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Pro Tools 7 for Macintosh and Windows: Visual QuickStart Guide [Pehme köide]

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  • Formaat: Paperback / softback, 628 pages, kõrgus x laius x paksus: 179x228x35 mm, kaal: 980 g
  • Ilmumisaeg: 04-Jan-2007
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0321348982
  • ISBN-13: 9780321348982
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Pro Tools 7 for Macintosh and Windows: Visual QuickStart GuideSuurem pilt
  • Formaat: Paperback / softback, 628 pages, kõrgus x laius x paksus: 179x228x35 mm, kaal: 980 g
  • Ilmumisaeg: 04-Jan-2007
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0321348982
  • ISBN-13: 9780321348982
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780321348982.html
Need to learn Pro Tools fast? Try a Visual QuickStart!

This best-selling references visual format and step-by-step, task-based instructions will have you up and running with the industry-standard digital audio production software in no time. In this completely updated edition of our best-selling guide to Pro Tools, acclaimed songwriter, musician, and producer Steven Roback uses crystal-clear instructions and friendly prose to introduce you everything thats new in Pro Tools 7. Filled with loads of visual aids and straightforward explanations, this books uses pictures to guide you through the software and show you what to do. You'll learn how to use dual-processor computers and Pro Tools to record, edit, and mix sophisticated, multi-track arrangements. Along the way, you'll learn the basics of automation, MIDI sequencing, and file management in Pro Tools and find extensive coverage of all the program's new features: the newly streamlined interface, extensive new MIDI features and functionality, file-management system, effects plug-ins, additional hardware support, and more!

Muu info

Need to learn Pro Tools fast? Try a Visual QuickStart!

