Introduction |
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xix | |
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1 | (24) |
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2 | (5) |
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7 | (3) |
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Digital Audio Is Data, Representing Audio Waveforms |
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8 | (1) |
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MIDI Is Data, Representing Performance Events and Controller Data |
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9 | (1) |
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Multitrack Recording, Mixdown, and Mastering: An Overview |
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10 | (2) |
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12 | (7) |
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Introduction: Analog Recording |
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12 | (1) |
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13 | (6) |
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19 | (5) |
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21 | (3) |
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Software-Based Virtual Instruments for MIDI |
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24 | (1) |
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24 | (1) |
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Pro Tools Terms and Concepts |
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25 | (30) |
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25 | (7) |
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25 | (1) |
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26 | (1) |
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27 | (1) |
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28 | (2) |
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30 | (2) |
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How Pro Tools Handles Audio |
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32 | (8) |
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32 | (2) |
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34 | (3) |
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Virtual Tracks Versus Physical Tracks |
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37 | (1) |
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Destructive Versus Non-destructive Editing |
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38 | (1) |
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39 | (1) |
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40 | (10) |
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40 | (2) |
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42 | (1) |
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43 | (1) |
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43 | (2) |
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45 | (1) |
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45 | (1) |
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46 | (2) |
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48 | (1) |
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49 | (1) |
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50 | (4) |
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DAE (Digidesign Audio Engine) |
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50 | (1) |
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TDM (Time Division Multiplexing) |
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51 | (1) |
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ReWire (and the DigiReWire Plug-in) |
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52 | (1) |
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Elastic Audio (Versions 7.4 and Higher) |
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52 | (2) |
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54 | (1) |
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Your System Configuration |
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55 | (66) |
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55 | (14) |
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55 | (3) |
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58 | (1) |
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58 | (3) |
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61 | (8) |
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Pro Tools Hardware Configurations |
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69 | (40) |
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Mbox 2 Family (Pro Tools LE and a Digidesign Audio/MIDI Interface) |
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69 | (5) |
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Digi 003 and Digi 003 Rack (Pro Tools LE and an External FireWire Audio/MIDI Interface) |
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74 | (2) |
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The Digi 003 Control Surface |
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76 | (1) |
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M-Powered (Pro Tools M-Powered and an M-Audio Interface) |
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77 | (23) |
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Pro Tools|HD (External Audio Interfaces) |
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100 | (2) |
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Older Pro Tools Configurations |
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102 | (7) |
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109 | (3) |
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Digidesign Control Surfaces for Pro Tools |
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112 | (6) |
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112 | (1) |
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112 | (2) |
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114 | (1) |
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ProControl (Now Discontinued) |
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114 | (2) |
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116 | (1) |
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117 | (1) |
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118 | (1) |
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119 | (2) |
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Creating Your First Pro Tools Session |
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121 | (22) |
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122 | (9) |
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122 | (4) |
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126 | (2) |
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Importing Audio into Pro Tools |
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128 | (3) |
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131 | (7) |
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131 | (3) |
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Inserting Plug-in Effects |
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134 | (4) |
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138 | (4) |
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138 | (2) |
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140 | (2) |
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142 | (1) |
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143 | (22) |
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145 | (5) |
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145 | (1) |
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146 | (1) |
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146 | (1) |
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147 | (1) |
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148 | (2) |
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150 | (5) |
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Main/Sub Indicators for Current Location |
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150 | (1) |
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Play Selection: Start/End/Length Fields |
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151 | (1) |
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152 | (2) |
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154 | (1) |
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Record Enable Status/Input Status |
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155 | (1) |
