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Porcelain and Bone China [Kõva köide]

  • Formaat: Hardback, 176 pages, kõrgus x laius: 280x215 mm, 276 colour photos
  • Ilmumisaeg: 28-Oct-2004
  • Kirjastus: The Crowood Press Ltd
  • ISBN-10: 1861266936
  • ISBN-13: 9781861266934
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  • Kõva köide
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  • Formaat: Hardback, 176 pages, kõrgus x laius: 280x215 mm, 276 colour photos
  • Ilmumisaeg: 28-Oct-2004
  • Kirjastus: The Crowood Press Ltd
  • ISBN-10: 1861266936
  • ISBN-13: 9781861266934
Teised raamatud teemal:
The beautiful qualities of porcelain and bone china have fascinated patrons, collectors, and makers for centuries. These two materials are often perceived as one and the same clay, for they both possess qualities of whiteness, strength, and translucency; however, each has its own particular characteristics, which merit further exploration and discussion. Porcelain is a well-documented subject, both in traditional and contemporary terms. Bone china, on the other hand, has historically been labeled an “industrial” material, which has narrowed its appeal. Porcelain and Bone China redresses the balance by demonstrating how these clays have played an equally important role within and outside the industrial domain. Sasha Wardell studied ceramics at England’s Bath Academy of Art and Staffordshire Polytechnic as well as the École des Arts Décoratitifs in Limoges, France.
Introduction -- `White Gold' 7(6)
Composition of Porcelain and Bone China with Recipes
13(8)
Making Methods -- Throwing
21(18)
Making Methods -- Hand Building
39(18)
Making Methods -- Slip Casting
57(16)
Decorating Techniques -- From Raw to Onglaze
73(42)
Glazes and Firing Processes
115(12)
Designers/Makers Working Within the Ceramic Industry (Introduction by Sue Pryke)
127(28)
Advanced Technology
155(10)
Appendix 165(3)
Glossary 168(2)
Bibliography and Further Reading 170(1)
Suppliers 171(2)
Index 173


Sasha Wardell has been working with bone china since 1982. Having studied ceramics at Bath Academy of Art in the 1970s, then later at post-graduate level at North Staffordshire Polytechnic, she developed a fascination for bone china. With her husband she ran summer residential courses from their home in France. After returning to the UK, Sasha now divides her time between making and lecturing.