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Pro Tools 8 Power! International Student Edition [Raamat]

  • Formaat: Book, 608 pages
  • Ilmumisaeg: 01-Jan-2010
  • Kirjastus: Delmar Cengage Learning
  • ISBN-10: 159863898X
  • ISBN-13: 9781598638981
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  • Formaat: Book, 608 pages
  • Ilmumisaeg: 01-Jan-2010
  • Kirjastus: Delmar Cengage Learning
  • ISBN-10: 159863898X
  • ISBN-13: 9781598638981
Teised raamatud teemal:
A guide to Pro Tools 8 covers such topics as the user interface, MIDI, scoring, recording, editing, signal processing, and mixing.

A team of audio producers and engineers delivers an authoritative guide to the latest version of this industry-standard audio production application. For users new to Pro Tools, the authors introduce basic audio concepts and system setup, and then move on to discussions of basic sound editing and mixing, plugins, and MIDI. More advanced users will appreciate the book's more detailed descriptions of the use of Pro Tools for post-production and interactive media. The text is accompanied by numerous screen shots and illustrations. Annotation ©2010 Book News, Inc., Portland, OR (booknews.com)

Get the most out of Pro Tools with the definitive guidebook! Covering the LE, M-Powered, and HD versions of Pro Tools for music, post, and multimedia users at all levels, Pro Tools 8 Power! is the perfect resource for both newcomers looking to get up and running, and more advanced users who would like a complete desk reference on the new version. Completely updated for Pro Tools 8, everything from basic audio concepts and setting up your system to editing, mixing, plug-ins, MIDI, and much more is here in a usable format that explains techniques in plain language. Helpful keyboard shortcuts for Windows and Macintosh as well as informative notes and helpful tips are included throughout the text.

Arvustused

Introduction. 1: About Pro Tools. 2: Pro Tools Terms and Concepts. 3: Your System Configuration. 4: Creating Your First Pro Tools Session. 5: The Transport Window. 6: The Edit Window. 7: The Mix Window. 8: Menu Selections: Highlights. 9: Plug-ins, Inserts and Sends. 10: MIDI. 11: Synchronization. 12: The Pro Tools Groove. 13: Music Production. 14: Postproduction and Soundtracks. 15: Sound Design for Interactive Media. 16: Bouncing to Disk, Other File Formats. 17: Pro Tools Power: The Next Step. Appendix A: Further Study, and Resources on the Web. Appendix B: Add-ons, Extensions and Cool Stuff for Your PT Rig. Appendix C: Archive and Backup. Appendix D: Pro Tools Free 5.01 Power! Appendix E: Power Tips and Loopy Ideas. Appendix F: Signal Flow in Pro Tools.

Introduction xix
About Pro Tools
1(22)
What Is Pro Tools?
2(5)
How It Works
7(3)
Digital Audio Is Data, Representing Audio Waveforms
7(1)
MIDI Is Data, Representing Performance Events and Controller Data
7(3)
Multitrack Recording, Mixdown, and Mastering: An Overview
10(1)
Digital-Audio Basics
11(7)
Introduction: Analog Recording
11(1)
Sampling Theory Overview
11(7)
MIDI Basics
18(4)
MIDI File Formats
19(2)
Software-Based Virtual Instruments for MIDI
