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1 | (20) |
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2 | (3) |
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5 | (3) |
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Digital Audio Is Data Representing Audio Waveforms |
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5 | (1) |
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MIDI Is Data Representing Performance Events and Controller Data |
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6 | (2) |
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Multitrack Recording, Mixdown, and Mastering: An Overview |
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8 | (1) |
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9 | (6) |
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Introduction: Analog Recording |
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9 | (1) |
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10 | (5) |
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15 | (4) |
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16 | (1) |
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Software-Based Virtual Instruments for MIDI |
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17 | (2) |
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19 | (2) |
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Pro Tools Terms and Concepts |
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21 | (24) |
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21 | (6) |
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21 | (1) |
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22 | (1) |
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22 | (3) |
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25 | (1) |
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25 | (2) |
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How Pro Tools Handles Audio |
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27 | (6) |
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27 | (1) |
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28 | (2) |
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Virtual Tracks versus Physical Tracks |
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30 | (2) |
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Destructive versus Nondestructive Editing |
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32 | (1) |
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32 | (1) |
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33 | (8) |
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33 | (2) |
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35 | (1) |
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35 | (1) |
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36 | (1) |
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37 | (1) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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40 | (1) |
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41 | (2) |
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DAE (Digidesign Audio Engine) |
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41 | (1) |
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TDM (Time-Division Multiplexing) |
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41 | (1) |
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ReWire (and the DigiReWire Plug-in) |
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42 | (1) |
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43 | (2) |
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Your System Configuration |
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45 | (48) |
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45 | (11) |
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45 | (2) |
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47 | (1) |
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47 | (2) |
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49 | (7) |
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Pro Tools Hardware Configurations |
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56 | (26) |
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Mbox 2 (Pro Tools LE and External USB Audio/MIDI Interface) |
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56 | (2) |
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Digi 002 and Digi 002 Rack (Pro Tools LE and External Audio Interface/Control Surface) |
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58 | (2) |
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M-Powered (Pro Tools M-Powered and an M-Audio Interface) |
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60 | (14) |
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74 | (2) |
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76 | (6) |
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82 | (2) |
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Digidesign Control Surfaces for Pro Tools |
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84 | (5) |
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84 | (1) |
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85 | (1) |
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86 | (1) |
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ICON Integrated Console and D-Control |
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87 | (2) |
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89 | (1) |
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89 | (2) |
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91 | (2) |
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Creating Your First Pro Tools Session |
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93 | (18) |
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94 | (5) |
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94 | (3) |
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97 | (1) |
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Importing Audio into Pro Tools |
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98 | (1) |
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99 | (7) |
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99 | (4) |
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Inserting Plug-In Effects |
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103 | (3) |
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106 | (3) |
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106 | (2) |
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108 | (1) |
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109 | (2) |
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111 | (16) |
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112 | (4) |
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112 | (1) |
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113 | (1) |
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114 | (1) |
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114 | (1) |
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115 | (1) |
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116 | (4) |
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Main/Sub Indicators for Current Location |
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117 | (1) |
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Play Selection: Start/End/Length Fields |
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118 | (1) |
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118 | (1) |
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119 | (1) |
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Record Enable Status/Input Status |
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119 | (1) |
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120 | (6) |
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120 | (1) |
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121 | (1) |
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121 | (1) |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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123 | (3) |
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126 | (1) |
