensembles and the constant building of our music culture. -- Richard A. Freund, director, Maurice Greenberg Center for Judaic Studies, University of Hartford I will recommend this book to my students, both non-major and music ed major, and I know it will be of interest to both. The elementary education students often come to my class with no knowledge of how to read music, and some (not all) of them really want to develop this skill. The music majors are, of course, interested in exploring a variety of materials in order to be knowledgeable about many possibilities. I have students who will teach in parochial schools, and others who are involved with music in church situations, and for these people, [ the] book is perfect! -- Judy Bond, past-president of the American Orff-Schulwerk Association and coordinator of Music Education at the University of Wisconsin, Ste I highly recommend getting this guide to use with your own students. * American Recorder *

Overview
Dedication v
About the Author vi
Table of Contents
vii
Foreword xviii
Bennett Reimer
Introduction xix
Teaching Tips xx
Playing the Soprano Recorder and the National Standards for Music Education xxii
Fingering Charts xxiv
Section 1
Lesson I
1(6)
Technique and Fingering
1(2)
Learning How to Hold the Recorder
Understanding the Hole Coverings
Tonguing
Blowing
The First Three Notes, G, A, and B Fingering Chart
Music Lesson
3(1)
Music Notes
Quarter Note
Half Note
Lesson I Pieces
4(1)
First Piece
Now the Day Is Over
Prelude I
Creative Corner
5(1)
Using the Notes G, A, and B, Compose Your Own Piece
Theory and Terms
6(1)
Quarter notes
Half notes
Rhythm
Assignment
6(1)
Lesson II
7(7)
Technique and Fingering
7(1)
Review of Fingering and Technique from Lesson I (Notes G, A, and B)
Music Lesson
7(3)
The Music Staff
Treble Clef
Notes G, A, and B on the Staff
Reading Music on the Staff
Repeated Notes, Steps and Skips
Notation
Dotted Half Note
Lesson II Pieces
10(2)
Stop and Look
Waltz
Breathe on Me Breath of God
Faith of Our Fathers
Creative Corner
12(1)
On the Staff Provided, Write Your Composition from Lesson I
Theory and Terms
13(1)
Music Staff
Step
Repeated Notes
Skip
Treble Clef
Notation
Dotted Half Note
Assignment
13(1)
Lesson III
14(5)
Technique and Fingering
14(1)
Review of Fingering and Staff Placement for Notes G, A, and B
Music Lesson
14(2)
Time Signature
Measure
Measure Bar Line
Whole Note
Lesson III Pieces
16(1)
Piece
Almost a French Folk Song
Praise God from Whom All Blessings Flow
Hot Air Balloon Waltz
Creative Corner
17(1)
Create a Composition in 4/4 Using G, A, and B Notes
Theory and Terms
18(1)
Tip for Writing Notes Correctly
Time Signature
Measure
Measure Bar Lines
Double Bar
Whole Note
Assignment
18(1)
Lesson IV
19(5)
Technique and Fingering
19(1)
Two New Notes, C and D
Music Lesson
19(1)
Eighth Note
Lesson IV Pieces
20(2)
Little Bird
Chester
From Brahms' First
Twenty-First-Century Minuet
Creative Corner
22(1)
Rhythm Sounds Composition
Homemade Instruments
Theory and Terms
23(1)
Eighth Note
Assignment
23(1)
Lesson V
24(4)
Technique and Fingering
24(1)
Review of Fingering for Notes C and D
Music Lesson
24(1)
Dynamics: Louds and Softs of Music
Dynamics Chart
Lesson V Pieces