21(1)
Summary
22(1)
Pro Tools Terms and Concepts
23(28)
Pro Tools Data and Files
23(6)
Session
23(1)
Audio File
24(1)
Region
25(1)
Track
26(1)
Playlist
27(2)
How Pro Tools Handles Audio
29(8)
Voice, Track Priority
30(1)
Channel
31(3)
Virtual Tracks Versus Physical Tracks
34(1)
Destructive Versus Non-destructive Editing
35(1)
Fade, Crossfade
36(1)
Mixing Concepts
37(8)
Grouping Tracks
37(1)
Busses
38(1)
Sends
39(1)
Aux Input Tracks
39(2)
Instrument Tracks
41(1)
Master Fader Tracks
41(1)
Plug-ins
42(2)
Inserts
44(1)
Bouncing to Disk
44(1)
Digidesign Technology
45(3)
DAE (Digidesign Audio Engine)
46(1)
TDM (Time-Division Multiplexing)
46(1)
ReWire (and the DigiReWire Plug-in)
47(1)
Elastic Audio (Versions 7.4 and Higher)
47(1)
Summary
48(3)
Your System Configuration
51(56)
Basic Components
51(13)
Computer
51(2)
Monitor(s)
53(1)
Hard Drive(s)
54(2)
Peripheral Equipment
56(8)
Pro Tools Hardware Configurations
64(31)
Mbox 2 Family (Pro Tools 8 LE and a Digidesign Audio/MIDI Interface)
64(4)
Digi 003 and Digi 003 Rack (Pro Tools LE and an External FireWire Audio/MIDI Interface)
68(3)
M-Powered (Pro Tools M-Powered and an M-Audio Interface)
71(15)
Pro ToolslHD (External Audio Interfaces)
86(3)
Older PT Configurations
89(6)
iLok USB Smart Key
95(2)
Digidesign Control Surfaces for Pro Tools
97(8)
Commandl8
97(1)
Controll24 (Discontinued)
98(1)
Cl24
99(1)
ProControl (Discontinued)
99(1)
D-Control
100(2)
D-Command
102(2)
Venue
104(1)
Summary
105(2)
Creating Your First Pro Tools Session
107(20)
Your First Session
108(7)
Setting Up a New Session
108(3)
Your First Recording
111(1)
Importing Audio into Pro Tools
112(3)
Editing and Effects
115(6)
Editing
115(3)
Inserting Plug-in Effects
118(3)
Mixdown
121(4)
Mixing
122(2)
Bounce to Disk
124(1)
Summary
125(2)
The Transport Window
127(20)
Transport Buttons
128(5)
Play/Stop
129(1)
Rewind/Fast Forward
129(1)
Return to Zero/Go to End
130(1)
Online
130(1)
Record
131(2)
Transport Window Fields
133(4)
Main/Sub Indicators for Current Location
133(1)
Play Selection: Start/End/Length Fields
134(1)
Pre-Roll/Post-Roll
135(2)
Transport Master
137(1)
Record Enable Status/Input Status
137(1)
MIDI Transport Controls
137(8)
Wait for Note
138(1)
Metronome Click
139(1)
Countoff
139(1)
MIDI Merge
140(1)
Conductor Track
140(1)
Current Meter
141(1)
Tempo
142(3)
Summary
145(2)
The Edit Window
147(60)
Edit Tools: The Zoomer, Trimmer, Selector, Grabber, Smart Tool, Scrubber, and Pencil
148(10)
Zoomer
149(1)
Trimmer
149(1)
Selector
150(2)
Grabber
152(2)
Smart Tool
154(1)
Scrubber
155(1)
Pencil
156(2)
Edit Modes: Slip, Shuffle, Grid, and Spot
158(4)
Slip
158(1)
Shuffle
159(1)
Grid
159(1)
Spot
160(2)
Zoom Controls and Zoom Preset Buttons
162(3)
Zoom Toggle Icon
165(1)
Event Edit Area (Selection/Position Indicators)
165(3)
Edit Selection Indicators (Start/End/Length)
166(1)
Main/Sub Counters
166(1)
MIDI Note Attributes
167(1)
Edit Window Transport Buttons
168(1)
Other Edit Window Fields
169(5)
Tab to Transients
169(1)
Link Timeline and Edit Selection
170(1)
Link Track and Edit Selection
170(1)
Mirrored MIDI Editing
171(1)
Insertion Follows Playback
171(1)
Grid Display and Grid Value Display