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155 | (9) |
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155 | (1) |
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156 | (1) |
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157 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (1) |
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159 | (5) |
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164 | (1) |
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165 | (64) |
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Edit Tools: The Zoomer, Trimmer, Selector, Grabber, Smart Tool, Scrubber, and Pencil |
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167 | (10) |
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167 | (1) |
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168 | (1) |
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169 | (2) |
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171 | (2) |
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173 | (1) |
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174 | (1) |
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175 | (2) |
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Edit Modes: Slip, Shuffle, Grid, and Spot |
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177 | (5) |
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177 | (1) |
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178 | (1) |
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178 | (2) |
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180 | (2) |
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Zoom Controls and Zoom Preset Buttons |
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182 | (2) |
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184 | (1) |
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Event Edit Area (Selection/Position Indicators) |
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184 | (3) |
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Edit Selection Indicators (Start/End/Length) |
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185 | (1) |
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185 | (1) |
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186 | (1) |
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Edit Window Transport Buttons |
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187 | (1) |
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188 | (6) |
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Edit Window View Selector |
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189 | (1) |
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189 | (1) |
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Linearity Display Mode Selector |
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189 | (1) |
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189 | (1) |
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190 | (1) |
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Link Timeline and Edit Selections |
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190 | (1) |
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Link Track and Edit Selections |
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191 | (1) |
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191 | (1) |
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191 | (1) |
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192 | (2) |
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Cursor Location/Cursor Value |
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194 | (1) |
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194 | (8) |
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Using the Region List's Local Menu |
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197 | (5) |
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202 | (1) |
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203 | (2) |
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Track View Selector for Track Data |
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205 | (5) |
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205 | (2) |
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207 | (1) |
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VCA Master (Pro Tools HD Software Only) |
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207 | (1) |
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208 | (1) |
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MIDI and Instrument Tracks |
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208 | (2) |
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210 | (1) |
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Playlist Selector (Audio and MIDI Tracks) |
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211 | (2) |
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Samples/Ticks Timebase Selector |
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213 | (1) |
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214 | (1) |
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Timeline Display: Timebase Rulers and Marker Memory Locations |
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214 | (5) |
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215 | (2) |
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217 | (1) |
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218 | (1) |
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219 | (2) |
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220 | (1) |
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Real-Time MIDI Properties on MIDI/Instrument Tracks |
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221 | (1) |
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More About Automation in Pro Tools |
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222 | (4) |
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223 | (1) |
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224 | (2) |
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226 | (2) |
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228 | (1) |
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229 | (36) |
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229 | (28) |
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230 | (14) |
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244 | (4) |
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248 | (2) |
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250 | (5) |
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255 | (2) |
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257 | (1) |
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258 | (3) |
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260 | (1) |
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Linked Panners (Multichannel and Stereo Tracks Only) |
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260 | (1) |
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Inverse Pan (Multichannel and Stereo Tracks Only) |
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260 | (1) |
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261 | (1) |
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262 | (2) |
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264 | (1) |
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Menu Selections: Highlights |
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265 | (92) |
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265 | (14) |
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Save, Save As, Save Copy In, Revert to Saved |
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265 | (6) |
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271 | (3) |
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Bounce to > QuickTime Movie |
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274 | (1) |
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274 | (5) |
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279 | (6) |
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Cut/Copy/Paste/Clear Special |
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280 | (1) |
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280 | (1) |
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280 | (1) |
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281 | (1) |
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281 | (1) |
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Separate Region Submenu/Heal Separation |
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281 | (1) |