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127 | (50) |
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Edit Tools: The Zoomer, Trimmer, Selector, Grabber, Smart Tool, Scrubber, and Pencil |
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128 | (9) |
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129 | (1) |
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129 | (1) |
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130 | (2) |
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132 | (1) |
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133 | (1) |
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134 | (1) |
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135 | (2) |
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Edit Modes: Slip, Shuffle, Grid, and Spot |
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137 | (3) |
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137 | (1) |
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137 | (1) |
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138 | (1) |
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139 | (1) |
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Zoom Controls and Zoom Preset Buttons |
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140 | (2) |
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142 | (1) |
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Event Edit Area (Selection/Position Indicators) |
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142 | (2) |
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Edit Selection Indicators (Start/End/Length) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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Edit Window Transport Buttons |
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144 | (1) |
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145 | (5) |
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Edit Window View Selector |
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145 | (1) |
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146 | (1) |
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Linearity Display Mode Selector |
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146 | (1) |
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146 | (1) |
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146 | (1) |
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Link Timeline and Edit Selections |
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147 | (1) |
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Link Track and Edit Selection |
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147 | (1) |
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148 | (1) |
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148 | (1) |
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148 | (2) |
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Cursor Location/Cursor Value |
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150 | (1) |
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150 | (7) |
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Using the Region List's Local Menu |
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152 | (5) |
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157 | (1) |
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157 | (1) |
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Track View Selector for Track Data |
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158 | (4) |
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158 | (1) |
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159 | (1) |
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160 | (1) |
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MIDI and Instrument Tracks |
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160 | (2) |
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162 | (1) |
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Playlist Selector (Audio and MIDI Tracks) |
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163 | (1) |
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Samples/Ticks Timebase Selector |
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163 | (1) |
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164 | (1) |
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Timeline Display: Timebase Rulers and Marker Memory Locations |
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165 | (3) |
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166 | (2) |
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168 | (1) |
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168 | (2) |
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169 | (1) |
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Real-Time MIDI Properties on MIDI/Instrument Tracks |
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170 | (1) |
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More About Automation in Pro Tools |
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171 | (2) |
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171 | (1) |
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172 | (1) |
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173 | (3) |
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176 | (1) |
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177 | (30) |
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177 | (23) |
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178 | (10) |
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Auxiliary Inputs (Aux Ins) |
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188 | (4) |
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192 | (2) |
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194 | (4) |
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198 | (2) |
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200 | (1) |
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200 | (3) |
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Safe Button for Automation |
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202 | (1) |
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Linked Panners (Multichannel and Stereo Tracks Only) |
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203 | (1) |
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Inverse Pan (Multichannel and Stereo Tracks Only) |
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203 | (1) |
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203 | (1) |
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204 | (2) |
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206 | (1) |
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Menu Selections: Highlights |
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207 | (70) |
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207 | (12) |
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Save, Save As, Save Copy In, Revert to Saved |
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207 | (6) |
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213 | (1) |
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Bounce to > QuickTime Movie |
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214 | (1) |
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215 | (3) |
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218 | (1) |
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219 | (4) |
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Cut/Copy/Paste/Clear Special |
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219 | (1) |
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219 | (1) |
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219 | (1) |
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220 | (1) |
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Separate Region Submenu/Heal Separation |
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220 | (1) |
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221 | (1) |
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221 | (1) |
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222 | (1) |
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223 | (3) |