171(1)
Nudge Value Display
172(1)
Cursor Location/Cursor Value
173(1)
Ruler View Selector
173(1)
Edit Window View Selector
173(1)
Linearity Display Mode Selector
174(1)
Commands Focus
174(1)
Regions List
174(8)
Using the Regions List's Local Menu
177(5)
Edit Groups List
182(2)
Tracks List
184(1)
Track View Selector for Track Data
184(5)
Audio
184(3)
Aux Input
187(1)
VCA Master (Pro Tools HD Only)
187(1)
Master Fader
187(1)
MIDI and Instrument Tracks
187(2)
Track Height Selector
189(1)
Playlist Selector (Audio and MIDI Tracks)
190(1)
Samples/Ticks Timebase Selector
191(1)
Track Color Indicators
192(1)
Timeline Display: Timebase Rulers and Marker Memory Locations
192(5)
Markers Ruler
193(3)
Tempo and Meter Rulers
196(1)
Key Signature Ruler
196(1)
Managing Multiple Takes
197(3)
Assembling a Comp Track
199(1)
Real-Time MIDI Properties on MIDI/Instrument Tracks
200(1)
More About Automation in Pro Tools
200(3)
Automation Modes
201(1)
Automation Window
202(1)
Automation and Controller Lanes
203(1)
Tempo Editor
203(3)
Summary
206(1)
The Mix Window
207(32)
Mixer Strip Elements
207(25)
Audio Tracks
208(12)
Aux Inputs
220(4)
Master Faders
224(2)
MIDI Tracks
226(4)
Instrument Tracks
230(2)
Mix Window View Selector
232(1)
Output Windows
233(2)
Safe Button for Automation
235(1)
Linked Panners (Multichannel and Stereo Tracks Only)
235(1)
Inverse Pan (Multichannel and Stereo Tracks Only)
235(1)
Tracks List
235(2)
Mix Groups List
237(1)
Summary
238(1)
Menu Selections: Highlights
239(82)
File Menu
239(14)
Save, Save As, Save Copy In, Revert to Saved
239(6)
Bounce to > Disk
245(2)
Bounce to > QuickTime Movie
247(1)
Import Submenu
248(5)
Edit Menu
253(5)
Cut/Copy/Paste/Clear Special
253(1)
Selection Submenu
253(1)
Duplicate, Repeat
253(1)
Shift
254(1)
Trim Region Submenu
254(1)
Separate Region Submenu/Heal Separation
254(1)
Strip Silence
255(1)
Consolidate
256(1)
Mute/Unmute
257(1)
Fades
257(1)
View Menu
258(3)
Narrow Mix Window
258(1)
Mix Window/Edit Window Submenus
258(1)
Rulers Submenu
259(1)
Region Submenu
259(1)
Track Number
260(1)
Transport Submenu
260(1)
Main Counter Submenu
261(1)
Track Menu
261(4)
New (Tracks)
261(1)
Group (Tracks)
262(1)
Split into Mono
262(1)
Make Inactive/Active
262(1)
Delete
263(1)
Write MIDI Real-Time Properties
263(1)
Input Only/Auto Input Monitoring
264(1)
Scroll to Track
264(1)
Clear All Clip Indicators
264(1)
Create Click Track
265(1)
Region Menu
265(4)
Edit Lock/Unlock
265(1)
Time Lock/Unlock
265(1)
Send to Back/Bring to Front
265(1)
Group/Ungroup/Ungroup All/Regroup
266(1)
Loop/Unloop
266(1)
Capture
267(1)
Identify Sync Point/Remove Sync Point
267(1)
Quantize to Grid
268(1)
Elastic Properties (Versions 7.4 and Higher)
268(1)
Conform to Tempo (Versions 7.4 and Higher)
269(1)
Event Menu
269(13)
Time Operations Submenu: Change Meter, Insert Time, Cut Time, Move Song Start
269(2)
Tempo Operations Submenu
271(1)
Event Operations Submenu
272(4)
MIDI Event List
276(1)
MIDI Track Offsets
277(1)
MIDI Real-Time Properties
278(1)
Remove Duplicate Notes
279(1)
Add Key Change
279(1)
Beat Detective
280(1)
Identify Beat
280(2)
Renumber Bars
282(1)
All MIDI Notes Off: The Panic Button!