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282 | (1) |
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283 | (1) |
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283 | (2) |
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285 | (3) |
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285 | (1) |
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Mix Window/Edit Window Submenus |
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285 | (1) |
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286 | (1) |
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287 | (1) |
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288 | (1) |
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288 | (1) |
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288 | (1) |
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288 | (1) |
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288 | (5) |
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289 | (1) |
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290 | (1) |
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290 | (1) |
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290 | (1) |
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291 | (1) |
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Write MIDI Real-Time Properties |
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292 | (1) |
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Input Only/Auto Input Monitoring |
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292 | (1) |
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292 | (1) |
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Clear All Clip Indicators |
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293 | (1) |
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293 | (1) |
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293 | (5) |
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293 | (1) |
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294 | (1) |
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Send to Back/Bring to Front |
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294 | (1) |
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Group/Ungroup/Ungroup All/Regroup |
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294 | (1) |
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294 | (1) |
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295 | (1) |
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Identify Sync Point/Remove Sync Point |
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296 | (1) |
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297 | (1) |
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Elastic Properties (Versions 7.4 and Higher) |
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297 | (1) |
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Conform to Tempo (Versions 7.4 and Higher) |
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298 | (1) |
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298 | (4) |
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Time Operations Submenu: Change Meter, Insert Time, Cut Time, Move Song Start |
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298 | (2) |
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300 | (2) |
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302 | (11) |
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307 | (1) |
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308 | (1) |
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MIDI Real-Time Properties |
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309 | (1) |
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309 | (1) |
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Add Key Change (Versions 7.3 and Higher) |
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310 | (1) |
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310 | (1) |
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311 | (1) |
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312 | (1) |
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All MIDI Notes Off: The Panic Button! |
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313 | (1) |
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313 | (1) |
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314 | (10) |
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315 | (1) |
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315 | (1) |
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316 | (1) |
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TrackPunch (HD Systems Only) |
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317 | (1) |
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318 | (1) |
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Video Out FireWire (Mac Only) |
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318 | (1) |
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319 | (1) |
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Link Timeline and Edit Selection |
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319 | (1) |
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Link Track and Edit Selection |
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320 | (1) |
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320 | (1) |
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320 | (1) |
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321 | (1) |
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321 | (1) |
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Auto-Spot Regions (HD Versions Only) |
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322 | (1) |
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Low-Latency Monitoring (Digi 002 Systems Only) |
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322 | (1) |
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Use Delay Compensation (HD Systems Only) |
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323 | (1) |
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324 | (20) |
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325 | (1) |
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326 | (2) |
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328 | (1) |
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329 | (1) |
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329 | (4) |
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333 | (2) |
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335 | (2) |
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337 | (1) |
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338 | (6) |
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344 | (12) |
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345 | (1) |
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345 | (1) |
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346 | (2) |
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348 | (1) |
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349 | (1) |
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350 | (1) |
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350 | (1) |
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351 | (2) |
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Universe (HD Systems Only) |
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353 | (1) |
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353 | (1) |
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354 | (1) |
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355 | (1) |
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356 | (1) |
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Plug-ins, Inserts, and Sends |
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357 | (46) |
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Signal Routing in Pro Tools |
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357 | (14) |
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360 | (1) |
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361 | (2) |
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363 | (1) |
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364 | (1) |
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365 | (2) |
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367 | (2) |
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369 | (1) |
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370 | (1) |
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371 | (7) |
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372 | (1) |
