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Policing Contingencies 2nd ed. [Kõva köide]

  • Formaat: Hardback, 280 pages, kõrgus x laius x paksus: 238x164x19 mm, kaal: 570 g, 1 table
  • Ilmumisaeg: 15-Jul-2003
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226503518
  • ISBN-13: 9780226503516
Teised raamatud teemal:
  • Formaat: Hardback, 280 pages, kõrgus x laius x paksus: 238x164x19 mm, kaal: 570 g, 1 table
  • Ilmumisaeg: 15-Jul-2003
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226503518
  • ISBN-13: 9780226503516
Teised raamatud teemal:
Despite constant calls for reform, policing in the United States and Britain has changed little over the past thirty years. In Policing Contingencies, Peter K. Manning draws on decades of fieldwork to investigate how law enforcement works on the ground and in the symbolic realm, and why most efforts to reform the way police work have failed so far.

Manning begins by developing a model of policing as drama—a way of communicating various messages to the public in an effort to enforce moral boundaries. Unexpected outcomes, or contingencies, continually rewrite the plot of this drama, requiring officers to adjust accordingly. New information technologies, media scrutiny and representations, and community policing also play important roles, and Manning studies these influences in detail. He concludes that their impacts have been quite limited, because the basic structure of policing—officer assessments based on encounters during routine patrols—has remained unchanged. For policing to really change, Manning argues, its focus will need to shift to prevention.

Written with precision and judiciously argued, Policing Contingencies will be of value to scholars of sociology, criminology, information technology, and cultural theory.


Despite constant calls for reform, policing in the United States and Britain has changed little over the past thirty years. In Policing Contingencies, Peter K. Manning draws on decades of fieldwork to investigate how law enforcement works on the ground and in the symbolic realm, and why most efforts to reform the way police work have failed so far.

Manning begins by developing a model of policing as drama--a way of communicating various messages to the public in an effort to enforce moral boundaries. Unexpected outcomes, or contingencies, continually rewrite the plot of this drama, requiring officers to adjust accordingly. New information technologies, media scrutiny and representations, and community policing also play important roles, and Manning studies these influences in detail. He concludes that their impacts have been quite limited, because the basic structure of policing--officer assessments based on encounters during routine patrols--has remained unchanged. For policing to really change, Manning argues, its focus will need to shift to prevention.

Written with precision and judiciously argued, Policing Contingencies will be of value to scholars of sociology, criminology, information technology, and cultural theory.
PREFACE AND ACKNOWLEDGMENTS vii
PART 1 POLICING CONTINGENCIES
ONE Policing Contingencies
3(29)
Two Aspects of the Anglo-American Police Organization
32(29)
PART 2 PICTURING POLICING
THREE Media, Reflexivity, and the Mandate
61(9)
FOUR The Dynamics of Police Reflection
70(39)
PART 3 TECHNOLOGIES AND INFORMATION
FIVE The Car and Driver as the Basic Police Technology
109(14)
SIX Horizons of Technology
123(21)
SEVEN Processes: Information Technology as a Source of Drama
144(33)
PART 4 POLICE ROLES AND CHANGE
EIGHT Police Roles and Change
177(31)
NINE Risk, Trust, and Reflection
208(27)
PART 5 REFLECTIONS
TEN Reprise
235(16)
APPENDIXES
A Methods and Dramaturgy
251 (15)
B Data Sources and Limits
266
REFERENCES 271
INDEX 291