282(1)
AudioSuite Menu
282(1)
Options Menu
283(9)
Destructive Record
283(1)
Loop Record
284(1)
QuickPunch
284(2)
TrackPunch (HD Systems Only)
286(1)
Video Track Online
287(1)
Video Out Fire Wire (Mac Only)
287(1)
Scrub In Video Window
287(1)
Loop Playback
287(1)
Link Timeline and Edit Selection
287(1)
Link Track and Edit Selection
288(1)
Mirror MIDI Editing
289(1)
Automation Follows Edit
289(1)
Click/Countoff
289(1)
MIDI Thru
289(1)
Pre-Fader Metering
290(1)
Auto-Spot Regions
291(1)
Low-Latency Monitoring (Digi 002 Systems Only)
291(1)
Use Delay Compensation (HD Systems Only)
292(1)
Setup Menu
292(17)
Hardware (Setup)
293(1)
Playback Engine
294(2)
Disk Allocation
296(1)
Peripherals
296(1)
I/O
297(2)
Session
299(2)
Setup > MIDI Submenu
301(2)
Click/Countoff
303(1)
Preferences
303(6)
Window Menu
309(10)
Window Configurations
309(1)
Task Manager Window
310(1)
Workspace Browser Window
311(1)
Project Browser Window
312(1)
Catalog Browser Window
313(1)
Big Counter
314(1)
Automation Enable
314(1)
Memory Locations
315(2)
Video Universe
317(1)
Color Palette
317(1)
Undo History
318(1)
Disk Space and System Usage
319(1)
Summary
319(2)
Plug-ins, Inserts, and Sends
321(38)
Signal Routing in Pro Tools
321(12)
Input Channels
323(1)
Audio and Aux Input Tracks
324(2)
Instrument Tracks
326(1)
Inserts
327(1)
Sends
327(1)
Busses
328(3)
Master Faders
331(1)
Output Channels
332(1)
Plug-in Architectures
333(7)
AudioSuite
334(1)
RTAS (Real-Time AudioSuite)
335(2)
TDM (Time-Division Multiplexing), TDM II
337(2)
Wrapped Plug-ins
339(1)
Plug-in Effects
340(9)
About Digital Signal Processing (DSP)
340(1)
Categories of Audio Effects
340(6)
Plug-ins Included with Pro Tools 8
346(3)
Third-Party Plug-in Developers
349(1)
Tips for Using Sends (to External I/O, PT Busses, and Aux Inputs)
349(1)
ReWire
350(2)
Getting the Most Out of Available DSP
352(6)
Where to Place Plug-ins
354(3)
AudioSuite Effects Versus Real-Time Plug-ins
357(1)
Bouncing Effects into Tracks and Submixes
357(1)
Summary
358(1)
MIDI
359(42)
A Technical Overview of MIDI
359(4)
MIDI Data
360(3)
MIDI Interface Options
363(1)
Digidesign MIDI I/O
364(1)
MIDI Setup
364(4)
Macintosh (Audio MIDI Setup)
365(1)
Windows
365(3)
External MIDI Devices
368(1)
Virtual Instruments
368(4)
Why Use Virtual Instruments Instead of External MIDI Gear?