This best-selling references visual format and step-by-step, task-based instructions will have you up and running with the industry-standard digital audio production software in no time. In this completely updated edition of our best-selling guide to Pro Tools, acclaimed songwriter, musician, and producer Steven Roback uses crystal-clear instructions and friendly prose to introduce you everything thats new in Pro Tools 7. Filled with loads of visual aids and straightforward explanations, this books uses pictures to guide you through the software and show you what to do. You'll learn how to use dual-processor computers and Pro Tools to record, edit, and mix sophisticated, multi-track arrangements. Along the way, you'll learn the basics of automation, MIDI sequencing, and file management in Pro Tools and find extensive coverage of all the program's new features: the newly streamlined interface, extensive new MIDI features and functionality, file-management system, effects plug-ins, additional hardware support, and more!
Introduction xiii
PART I: GETTING STARTED WITH PRO TOOLS LE
1(60)
Setting Up Your Pro Tools LE System
3(8)
Understanding Pro Tools LE Hardware Systems
4(2)
System Requirements
6(3)
Connecting System Hardware
9(1)
Installing Pro Tools LE 7 Software
10(1)
Software Basics
11(18)
Understanding Sessions
12(10)
Configuring Your Pro Tools 7 LE System
22(7)
The Mix and Edit Windows
29(32)
The Mix Window
30(19)
The Edit Window
49(12)
PART II: RECORDING IN PRO TOOLS
61(98)
Starting a New Session
63(24)
Creating a New Session
64(7)
Creating an I/O Setup
71(7)
Creating Custom Session Templates
78(3)
Using Sessions Created in Pro Tools 7 with Earlier Versions of Pro Tools Software
81(3)
Sharing Sessions Between Pro Tools 7 HD and Pro Tools 7 LE and M-Powered
84(3)
Working with Tracks
87(30)
About Track Types
88(1)
Creating New Tracks
89(1)
Using the New Tracks Dialog Box to Create Multiple Track Types
90(1)
Naming Tracks
91(1)
Assigning Audio Track Inputs and Outputs
92(3)
Using Track Position Numbering
95(1)
Selecting Tracks
96(2)
Duplicating Tracks
98(1)
Deleting Tracks
99(1)
Viewing Tracks
100(3)
Zoom Toggling Views
103(1)
Using Continuous Zoom
104(1)
Color-coding Regions in Tracks
105(2)
Using Track Controls
107(3)
Grouping Tracks
110(4)
About Track Priority and Voice Assignments
114(1)
Making Tracks Inactive
115(2)
Getting Ready to Record
117(20)
Setting Record Modes
118(2)
Record-Enabling Tracks
120(4)
Setting Audio Input Levels
124(2)
Monitoring Audio
126(2)
Minimizing Monitoring Latency
128(3)
Allocating Hard Drives
131(2)
Allocating Hard Drive Space
133(1)
Recording Audio with the Click Plug-in
134(3)
Recording and Playing Back Audio
137(22)
The Transport Window
138(3)
Recording Audio Tracks
141(3)
Punch-Recording Audio
144(2)
Using QuickPunch
146(2)
Loop-Recording Audio
148(1)
Auditioning Takes
149(2)
Recording to Playlists
151(1)
Recording from a Digital Source
152(1)
Playing Audio Tracks
153(6)
PART III: AUDIO FILE MANAGEMENT
159(60)
File Management Basics
161(22)
Locating Audio Files
162(3)
Importing Audio
165(5)
Setting Sample Rate Conversion Quality
170(1)
Importing Tracks
171(4)
Exporting Audio
175(2)
Compacting and Deleting Audio Files
177(3)
Importing Audio from Audio CDs
180(2)
Backing Up Your Files
182(1)
Managing Audio Files with DigiBase
183(36)
About DigiBase
184(3)
About Browsers
187(4)
Viewing Browsers
191(3)
Using Browsers
194(6)
Indexing
200(1)
Searching Items
201(3)
Waveforms and Auditioning
204(2)
Moving, Copying, Duplicating, and Deleting Items
206(2)
Importing Audio Files Using Drag and Drop
208(3)
Relinking Audio Files
211(5)
Managing Background Processing with the Tasks Window
216(3)
PART IV: EDITING AUDIO
219(120)
Editing Basics
221(36)
Editing Audio in Pro Tools
222(1)
Understanding Regions
223(2)
Viewing Regions
225(3)
Zooming
228(5)
Working with Playlists
233(2)
Using the Regions List
235(6)
Using Multiple Undo
241(2)
Setting Edit Modes
243(2)
Using Rulers
245(2)
Setting the Main Time Scale
247(1)
Using Memory Locations
248(9)
Selecting Regions
257(14)
About Selections
258(1)
Linking and Unlinking Edit and Timeline Selections
259(1)
Linking and Unlinking Track and Edit Selections
260(1)
Selecting Regions
261(2)
Changing a Selection's Length
263(1)
Nudging Selections
264(1)
Extending a Selection
265(2)
Using Selection Indicators
267(1)
Tabbing to Transients
268(1)
Making Timeline Selections
269(2)
Working with Regions
271(42)
Creating New Regions
272(4)
Placing Regions in Tracks
