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Pro Tools 5 for Macintosh and Windows: Visual QuickStart Guide [Pehme köide]

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  • Formaat: Paperback / softback, 448 pages, kõrgus x laius x paksus: 178x228x23 mm, kaal: 689 g
  • Sari: Visual QuickStart Guide
  • Ilmumisaeg: 08-Jul-2002
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0201795345
  • ISBN-13: 9780201795349
Teised raamatud teemal:
Pro Tools 5 for Macintosh and Windows: Visual QuickStart GuideSuurem pilt
  • Formaat: Paperback / softback, 448 pages, kõrgus x laius x paksus: 178x228x23 mm, kaal: 689 g
  • Sari: Visual QuickStart Guide
  • Ilmumisaeg: 08-Jul-2002
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0201795345
  • ISBN-13: 9780201795349
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780201795349.html
Märksõnad:
Discussing setting up Pro Tools LE, starting a new recording session, editing and mixing audio, MIDI sequencing, and optimizing performance.

Using the easy-to-follow visual format of the Visual QuickStart Guide, this book shows students how to make multi-track audio recordings using Digidesign's Pro Tools 5 software. The the book offers concise, step-by-step instructions on how to use Pro Tools' main functions including recording, editing, mixing, and effects processing. It also introduces and explains the basics of automation, synchronization, MIDI sequencing and file management in Pro Tools.



Pro Tools is the industry standard for recording and editing digital audio. Its elegant interface and powerful editing features make it the most widely used digital audio software by professional recording producers, musicians, home studio professionals, and quality-minded hobbyists worldwide.

Using the easy-to-follow visual format of the Visual QuickStart Guide, Pro Tools 5 for Macintosh and Windows will show readers how to make multitrack audio recordings using Digidesign's Pro Tools LE and Pro Tools Free software. The body of the book will offer concise, step-by-step instructions on how to use Pro Tools' main functions, including recording, editing, mixing, and effects processing. It will also introduce and explain the basics of automation, MIDI sequencing, and file management in Pro Tools. It will also show readers how to setup and use several Digidesign hardware systems, including the Digi 001, Mbox, and Audiomedia III.