370(1)
Virtual Instrument Programs (ReWire)
371(1)
Virtual Instrument Plug-ins for Pro Tools
371(1)
Recording into MIDI and Instrument Tracks
372(3)
MIDI Recording Modes
373(2)
Editing MIDI and Instrument Tracks in the Edit Window
375(3)
The MIDI Editor Window
378(3)
The Event Menu
381(19)
Time Operations
381(4)
Tempo Operations
385(3)
Event Operations
388(9)
MIDI Real-Time Properties
397(1)
Remove Duplicate Notes
398(1)
Beat Detective
399(1)
Identify Beat
399(1)
Renumber Bars
399(1)
All MIDI Notes Off
399(1)
Other Commands Relating to MIDI
400(1)
Summary
400(1)
Synchronization
401(18)
Synchronization Defined
401(2)
SMPTE Time Code
403(6)
Synchronization Example with an External Video Deck
404(2)
SMPTE Time Code Formats: LTC, VITC, and MTC
406(2)
Frame Rates (30/29.97 Drop/Non-Drop, 25, 24 Frames per Second)
408(1)
MIDI Time Code (MTC)
409(1)
SMPTE Peripherals
410(4)
SMPTE/MIDI Interface (Trigger Sync)
411(1)
SMPTE/MIDI Interface Plus Separate Hardware Clock
411(2)
Synchronizers That Include Reference Sync
413(1)
Types of Synchronization
414(2)
Trigger Sync
414(1)
Continuous Resync
415(1)
Reference Sync
415(1)
Using QuickTime, Other Digital Video File Formats
416(2)
Summary
418(1)
The Pro Tools Groove
419(28)
Combining MIDI and Audio
419(3)
Using ``Assembled'' Percussion Parts and Region Groups
421(1)
Looping Audio Regions
422(5)
The Event > Identify Beat Command
422(2)
The Region > Loop/Unloop Commands
424(3)
Using the Time Trimmer for Adjusting Durations
427(1)
Working with REX and ACID Files
427(2)
Importing REX/ACID Files into Pro Tools
428(1)
Building a Better Groove
429(3)
Elastic Audio
432(8)
Event Markers and Warp Markers
433(1)
Editing Event and Warp Markers
434(1)
Elastic Audio Plug-in Window
434(2)
Elastic Properties Window
436(1)
Using the DigiBase Browsers with Elastic Audio
437(3)
Beat Detective
440(6)
Beat Detective Modes
441(5)
Summary
446(1)
A Multitrack Music Session
447(24)
Track Setup and Click Track for Recording
448(10)
Track Setup for Recording
449(4)
Click Track
453(3)
Creating Effects and a Drum Submix
456(2)
Setting Up a Cue Mix with Effects
458(6)
Creating Multiple Cue Mix Sends
460(4)
Making the Most of Available Tracks
464(1)
Tips for Remote Recording with Pro Tools
465(4)
Summary
469(2)
Postproduction and Soundtracks
471(32)
Synchronization Setup
471(5)
MachineControl
472(2)
AVoptionV10
474(1)
Avid Mojo SDI
475(1)
DV Toolkit 2 (Pro Tools LE Only)
475(1)
Using Video Files in Post
476(1)
Tips for Recording Voice-Overs
477(2)
Spotting Techniques, Sound Effects
479(3)
Spot Edit Mode
479(1)
Auto-Spotting Regions
480(2)
VocALign
482(1)
Surround Mixing
482(7)
Surround Formats Overview
485(1)
Software and Hardware Accessories for Surround
486(1)
Monitoring in Surround on a Budget
487(1)
Stereo Compatibility
488(1)
Audio Editing for Avid-Based Video Projects
489(9)
File Formats
489(1)
OMF, AAF, and the DigiTranslator Program
490(4)
Gain Optimization for Video
494(4)
Audio Editing for Linear (Tape-Based) Video Suites
498(4)
Audio Transfer from Tape Master
498(2)
Synchronized Layback
500(2)
Summary
502(1)
Sound Design for Interactive Media
503(20)
Sound-Effects Libraries, Synths/Samplers, Sound Creation
505(1)
Common Multimedia File Formats
506(3)
How Audio Is Used in Interactive Media
509(5)
Voice-Overs
509(2)
Buttons/Links
511(1)
Music/Effects Backgrounds
512(2)
Sharing Well with Others: About Bandwidth
514(7)
Sample Rate
515(1)
Bit Depth
516(1)
Managing Audio Levels
516(1)
Audio Data Compression
517(2)
Creating Audio for Digital Video Files
519(2)
Summary
521(2)
Bouncing to Disk, Other File Formats
523(24)
Bounce to Disk
523(3)
Converting to Common Audio File Formats
525(1)
Bounce to QuickTime Movie
526(2)
Normalization and Gain Optimization