276(2)
Sliding Regions
278(5)
Aligning Regions
283(2)
Identifying Sync Points
285(2)
Trimming Regions
287(6)
Displaying Region Boundary Overlap/Underlap
293(1)
Nudging Regions
294(2)
Using Edit Commands
296(3)
Using Special Edit Commands
299(2)
Duplicating and Repeating Regions
301(2)
Shifting Regions
303(1)
Quantizing Regions
304(1)
Locking Regions
305(1)
Muting/Unmuting Regions
306(1)
Managing Regions
307(6)
Advanced Editing
313(26)
Region Groups
314(4)
Looping Regions
318(5)
Creating Fades and Crossfades
323(10)
Creating Fades and Crossfades in Batches
333(1)
Repairing Waveforms with the Pencil Tool
334(1)
Stripping Silence from Regions
335(2)
Inserting Silence
337(2)
PART V: MIXING AUDIO
339(86)
Mixing Basics
341(24)
Creating Stereo Mixes
342(7)
Understanding Audio Signal Flow
349(3)
Assigning Inputs and Outputs
352(2)
About Inserts
354(2)
Assigning Sends
356(2)
Using Output Windows
358(3)
Creating Submixes
361(4)
Adding Effects to a Mix
365(34)
What Is a DSP Plug-in?
366(2)
About Plug-ins as Inserts
368(2)
Inserting Plug-ins on Tracks
370(3)
Using Plug-in Windows
373(4)
Bypassing Plug-ins
377(1)
Adjusting Plug-in Parameters
378(1)
Types of Effects
379(1)
What Is EQ?
380(1)
Using EQ
381(2)
Using Dynamic Effects
383(3)
Using Key Inputs for Side-chain Processing
386(1)
Creating Effects Loops
387(2)
Using Delay Effects
389(2)
What Is Reverb?
391(1)
Using Reverb
392(2)
Using External Hardware Effects
394(2)
Using AudioSuite Plug-ins
396(2)
Improving RTAS Plug-in Performance
398(1)
Automating a Mix
399(18)
About Automation Modes
400(1)
Enabling Automation
401(2)
Writing Automation
403(2)
Viewing Automation
405(1)
Automating Sends
406(1)
Automating Plug-ins
407(2)
Editing Automation
409(5)
Automating Looped Regions
414(1)
Thinning Automation
415(2)
Mixdown and Mastering
417(8)
Bouncing to Disk
418(3)
Setting Bounce Options
421(3)
Mastering Basics
424(1)
PART VI: MIDI SEQUENCING
425(56)
Recording MIDI
427(32)
What Is MIDI?
428(2)
The Difference Between MIDI and Audio
430(1)
MIDI in Pro Tools
431(4)
MIDI Setup in Mac OS X
435(1)
MIDI Setup in Windows XP
436(1)
Setting Up a MIDI Track
437(1)
Setting Up an Instrument Track
438(1)
Selecting MIDI Inputs
439(2)
Sending MIDI Out of Pro Tools
441(2)
Creating a Click Track for Recording
443(1)
Recording MIDI
444(2)
Recording Multiple MIDI Tracks
446(2)
Punch-Recording MIDI
448(2)
Loop Recording MIDI
450(3)
Sysex Data and Pro Tools
453(2)
Working with MIDI Files
455(4)
Editing MIDI
459(22)
MIDI Regions
460(2)
Views for Editing MIDI
462(2)
Mirrored MIDI Editing
464(1)
MIDI Playlists
465(1)
Entering and Deleting MIDI Notes Manually
466(2)
Editing MIDI Notes Manually
468(1)
Editing MIDI Velocity
469(2)
Editing MIDI Controller Data
471(5)
Using MIDI Real-time Properties
476(2)
The MIDI Event List
478(3)
PART VIII: GETTING THE MOST FROM PRO TOOLS
481(84)
Pro Tools for Digital Video
483(68)
Preparing to Edit Sound for Video
484(3)
Choosing a Sample Rate and Bit Depth for Your New Project
487(3)
Using Time Code or Feet Frames Counter and Ruler (DV Toolkit 2 Only)
490(2)
Working with a Video Deck
492(5)
Session Setup for Accurate Synchronizing
497(6)
Digitizing Your Guide Track from the Videotape
503(4)
Checking Sync Accuracy
507(3)
Using Digital Video To Sync Pro Tools To Picture
510(4)
Getting Sync Audio from the Picture Editor
514(10)
Editing Dialog (Production Sound)
524(13)
Working with Sound Effects
537(12)
Editing Music for Video
549(1)
Mixing for Video
549(2)
Optimizing Performance
551(14)
Managing CPU Power
552(6)
Using Plug-ins Efficiently
558(3)
Using Hard Drives Efficiently
561(4)
Appendix A: Connecting Your Studio
565(22)
Connecting Your Studio to the Digi 002, Digi 002 Rack, Mbox, Mbox 2, or Mbox 2 Pro
566(3)
Connecting Audio Sources to Digi 002 and Digi 002 Rack
569(5)
Connecting Audio Sources to Mbox
574(3)
Connecting Audio Sources to Mbox2 and Mbox 2 Pro
577(4)
Connecting Audio Monitors
581(2)
Connecting MIDI Devices
583(1)
Connecting External Hardware Effects
584(3)
Appendix B: Setting Preferences
587(16)
The Preferences Dialog Box
587(1)
Display Preferences
588(3)
Operation Preferences
591(2)
Editing Preferences
593(2)
Mixing Preferences
595(2)
Processing Preferences
597(2)
MIDI Preferences
599(2)
Synchronization Preferences
601(2)
Glossary 603(7)
Index 610


Veteran journalist Steven Roback specializes in digital audio, video, and multimedia technologies. He wrote the previous versions of this guide including Pro Tools 6 for Macintosh and Windows: Visual QuickStart Guide.