Muu info

Pro Tools is the industry standard for recording and editing digital audio. Its elegant interface and powerful editing features make it the most widely used digital audio software by professional recording producers, musicians, home studio professionals, and quality-minded hobbyists worldwide. Using the easy-to-follow visual format of the Visual QuickStart Guide, Pro Tools 5 for Macintosh and Windows will show readers how to make multitrack audio recordings using Digidesign's Pro Tools LE and Pro Tools Free software. The body of the book will offer concise, step-by-step instructions on how to use Pro Tools' main functions, including recording, editing, mixing, and effects processing. It will also introduce and explain the basics of automation, MIDI sequencing, and file management in Pro Tools. It will also show readers how to setup and use several Digidesign hardware systems, including the Digi 001, Mbox, and Audiomedia III.
Introduction xi
Part I: Getting Started with Pro Tools LE 1(50)
Setting Up Your Pro Tools LE System
3(6)
Understanding Pro Tools LE Systems
4(1)
System Requirements
5(2)
Installing System Hardware
7(1)
Installing Pro Tools LE Software
8(1)
Software Basics
9(14)
Understanding Sessions
10(7)
Configuring Your System
17(6)
The Mix and Edit Windows
23(28)
The Mix Window
24(15)
The Edit Window
39(12)
Part II: Recording in Pro Tools 51(94)
Starting a New Session
53(20)
Creating a New Session
54(7)
Creating an I/O Setup
61(7)
Creating Custom Session Templates
68(3)
Sharing Sessions Between Pro Tools LE and Pro Tools TDM
71(2)
Working with Tracks
73(16)
About Track Types
74(1)
Creating New Tracks
75(1)
Naming Tracks
76(1)
Assigning Audio Track Inputs and Outputs
77(3)
Viewing Tracks
80(3)
Using Track Controls
83(2)
Grouping Tracks
85(4)
Getting Ready to Record
89(18)
Setting Record Modes
90(2)
Record-Enabling Tracks
92(4)
Setting Audio Input Levels
96(3)
Monitoring Audio
99(2)
Minimizing Monitor Latency
101(2)
Allocating Hard Drives
103(1)
Allocating Hard Drive Space
104(1)
Recording to a Click Track
105(2)
Recording and Playing Back Audio
107(20)
The Transport Window
108(3)
Recording Audio Tracks
111(3)
Punch-Recording Audio
114(2)
Using QuickPunch
116(2)
Loop-Recording Audio
118(1)
Auditioning Takes
119(2)
Recording to Playlists
121(1)
Recording from a Digital Source
122(1)
Playing Audio Tracks
123(4)
Managing Audio Files
127(18)
Locating Audio Files
128(2)
Importing Audio
130(4)
Setting Sample Rate Conversion Quality
134(1)
Importing Tracks
135(3)
Exporting Audio
138(2)
Compacting and Deleting Audio Files
140(3)
Transferring Audio from CD (Macintosh Only)
143(1)
Backing Up Your Files
144(1)
Part III: Editing Audio 145(84)
Editing Basics
147(30)
Editing Audio in Pro Tools
148(1)
Understanding Regions
149(2)
Viewing Regions
151(6)
Working with Playlists
157(2)
Using the Audio Regions List
159(5)
Using Multiple Undo
164(1)
Setting Edit Modes
165(2)
Using Rulers
167(2)
Using Memory Locations
169(8)
Working with Regions
177(36)
About Selections
178(2)
Selecting Regions
180(2)
Changing a Selection's Length
182(1)
Nudging Selections
183(1)
Extending a Selection
184(2)
Using Selection Indicators
186(1)
Tabbing to Transients
187(1)
Making Timeline Selections
188(1)
Creating New Regions
189(3)
Placing Regions in Tracks
192(2)
Aligning Regions
194(2)
Identifying Sync Points
196(2)
Trimming Regions
198(3)
Nudging Regions
201(2)
Using Edit Commands
203(3)
Duplicating and Repeating Regions
206(2)
Shifting Regions
208(1)
Quantizing Regions
209(1)
Locking Regions
210(1)
Muting/Unmuting Regions
211(2)
Advanced Editing
213(16)
Creating Fades and Crossfades
214(10)
Creating Fades and Crossfades in Batches
224(1)
Repairing Waveforms with the Pencil Tool
225(1)
Stripping Silence from Regions
226(2)
Inserting Silence
228(1)
Part IV: Mixing Audio 229(80)
Mixing Basics
231(22)
Creating Stereo Mixes
232(7)
Understanding Audio Signal Flow
239(3)
Assigning Inputs and Outputs
242(1)
About Inserts
243(2)
Assigning Sends
245(2)
Using Output Windows
247(3)
Creating Submixes
250(3)
Adding Effects to a Mix
253(32)
What Is a DSP Plug-in?
254(1)
About Plug-ins as Inserts
255(2)
Inserting Plug-ins on Tracks
257(1)
Using Plug-in Windows
258(4)
Bypassing Plug-ins
262(1)
Adjusting Plug-in Parameters
263(2)
What Is EQ?
265(2)
Using EQ
267(1)
Using Dynamic Effects
268(3)
Using Key Inputs for Side-Chain Processing
271(1)
Creating Effects Loops
272(2)
Using Delay Effects
274(3)
What Is Reverb?
277(1)
Using Reverb
278(2)
Using External Hardware Effects
280(2)
Using AudioSuite Plug-ins
282(2)
Improving RTAS Plug-in Performance
284(1)
Automating a Mix
285(14)
About Automation Modes
286(1)
Enabling Automation
287(2)
Writing Automation
289(2)
Viewing Automation
291(1)
Automating Sends
292(1)
Automating Plug-ins
293(1)
Editing Automation
294(3)
Thinning Automation
297(2)
Mixdown and Mastering
299(10)
Bouncing to Disk
300(3)
Setting Bounce Options
303(3)
Mastering Basics
306(3)
Part V: MIDI Sequencing 309(46)
Recording MIDI
311(24)
What Is MIDI?
312(2)
The Difference Between MIDI and Audio
314(1)
MIDI in Pro Tools
315(2)
OMS and MIDI Setup
317(1)
Selecting MIDI Inputs
318(2)
Sending MIDI out of Pro Tools
320(1)
Recording MIDI
321(2)
Recording Multiple MIDI Tracks
323(2)
Punch-Recording MIDI
325(2)
Loop-Recording MIDI
327(3)
Sysex Data and Pro Tools
330(2)
Working with MIDI Files
332(3)
Editing MIDI
335(20)
MIDI Regions
336(2)
Views for Editing MIDI
338(2)
MIDI Playlists
340(1)
Entering and Deleting MIDI Notes Manually
341(2)
Editing MIDI Notes Manually
343(1)
Editing MIDI Velocity
344(3)
Editing MIDI Controller Data
347(3)
Using Pro Tools MIDI Operations
350(2)
The MIDI Event List
352(3)
Part VI: Getting The Most From Pro Tools 355(16)
Optimizing Performance
357(14)
Managing CPU Power
358(6)
Using Plug-ins Efficiently
364(2)
Using Hard Drives Efficiently
366(5)
Appendix A: Connecting Your Studio 371(20)
Connecting Your Studio to the Digi 001, Mbox, or Audiomedia III
372(3)
Connecting Audio Sources to Digi 001
375(5)
Connecting Audio Sources to Mbox
380(3)
Connecting Audio Sources to Audiomedia III
383(1)
Connecting Audio Monitors
384(3)
Connecting MIDI Devices
387(1)
Connecting External Hardware Effects
388(3)
Appendix B: Setting Preferences 391(12)
The Preferences Dialog Box
391(1)
Display Preferences
392(2)
Operation Preferences
394(2)
Editing Preferences
396(2)
Automation Preferences
398(2)
Processing Preferences
400(1)
Compatibility Preferences
401(1)
MIDI Preferences
402(1)
Glossary 403(8)
Index 411
Internationally acclaimed songwriter, musician, and producer Steven Roback has recorded more than a dozen albums since 1982 with his bands and as a solo artist. As co-founder of the influential Los Angeles band Rain Parade, Steven helped create an impressive catalog of neo-psychedelic songs that critics have called among the most important from any era. Later, his self-produced albums under the name Viva Saturn received accolades for hook-filled pop songwriting and hypnotically textured production. Today, Steven continues to record as a solo artist and soundtrack contributor. He also produces other artists and has received high praise for his work on several recent albums. Steven writes about audio recording and related topics for books and magazines. For more information, see www.rainparade.com.