528(5)
Normalizing Within Pro Tools
530(1)
Normalizing Bounced Mixes
531(1)
Digidesign Dither Plug-ins
531(2)
Other Dithering Options
533(1)
Sample Rate and Bit Depth
533(1)
Compressed File Formats (MP3, AAC, MPEG-4, RealAudio, and So On)
534(3)
MP3
536(1)
MPEG-4 and AAC
537(1)
Additional Audio-Editing Programs
537(4)
Peak Pro (Mac)
538(1)
Sound Forge (Windows)
538(1)
WaveLab (Windows)
539(1)
Audacity (Mac, Windows, Linux)
539(1)
Autodesk Cleaner, Cleaner XL
539(1)
DVD Studio Pro (Mac)
540(1)
Audio CD Creation
541(4)
Programs for One-Off Copies
542(1)
Easy Media Creator (Windows)
542(1)
Programs for Creating Duplication Masters for Commercial CDs
543(2)
Summary
545(2)
The Score Editor Window
547(10)
Using the Edit Tools
548(1)
Editing with the Pencil Tool
548(1)
Keys, Meters, and Chords in the Score Editor Window
549(3)
Meter Change
549(1)
Key-Signature Change
550(1)
Chord Change
551(1)
Settings and Setups
552(4)
The Notation Display Track Settings
552(2)
The Score Setup
554(2)
Summary
556(1)
Pro Tools Power: The Next Step
557(18)
Upgrade Path: For Your System
557(13)
Pro Tools Hardware Upgrades
558(1)
Computer Hardware and Operating System Upgrades
559(1)
Pro Tools Software Upgrades
560(1)
Pro Tools Peripherals
560(1)
Audio Hardware
561(9)
Upgrade Path: For Your Mind
570(1)
Career Options
571(1)
Maintaining a Learning Attitude and Finding Additional Resources
572(1)
Summary
573(2)
Appendix A Further Study, and Resources on the Web 575(6)
Appendix B Add-ons, Extensions, and Cool Stuff for Your Rig 581(28)
Appendix C Archive and Backup 609(14)
Appendix D Power Tips and Loopy Ideas 623(20)
Appendix E Signal Flow in Pro Tools 643(4)
Index 647
Colin MacQueen is a musician, composer, technical writer, sound designer and virtual audio engineer. He has been involved with the music and video industries for years, both in production and as a live performer, as a Digidesign distributor in Spain and as an educator on digital audio-related topics. Colin co-authored Pro Tools Power! and Digital Audio Dictionary and wrote and produced all the movie tutorials for the interactive CD-ROMs: CSi Starter Pro Tools LE, and CSi Starter Cubase SX2, and the IK Multimedia movie tutorials on CSi volume 10. He was a contributing writer or editor on other CD-ROM volumes in the CSi series. In addition, he has served as an independent composer, producer and sound designer for many interactive CD-ROM titles. Colin is a freelance writer on digital audio topics and has taught digital audio courses at both the university level and at broadcast schools. Steve Albanese is an interactive media producer, audio engineer, and entrepreneur. Steve is currently President and founder of TutorialFACTORY and TutorialDEPOT, where he specializes in the development and online distribution of HOW TO video content for platforms ranging from mobile devices through large-screen HD systems. His years of educational and development experience include his role as Media Production Supervisor at the Recording Workshop, Chief Instructor at Pro School Midwest, President and founder of Cool Breeze Systems, Inc., and creator of the Cool School Interactus training environments. Steve has also worked for years as an audio professional, recording, mixing and mastering many music projects, as well as posting videos and films, television commercials, radio spots, and interactive media. Christopher R. Burns has spent his 16-year career working in audio post-production for the advertising and broadcast industries. A graduate of Ithaca College Music School, Burns spent the past six years performing promo mixing for various ESPN networks. He is now an independent engineer in the New York City area, primarily working on Pro Tools.