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223 | (1) |
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Mix Window/Edit Window Submenus |
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224 | (1) |
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224 | (1) |
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225 | (1) |
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225 | (1) |
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225 | (1) |
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225 | (1) |
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226 | (1) |
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226 | (3) |
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226 | (1) |
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227 | (1) |
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227 | (1) |
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227 | (1) |
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228 | (1) |
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Write MIDI Real-Time Properties |
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228 | (1) |
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Input Only/Auto Input Monitoring |
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229 | (1) |
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229 | (1) |
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Clear All Clip Indicators |
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229 | (1) |
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229 | (4) |
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230 | (1) |
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230 | (1) |
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Send to Back/Bring to Front |
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230 | (1) |
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Group/Ungroup/Ungroup All/Regroup |
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230 | (1) |
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231 | (1) |
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231 | (1) |
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Identify Sync Point/Remove Sync Point |
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231 | (1) |
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232 | (1) |
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233 | (2) |
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Time Submenu: Change Meter, Insert Time, Cut Time, Move Song Start |
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233 | (2) |
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235 | (1) |
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235 | (9) |
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MIDI Operations: Grid/Groove Quantize, Change Velocity, Change Duration, Transpose, Select/Split Notes, Input Quantize, Step Input, Restore Performance, Flatten Performance |
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236 | (3) |
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239 | (1) |
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239 | (2) |
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MIDI Real-Time Properties |
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241 | (1) |
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241 | (1) |
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241 | (1) |
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242 | (1) |
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243 | (1) |
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All MIDI Notes Off: The Panic Button! |
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244 | (1) |
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244 | (1) |
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245 | (8) |
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245 | (1) |
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245 | (1) |
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246 | (1) |
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TrackPunch (HD Systems Only) |
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247 | (1) |
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248 | (1) |
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QuickTime DV Movie Out FireWire (Mac only) |
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248 | (1) |
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248 | (1) |
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Link Timeline and Edit Selection |
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248 | (1) |
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Link Track and Edit Selection |
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249 | (1) |
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249 | (1) |
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249 | (1) |
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250 | (1) |
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251 | (1) |
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Auto-Spot Regions (HD Versions Only) |
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251 | (1) |
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Low-Latency Monitoring (Digi 002/002 Rack Only) |
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251 | (1) |
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Use Delay Compensation (HD Systems Only) |
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252 | (1) |
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253 | (14) |
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253 | (1) |
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253 | (3) |
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256 | (1) |
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256 | (1) |
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257 | (2) |
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259 | (2) |
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261 | (1) |
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262 | (1) |
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263 | (4) |
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267 | (9) |
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268 | (1) |
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268 | (1) |
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269 | (2) |
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Catalog Browser Window (HD Versions Only) |
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271 | (1) |
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271 | (1) |
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271 | (1) |
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272 | (1) |
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Universe (HD Systems Only) |
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273 | (1) |
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274 | (1) |
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275 | (1) |
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275 | (1) |
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276 | (1) |
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Plug-ins, Inserts, and Sends |
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277 | (36) |
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Signal Routing in Pro Tools |
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277 | (11) |
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278 | (2) |
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Audio and Auxiliary Input Tracks |
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280 | (2) |
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282 | (1) |
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283 | (1) |
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284 | (1) |
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285 | (2) |
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287 | (1) |
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287 | (1) |
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288 | (6) |
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289 | (1) |