25(2)
Beautiful Savior
Prelude II
Aura Lee
Creative Corner
27(1)
Add Dynamic Markings to an Original Composition
Theory and Terms
27(1)
Piano
Mezzo Piano
Pianissimo
Forte
Mezzo Forte
Fortissimo
Assignment
27(1)
Lesson VI
28(6)
Technique and Fingering
28(1)
Four New Notes, Middle C, D, E, and F
Music Lesson
29(1)
C Major Scale
Steps, Seconds
Repeat Sign
Lesson VI Pieces
30(1)
Burleske
Holy, Holy, Holy
Creative Corner
31(2)
Variation of Twinkle, Twinkle Little Star
Theory and Terms
33(1)
Step
Interval
Skip
C Major Scale
Repeat Sign
Syllable
Solfege
Assignment
33(1)
Lesson VII
34(3)
Technique and Fingering
34(1)
C Major Scale Practice
Music Lesson
34(1)
The Pickup
Lesson VII Pieces
35(1)
Peaceful Evening
Amazing Grace
Creative Corner
36(1)
Create a Composition in 3/4 Time Beginning with a Pickup
Theory and Terms
36(1)
Pickup Note or Notes
Downbeat
Assignment
36(1)
Lesson VIII
37(6)
Technique and Fingering
37(1)
Reviewing What You Have Learned (Dynamics)
Music Lesson
38(2)
Dotted Quarter Note
The Dotted Quarter Note in Famous Songs
Lesson VIII Pieces
40(1)
Deck the Hall
Largo (A. Dvorak from the New World Symphony)
Creative Corner
41(1)
Compose a Four-Measure Rhythm Composition Containing the Dotted Quarter Note
Theory and Terms
42(1)
Dotted Quarter Note
Assignment
42(1)
Lesson IX
43(5)
Technique and Fingering
43(1)
New Note, F# --- F Sharp
Music Lesson
44(1)
Key Signature
Allegro
D.C. al fine
Lesson IX Pieces
45(1)
Nearer My God to Thee
Reminiscent of an Old Dance
Creative Corner
46(1)
Adding D.C. al fine to a Piece
Theory and Terms
47(1)
Sharp (#)
Accidental
Key Signature
Allegro
D.C. al fine
Double Bar
Assignment
47(1)
Lesson X
48(5)
Technique and Fingering
48(1)
New Note, B ---B flat
Music Lesson
49(1)
Terms of Expression and Tempo
Lesson X Pieces
50(1)
Brother Come and Dance with Me
Bird Song at Evening
God Be with You Till We Meet Again
Creative Corner
51(1)
Finish the Melody (Question and Answer Phrase)
Theory and Terms
52(1)
Flat ()
Tempo Terms: Adagio, Allegro, Andante, Largo, Moderato, Presto
Expression Words: Cantabile, Espressivo, Giocoso, Grazioso, Maestoso
Assignment
52(1)
Lesson XI
53(8)
Technique and Fingering
53(1)
Reinforcing the Fingering for F# and B
Music Lesson
54(2)
Rests
Lesson XI Pieces
56(3)
Jacob's Ladder
Playing Statues
Joshua Fit the Battle
Creative Corner
59(1)
Create Your Own Rhythm Composition
Theory and Terms
59(1)
Syncopation
Rests
Assignment
60(1)
Lesson XII
61(7)
Technique and Fingering
61(1)
Three New Notes, High E, F, and G
Music Lesson
62(1)
The Tie
The Fermata
Chorale
Lesson XII Pieces
63(3)
Higher and Higher Waltz
Blest Be the Tie
Wake, Awake, for Night Is Flying
The Ash Grove
Creative Corner
66(1)
Creating ``Music Math''
Theory and Terms
66(1)
Tie
Fermata
Chorale
Assignment
67(1)
Lesson XIII
68(5)
Technique and Fingering
68(1)
Practice for Facility
Music Lesson
69(1)
Intervals
The Natural Sign
Lesson XIII Pieces
70(2)
Andante (F. J. Haydn from the Surprise Symphony no. 94)
All Hail the Power of Jesus' Name
All Through the Night
Creative Corner
72(1)
Create an Interval Guessing Game for Your Class or Friends
Theory and Terms
72(1)
Interval
Natural Sign
Assignment
72(1)
Lesson XIV
73(5)
