Muutke küpsiste eelistusi

Portrait of a Lady Second Edition [Pehme köide]

Edited by (Kent State University),
  • Formaat: Paperback / softback, 800 pages, kõrgus x laius x paksus: 213x135x25 mm, kaal: 555 g
  • Sari: Norton Critical Editions
  • Ilmumisaeg: 10-May-1995
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393966461
  • ISBN-13: 9780393966466
  • Formaat: Paperback / softback, 800 pages, kõrgus x laius x paksus: 213x135x25 mm, kaal: 555 g
  • Sari: Norton Critical Editions
  • Ilmumisaeg: 10-May-1995
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393966461
  • ISBN-13: 9780393966466
Seeking the opportunities of Europe, Isabel Archer, a young American, is courted by three men, comes to rely on a invalid cousin, an falls prey to a scheming, sophisicated older woman

In a sense, there are two distinctly separate Portraits—the 1880-81 First Edition and the New York Edition, which James extensively revised. The editor has meticulously prepared a list of textual variants to facilitate comparative reading of the novel. Nina Baym, F. O. Matthiessen, and Anthony J. Mazzella provide differing interpretations of James's revision process.Henry James and the Novel culls autobiographical excerpts from James's other writings—his Notebooks, the intentionally autobiographical A Small Boy and Others and Notes of a Son and Brother, and the travel books Italy Revisited, A Roman Holiday, and Roman Rides.Contemporary Reviews and Criticism provides both chronological and critical perspective on The Portrait of a Lady. Four reviews from 1882 outline the novel's initial critical reception.Seven important essays from the period 1954-1991 provide a wide range of critical responses by Dorothy Van Ghent, William H. Gass, Laurence B. Holland, Charles Feidelson, Louis Auchincloss, William Veeder, and Millicent Bell.Bibliographical Aids includes judiciously selected secondary works on James from the wealth of material published yearly.

The text of this Second Edition of one of Henry James's most important novels is that of the New York Edition (1908).
Preface vii The Text of The Portrait of a Lady 1(634) Preface to the New York Edition (1908) 3(14) The Portrait of a Lady 17(474) TEXTUAL APPENDIX 491(144) Textual Variants 495(82) F. O. Matthiessen The Painters Sponge and Varnish Bottle 577(20) Anthony J. Mazzella The New Isabel 597(23) Nina Baym Revision and Thematic Change in The Portrait of a Lady 620(15) Henry James and the Novel 635(22) From The Notebooks 639(5) From A Small Boy and Others 644(2) From Notes of a Son and Brother 646(5) From Italy Revisited 651(2) From A Roman Holiday 653(1) From Roman Rides 654(3) Contemporary Reviews and Criticism 657(128) CONTEMPORARY REVIEWS (1882) 661(16) W. C. Brownell From The Nation 661(4) Horace E. Scudder From The Atlantic Monthly 665(2) Anonymous From Harpers 667(1) Margaret Oliphant From Blackwoods 668(9) CRITICISM 677(108) Dorothy Van Ghent On The Portrait of a Lady 677(15) William H. Gass The High Brutality of Good Intentions 692(8) Laurence B. Holland The Marriage 700(11) Charles Feidelson The Moment of The Portrait of a Lady 711(9) Louis Auchincloss The International Situation: The Portrait of a Lady 720(9) William Veeder The Portrait of a Lack 729(19) Millicent Bell Isabel Archer and the Affronting of Plot 748(37) Bibliographical Aids 785
Robert D. Bamberg is Emeritus Professor of English at Kent State University. He previously taught at Bates College (where he was chairman of the department and Dean of the Faculty) and at the University of Pennsylvania. He received his Ph.D. from Cornell University. He is the author of articles on British and American fiction and is editor of The Confessions of Jereboam O. Beauchamp. He is an affiliate member of the American Psychoanalytic Association and practices psychoanalysis in Cleveland.