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RTAS (Real-Time AudioSuite) |
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289 | (2) |
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TDM (Time-Division Multiplexing), TDM II |
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291 | (3) |
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294 | (1) |
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294 | (10) |
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About Digital Signal Processing (DSP) |
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294 | (1) |
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Categories of Audio Effects |
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294 | (8) |
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RTAS (DigiRack) Plug-ins Included with Pro Tools |
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302 | (1) |
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TDM (DigiRack) Plug-ins Included with Pro Tools|HD |
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303 | (1) |
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Third-Party Plug-in Developers |
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303 | (1) |
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Tips for Using Sends (to External I/O, to PT Busses, and to Aux Inputs) |
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304 | (1) |
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304 | (3) |
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Getting the Most Out of Available DSP |
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307 | (5) |
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309 | (2) |
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AudioSuite Effects versus Real-Time Plug-ins |
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311 | (1) |
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Bouncing Effects into Tracks and Submixes |
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311 | (1) |
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312 | (1) |
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313 | (36) |
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A Technical and Historical Overview of MIDI |
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313 | (3) |
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314 | (2) |
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316 | (2) |
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317 | (1) |
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318 | (3) |
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Macintosh (Audio MIDI Setup) |
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318 | (1) |
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319 | (2) |
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321 | (1) |
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322 | (4) |
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Why Use Virtual Instruments Instead of External MIDI Gear? |
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323 | (1) |
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Virtual Instrument Programs (ReWire) |
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324 | (1) |
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Virtual Instrument Plug-ins for Pro Tools |
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324 | (2) |
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Recording Into MIDI and Instrument Tracks |
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326 | (1) |
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326 | (1) |
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Editing MIDI and Instrument Tracks in the Edit Window |
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327 | (4) |
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331 | (17) |
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331 | (3) |
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334 | (3) |
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337 | (8) |
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MIDI Real-Time Properties |
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345 | (2) |
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347 | (1) |
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347 | (1) |
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347 | (1) |
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347 | (1) |
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347 | (1) |
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Other Commands Relating to MIDI |
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348 | (1) |
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348 | (1) |
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349 | (16) |
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349 | (2) |
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351 | (5) |
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Synchronization Example with an External Video Deck |
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352 | (2) |
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SMPTE Time Code Formats: LTC, VITC, and MTC |
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354 | (1) |
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Frame Rates (30/29.97 Drop/Non-Drop, 25, 24 Frames per Second) |
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355 | (1) |
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356 | (1) |
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357 | (4) |
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SMPTE/MIDI Interface (Trigger Sync) |
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358 | (1) |
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SMPTE/MIDI Interface Plus Separate Hardware Clock |
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359 | (1) |
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Synchronizers That Include Reference Sync |
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360 | (1) |
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361 | (2) |
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361 | (1) |
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361 | (1) |
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362 | (1) |
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363 | (1) |
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364 | (1) |
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365 | (28) |
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365 | (3) |
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Building Percussion Parts from Individual Audio Elements |
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368 | (1) |
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Using Region Groups for ``Assembled'' Percussion Parts |
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369 | (1) |
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369 | (5) |
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The Identify Beat Command |
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370 | (1) |
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The Region > Loop/Unloop Commands |
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371 | (2) |
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Using the Time Trimmer for Conforming Tempos |
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373 | (1) |
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Working with REX and ACID Files |
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374 | (1) |
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Importing REX/ACID Files Into Pro Tools |
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375 | (1) |
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Using REX/ACID Region Groups in Your Tracks |
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375 | (1) |
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375 | (3) |
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Time Compression/Expansion |
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378 | (3) |
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Adjust Phrase Length to Current Tempo: Method A (TDM Only) |
