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Politics of Realism [Kõva köide]

(University of Warwick, UK)
  • Formaat: Hardback, 288 pages, kõrgus x laius: 234x156 mm, kaal: 581 g, 5 bw illus
  • Ilmumisaeg: 18-Nov-2021
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1350228532
  • ISBN-13: 9781350228535
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  • Formaat: Hardback, 288 pages, kõrgus x laius: 234x156 mm, kaal: 581 g, 5 bw illus
  • Ilmumisaeg: 18-Nov-2021
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1350228532
  • ISBN-13: 9781350228535
Exploring the controversial history of an aesthetic realism this book examines the role that realism plays in the negotiation of social, political, and material realities from the mid-19th century to the present day.

Examining a broad range of literary texts from French, English, Italian, German, and Russian writers, this book provides new insights into how realism engages with themes including capital, social decorum, the law and its politicisation, modern science as a determining factor concerning truth, and the politics of identity.

Considering works from Gustave Flaubert, Charles Baudelaire, Émile Zola, Henry James, Charles Dickens, and George Orwell, Docherty proposes a new philosophical conception of the politics of realism in an age where politics feels increasingly erratic and fantastical.

Arvustused

Thomas Dochertys wide-ranging, spirited account of the role played by a contested aesthetic weaves examples from literature, visual arts, and film ... in admirably clear, accessible language that avoids jargon. * Modern Language Review * This well-written, well-thought-out book applies many Continental philosophical notions to the almost endless antagonisms between artists attempting to depict the world as they see it, and the political power of those who would deny the very need for change. * CHOICE * Docherty uses these categories to triangulate realisms changing shapes across two centuries of Western aesthetic debates and politics... [ The] Politics of Realism leaves scope for a suitable response to how this realism of identity, at least in the European mediascape, might present a form of resistance just as Italian neorealism once did. * Midwest Modern Language Association *

Muu info

This book addresses the controversial history of an aesthetic - Realism - whose central purpose is the negotiation of social, political, and material realities, examining the ways in which it engages capital, social decorum and manners, the law and its intrinsic politicisation, the emergence of modern science as a determining factor concerning truth, and the corruptions of the aesthetic under the force of the politics of identity in the contemporary sphere.
Introduction 1(22)
Part I Controlling the real and its representations
1 Assembly: Reality and the commerce of censorship
23(25)
2 A present and private reality: Labour, sex and death in Courbet's painting
48(22)
3 Grotesque Realism: Flaubert, Baudelaire, impropriety and decorum
70(17)
4 Legislating reality: Law, religion and education
87(32)
Part II Making the real
5 Science and modernity: Vision, force, Turgenev and Russian Formalism
119(30)
6 Realism changes reality: Revolution, documentary and socialist realisms
149(26)
Part III Making the unreal
7 Naked propaganda: "The intimate things of common life"
175(22)
8 Neorealism: The real as resistance
197(30)
9 The politics of fact, and the danger of totalitarian Realism
227(38)
Bibliography 265(9)
Index 274
Thomas Docherty is Professor of English at Warwick University, UK. He has published on most areas of English and comparative literature from the Renaissance to the present day. He specializes in the philosophy of literary criticism, in critical theory, and in cultural history in relation primarily to European philosophy and literatures. Some of his previous publications include John Donne Undone (Methuen, Routledge, 1986) Postmodernism (Harvester/Columbia UP, 1993), Aesthetic Democracy (Stanford UP, 2006) and The English Question (Sussex Academic, 2008).