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RTAS (Real-Time AudioSuite) |
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373 | (2) |
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TDM (Time-Division Multiplexing), TDM II |
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375 | (3) |
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378 | (1) |
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378 | (12) |
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About Digital Signal Processing (DSP) |
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379 | (1) |
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Categories of Audio Effects |
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379 | (8) |
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RTAS (DigiRack) Plug-ins Included with Pro Tools |
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387 | (1) |
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TDM (DigiRack) Plug-ins Included with Pro Tools HD |
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388 | (1) |
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Third-Party Plug-in Developers |
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389 | (1) |
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Tips for Using Sends (to External I/O, PT Busses, and Aux Inputs) |
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390 | (1) |
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391 | (3) |
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Getting the Most Out of Available DSP |
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394 | (7) |
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396 | (3) |
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AudioSuite Effects Versus Real-Time Plug-ins |
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399 | (1) |
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Bouncing Effects into Tracks and Submixes |
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399 | (2) |
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401 | (2) |
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403 | (44) |
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A Technical Overview of MIDI |
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403 | (4) |
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404 | (3) |
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407 | (2) |
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408 | (1) |
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409 | (4) |
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Macintosh (Audio MIDI Setup) |
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410 | (1) |
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411 | (2) |
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413 | (1) |
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414 | (4) |
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Why Use Virtual Instruments Instead of External MIDI Gear? |
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415 | (1) |
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Virtual Instrument Programs (ReWire) |
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416 | (1) |
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Virtual Instrument Plug-ins for Pro Tools |
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417 | (1) |
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Recording into MIDI and Instrument Tracks |
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418 | (2) |
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419 | (1) |
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Editing MIDI and Instrument Tracks in the Edit Window |
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420 | (5) |
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425 | (20) |
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425 | (4) |
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429 | (3) |
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432 | (10) |
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MIDI Real-Time Properties |
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442 | (2) |
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444 | (1) |
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444 | (1) |
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445 | (1) |
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445 | (1) |
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445 | (1) |
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Other Commands Relating to MIDI |
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445 | (1) |
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446 | (1) |
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447 | (20) |
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447 | (2) |
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449 | (7) |
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Synchronization Example with an External Video Deck |
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450 | (3) |
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SMPTE Time Code Formats: LTC, VITC, and MTC |
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453 | (1) |
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Frame Rates (30/29.97 Drop/Non-drop, 25, 24 Frames per Second) |
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454 | (2) |
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456 | (1) |
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457 | (4) |
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SMPTE/MIDI Interface (Trigger Sync) |
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458 | (1) |
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SMPTE/MIDI Interface Plus Separate Hardware Clock |
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458 | (2) |
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Synchronizers That Include Reference Sync |
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460 | (1) |
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461 | (2) |
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461 | (1) |
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462 | (1) |
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462 | (1) |
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Using QuickTime, Other Digital Video File Formats |
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463 | (2) |
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465 | (2) |
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467 | (32) |
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467 | (4) |
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Using ``Assembled'' Percussion Parts and Region Groups |
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470 | (1) |
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471 | (6) |
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The Event > Identify Beat Command |
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471 | (2) |
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The Region > Loop/Unloop Commands |
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473 | (3) |
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Using the Time Trimmer for Adjusting Durations |
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476 | (1) |
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Working with REX and ACID Files |
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477 | (2) |
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Importing REX/ACID Files into Pro Tools |
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477 | (2) |
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479 | (2) |
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481 | (9) |
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Event Markers and Warp Markers |
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483 | (1) |
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Elastic Audio Plug-In Window |
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484 | (2) |
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Elastic Properties Window |
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486 | (1) |
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Using the DigiBase Browsers with Elastic Audio |
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487 | (3) |
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490 | (7) |
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491 | (6) |