Technique and Fingering
73(1)
Accidentals
Music Lesson
73(2)
6/8 Time Signature
Note Values in 6/8 Time Signature
Primary Accent
Secondary Accent
Lesson XIV Pieces
75(1)
Irish Dance
Vive la Compagnie
Wonderful Words of Life
Creative Corner
76(1)
Compose Your Own Melody in 6/8 Time
Theory and Terms
77(1)
6/8 Time Signature
Primary Accent
Secondary Accent
Meter
Assignment
77(1)
Lesson XV
78(7)
Technique and Fingering
78(1)
Staccato Playing (Jolly Old Saint Nicholas)
Music Lesson
79(1)
Sixteenth Note
Lesson XV Pieces
80(2)
Camptown Races
Little David Play on Your Harp
Creative Corner
82(2)
Compose a New Melody Using the Rhythm of Either Camptown Races or Little David
Theory and Terms
84(1)
Sixteenth Note
Sixteenth Note Rest
Sight-reading
Subdivide
Staccato
Assignment
84(1)
Lesson XVI
85(6)
Technique and Fingering
85(1)
Legato Playing (Slur)
Music Lesson
86(1)
The Dotted Eighth and Sixteenth Note Rhythm Pattern
Lesson XVI Pieces
87(2)
Fancy Skip Blues
Dream
Battle Hymn of the Republic
Creative Corner
89(1)
Add Slur and Staccato Markings to a Piece
Theory and Terms
89(1)
Slur
Dotted Eighth and Sixteenth Note Rhythm Pattern
Legato
Assignment
90(1)
Lesson XVII
91(6)
Technique and Fingering
91(1)
Review of Fingerings for High E, F, and G and Review of Staccato and Legato Technique
Music Lesson
91(2)
Eighth and Sixteenth Notes in 6/8 Time
Dotted Eighth Note and Sixteenth Note Patterns in 6/8 Time
Triplet
Lesson XVII Pieces
93(2)
Sur le Pont d'Avignon
Tripleting Along
Silent Night
Creative Corner
95(1)
Compose an Eight-Measure Rhythm Composition in 4/4 Time
Theory and Terms
95(1)
Triplet
Dotted Eighth and Sixteenth Note Rhythm Pattern in 6/8 Time
Assignment
96(1)
Lesson XVIII
97(24)
Supplementary Solos
97(1)
Putting it All Together
Lesson XVIII Pieces: Lesson Level of Difficulty
Jingle Bells: Lesson I
98(1)
Lully, Lullay: Lesson II
99(1)
God Is Good to Me: Lesson III
100(1)
Go Tell Aunt Rhodie: Lesson IV
101(1)
Du Liegst Mir im Herzen: Lesson IV
102(1)
Dance for Leila: Lesson V
103(1)
Christ the Lord Has Risen Today: Lesson VI
104(1)
From Heav'n Above to Earth I Come: Lesson VII
105(1)
Alouette: Lesson VIII
106(1)
Pomp and Circumstance: Lesson IX
107(1)
My Country 'Tis of Thee / God Save the Queen: Lesson X
108(1)
March of the Toy Soldiers: Lesson XI
109(1)
Hatikvah: Lesson XII
110(1)
Ode to Joy: Lesson XII
111(1)
There is a Balm in Gilead: Lesson XIII
112(1)
Barcarolle: Lesson XIV
113(1)
Some Folks Do: Lesson XV
114(1)
Blessing: Lesson XVI
115(3)
Good Christian Men, Rejoice: Lesson XVII
118(2)
Greensleeves: Lesson XVII
120(1)
MORE SUPPLEMENTARY SOLOS
121(4)
Abide with Me
121(1)
Parson's Farewell
122(1)
Savior, Like a Shepherd Lead Us
123(1)
Swing Low, Sweet Chariot/Nobody Knows the Trouble I've Seen
124(1)
When Peace with the Father Attends My Way
125


Lois Veenhoven Guderian is active as a music educator, composer, choral director, clinician, music education researcher, consultant and performer. Currently at Northwestern University, Lois has taught general, choral, instrumental and private music instruction levels pre-K through university, and continues to create texts, curricula, music and special programs for schools, churches, and communities.