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379 | (1) |
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Adjust Phrase Length to Current Tempo: Method B (TDM, and LE or M-Powered Versions) |
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379 | (2) |
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381 | (4) |
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382 | (3) |
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385 | (2) |
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387 | (4) |
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391 | (2) |
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393 | (22) |
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Track Setup and Click Track for Recording |
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395 | (8) |
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Track Setup for Recording |
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395 | (3) |
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398 | (3) |
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Creating Effects and a Drum Submix |
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401 | (2) |
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Setting Up a Cue Mix with Effects |
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403 | (6) |
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Method A: Individual Cue Mix Sends |
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404 | (2) |
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Method B: Main Cue Mix, Plus Enhanced Versions |
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406 | (3) |
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Making the Most of Available Tracks |
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409 | (1) |
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Tips for Remote Recording with Pro Tools |
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410 | (4) |
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414 | (1) |
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Postproduction and Soundtracks |
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415 | (30) |
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415 | (4) |
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416 | (2) |
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418 | (1) |
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419 | (1) |
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DV Toolkit (Pro Tools LE Only) |
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419 | (1) |
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Using QuickTime Movies in Post |
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419 | (2) |
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Tips for Recording Voice-Overs |
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421 | (1) |
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Spotting Techniques, Sound Effects |
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422 | (3) |
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422 | (2) |
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424 | (1) |
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425 | (1) |
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425 | (6) |
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Surround Formats Overview |
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427 | (2) |
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Software and Hardware Accessories for Surround |
|
|
429 | (1) |
|
|
|
430 | (1) |
|
|
|
430 | (1) |
|
Audio Editing for Avid-Based Video Projects |
|
|
431 | (8) |
|
|
|
431 | (1) |
|
OMF, AAF, and the DigiTranslator Program |
|
|
432 | (3) |
|
Gain Optimization for Video |
|
|
435 | (4) |
|
Audio Editing for Linear (Tape-Based) Video Suites |
|
|
439 | (4) |
|
Audio Transfer from Tape Master |
|
|
440 | (2) |
|
|
|
442 | (1) |
|
|
|
443 | (2) |
|
Sound Design for Interactive Media |
|
|
445 | (18) |
|
Sound-Effects Libraries, Synths/Samplers, Sound Creation |
|
|
447 | (1) |
|
Common Multimedia File Formats |
|
|
448 | (4) |
|
How Audio Is Used in Interactive Media |
|
|
452 | (3) |
|
|
|
452 | (1) |
|
|
|
452 | (1) |
|
Music/Effects Backgrounds |
|
|
453 | (2) |
|
Sharing Well with Others: About Bandwidth |
|
|
455 | (7) |
|
|
|
456 | (1) |
|
|
|
457 | (1) |
|
|
|
457 | (2) |
|
|
|
459 | (1) |
|
Creating Audio for Digital Video Files |
|
|
460 | (2) |
|
|
|
462 | (1) |
|
Bouncing to Disk, Other File Formats |
|
|
463 | (24) |
|
|
|
463 | (3) |
|
Converting to Common Audio File Formats |
|
|
465 | (1) |
|
Bounce to QuickTime Movie |
|
|
466 | (1) |
|
Normalization and Gain Optimization |
|
|
467 | (5) |
|
Normalizing Within Pro Tools |
|
|
470 | (1) |
|
Normalizing Bounced Mixes |
|
|
470 | (1) |
|
Digidesign Dither Plug-ins |
|
|
470 | (2) |
|
|
|
472 | (1) |
|
Sample Rate and Bit-Depth |
|
|
472 | (1) |
|
Compressed File Formats (MP3, AAC, MPEG-4, RealAudio, and So On) |
|
|
473 | (3) |
|
|
|
474 | (1) |
|
|
|
475 | (1) |
|
|
|
476 | (1) |
|
Additional Audio-Editing Programs |
|
|
476 | (4) |
|
|
|
477 | (1) |
|
|
|
477 | (1) |
|
|
|
478 | (1) |
|
Audacity (Mac, Windows, Linux) |
|
|
478 | (1) |
|
WaveConvert Pro, Cleaner XL, and So On |
|
|
478 | (1) |
|
|
|
479 | (1) |
|
|
|
480 | (5) |
|
Programs for One-Off Copies |
|
|
480 | (2) |
|
Programs for Creating Duplication Masters for Commercial CDs |
|
|
482 | (3) |
|
|
|
485 | (2) |
|
Pro Tools Power: The Next Step |
|
|
487 | (20) |
|
Upgrade Path: For Your System |
|
|
487 | (15) |
|
Pro Tools Hardware Upgrades |
|
|
489 | (1) |
|
Computer Hardware and Operating System Upgrades |
|
|
490 | (1) |
|
Pro Tools Software Upgrades |
|
|
491 | (1) |
|
|
|
492 | (1) |
|
|
|
492 | (10) |
|
Upgrade Path: For Your Mind |
|
|
502 | (1) |
|
|
|
502 | (1) |
|
|
|
503 | (1) |
|
Maintaining a Learning Attitude and Finding Additional Resources |
|
|
504 | (1) |
|
|
|
505 | (2) |
|
APPENDIX A Further Study, and Resources on the Web |
|
|
507 | (6) |
|
|
|
507 | (2) |
|
|
|
509 | (1) |
|
|
|
509 | (1) |
|
|
|
509 | (1) |
|
|
|
510 | (2) |
|
|
|
510 | (1) |
|
|
|
510 | (1) |
|
|
|
510 | (1) |
|
|
|
510 | (1) |
|
|
|
511 | (1) |
|
|
|
511 | (1) |
|
|
|
511 | (1) |
|
|
|
511 | (1) |
|
|
|
511 | (1) |
|
|
|
511 | (1) |
|
|
|
512 | (1) |
|
|
|
512 | (1) |
|
|
|
512 | (1) |
|
APPENDIX B Add-ons, Extensions, and Cool Stuff for Your Rig |
|
|
513 | (32) |
|
External Control Surfaces |
|
|
513 | (14) |
|
Icon Integrated Console Environments |
|
|
514 | (3) |
|
ProControl (Discontinued) |
|
|
517 | (1) |
|
|
|
518 | (1) |
|
|
|
519 | (2) |
|
|
|
521 | (1) |
|
|
|
521 | (1) |
|
|
|
522 | (1) |
|
|
|
523 | (1) |
|
|
|
524 | (1) |
|
J.L. Cooper CS-32 MiniDesk |
|
|
525 | (1) |
|
Frontier Designs TranzPort |
|
|
526 | (1) |
|
Synchronization Peripherals |
|
|
527 | (2) |
|
|
|
527 | (1) |
|
MOTU MIDI Timepiece AV (USB) |
|
|
527 | (1) |
|
|
|
528 | (1) |
|
Digital Patchbays and Routers |
|
|
529 | (1) |
|
Z Systems OptiPatch and z-8.8a Digital Detanglers |
|
|
529 | (1) |
|
Z Systems z-128.128r Digital Detangler Pro |
|
|
529 | (1) |
|
Word Clock and Sync Generators |
|
|
530 | (3) |
|
Lucid Audio GENx-6, GENx6-96, and SSG 192 |
|
|
530 | (1) |
|
Aardvark Audio AardSync II |
|
|
531 | (1) |
|
|
|
531 | (1) |
|
|
|
532 | (1) |
|
|
|
532 | (1) |
|
Ergonomics, Rackmounting, Extenders |
|
|
533 | (7) |
|
Digidesign Pro Tools Custom USB Keyboard (Macintosh) |
|
|
533 | (1) |
|
Rackmounting, Workstation Furniture |
|
|
533 | (3) |
|
|
|
536 | (2) |
|
|
|
538 | (2) |
|
Storage, Digital Audio Networking |
|
|
540 | (2) |
|
|
|
540 | (1) |
|
|
|
541 | (1) |
|
|
|
542 | (3) |
|
APPENDIX C Archive and Backup |
|
|
545 | (14) |
|
Where Pro Tools Stores Session Data |
|
|
546 | (2) |
|
Why and When Should You Save Your Data? |
|
|
548 | (2) |
|
|
|
548 | (1) |
|
|
|
549 | (1) |
|
|
|
550 | (4) |
|
|
|
550 | (1) |
|
What About Rewritable Media? |
|
|
551 | (2) |
|
Removable Disk Options for Data Backup |
|
|
553 | (1) |
|
|
|
554 | (2) |
|
|
|
556 | (3) |
|
APPENDIX D Power Tips and Loopy Ideas |
|
|
559 | (18) |
|
Mixing and Processing Tips |
|
|
559 | (8) |
|
|
|
567 | (4) |
|
|
|
571 | (6) |
|
APPENDIX E Signal Flow in Pro Tools |
|
|
577 | (4) |
| Index |
|
581 | |