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497 | (2) |
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A Multitrack Music Session |
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499 | (26) |
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Track Setup and Click Track for Recording |
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501 | (11) |
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Track Setup for Recording |
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502 | (4) |
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506 | (4) |
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Creating Effects and a Drum Submix |
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510 | (2) |
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Setting Up a Cue Mix with Effects |
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512 | (6) |
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Creating Multiple Cue Mix Sends |
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514 | (4) |
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Making the Most of Available Tracks |
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518 | (1) |
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Tips for Remote Recording with Pro Tools |
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519 | (5) |
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524 | (1) |
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Postproduction and Soundtracks |
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525 | (36) |
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525 | (5) |
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527 | (1) |
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528 | (1) |
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Avid Mojo and Avid Mojo SDI |
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529 | (1) |
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DV Toolkit 2 (Pro Tools LE Only) |
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530 | (1) |
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Using Video Files in Post |
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530 | (2) |
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Tips for Recording Voice-Overs |
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532 | (2) |
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Spotting Techniques, Sound Effects |
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534 | (4) |
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534 | (1) |
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535 | (2) |
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537 | (1) |
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538 | (7) |
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Surround Formats Overview |
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539 | (2) |
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Software and Hardware Accessories for Surround |
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541 | (2) |
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Monitoring in Surround on a Budget |
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543 | (1) |
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544 | (1) |
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Audio Editing for Avid-Based Video Projects |
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545 | (10) |
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545 | (1) |
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OMF, AAF, and the DigiTranslator Program |
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546 | (4) |
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Gain Optimization for Video |
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550 | (5) |
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Audio Editing for Linear (Tape-Based) Video Suites |
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555 | (5) |
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Audio Transfer from Tape Master |
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556 | (2) |
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558 | (2) |
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560 | (1) |
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Sound Design for Interactive Media |
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561 | (22) |
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Sound-Effects Libraries, Synths/Samplers, SoundCreation |
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563 | (2) |
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Common Multimedia File Formats |
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565 | (4) |
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How Audio Is Used in Interactive Media |
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569 | (5) |
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570 | (1) |
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570 | (1) |
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Music/Effects Backgrounds |
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571 | (3) |
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Sharing Well with Others: About Bandwidth |
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574 | (7) |
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575 | (1) |
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576 | (1) |
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576 | (2) |
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578 | (2) |
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Creating Audio for Digital Video Files |
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580 | (1) |
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581 | (2) |
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Bouncing to Disk, Other File Formats |
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583 | (26) |
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583 | (4) |
|
Converting to Common Audio File Formats |
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585 | (2) |
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Bounce to QuickTime Movie |
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587 | (2) |
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Normalization and Gain Optimization |
|
|
589 | (6) |
|
Normalizing Within Pro Tools |
|
|
591 | (1) |
|
Normalizing Bounced Mixes |
|
|
591 | (1) |
|
Digidesign Dither Plug-ins |
|
|
592 | (2) |
|
|
594 | (1) |
|
Sample Rate and Bit-Depth |
|
|
595 | (1) |
|
Compressed File Formats (MP3, AAC, MPEG-4, RealAudio, and So On) |
|
|
595 | (4) |
|
|
597 | (1) |
|
|
598 | (1) |
|
Additional Audio-Editing Programs |
|
|
599 | (4) |
|
|
599 | (1) |
|
|
600 | (1) |
|
|
600 | (1) |
|
Audacity (Mac, Windows, Linux) |
|
|
601 | (1) |
|
Autodesk Cleaner, Cleaner XL |
|
|
601 | (1) |
|
|
602 | (1) |
|
|
603 | (5) |
|
Programs for One-Off Copies |
|
|
604 | (1) |
|
Easy Media Creator (Windows) |
|
|
605 | (1) |
|
Programs for Creating Duplication Masters for Commercial CDs |
|
|
605 | (3) |
|
|
608 | (1) |
|
Pro Tools Power: The Next Step |
|
|
609 | (20) |
|
Upgrade Path: For Your System |
|
|
609 | (15) |
|
Pro Tools Hardware Upgrades |
|
|
610 | (1) |
|
Computer Hardware and Operating System Upgrades |
|
|
611 | (1) |
|
Pro Tools Software Upgrades |
|
|
612 | (1) |
|
|
613 | (1) |
|
|
613 | (11) |
|
Upgrade Path: For Your Mind |
|
|
624 | (1) |
|
|
625 | (1) |
|
|
625 | (1) |
|
Maintaining a Learning Attitude and Finding Additional Resources |
|
|
626 | (2) |
|
|
628 | (1) |
|
Appendix A Further Study, and Resources on the Web |
|
|
629 | (6) |
|
|
629 | (1) |
|
|
630 | (1) |
|
|
630 | (1) |
|
|
631 | (1) |
|
|
631 | (2) |
|
|
633 | (2) |
|
Appendix B Add-ons, Extensions, and Cool Stuff for Your Rig |
|
|
635 | (26) |
|
External Control Surfaces |
|
|
635 | (10) |
|
Synchronization Peripherals |
|
|
645 | (3) |
|
Digital Patchbays and Routers |
|
|
648 | (1) |
|
Word Clock and Sync Generators |
|
|
649 | (2) |
|
Ergonomics, Rackmounting, Extenders |
|
|
651 | (8) |
|
Storage, Digital Audio Networking |
|
|
659 | (2) |
|
Appendix C Archive and Backup |
|
|
661 | (12) |
|
Where Pro Tools Stores Session Data |
|
|
661 | (3) |
|
Why and When Should You Save Your Data? |
|
|
664 | (1) |
|
|
665 | (5) |
|
|
670 | (1) |
|
|
671 | (2) |
|
Appendix D Power Tips and Loopy Ideas |
|
|
673 | (20) |
|
Mixing and Processing Tips |
|
|
673 | (6) |
|
|
679 | (5) |
|
|
684 | (9) |
|
Appendix E Signal Flow in Pro Tools |
|
|
693 | (4) |
Index |
|
697 | |