Introduction |
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xix | |
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1 | (22) |
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2 | (5) |
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7 | (3) |
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Digital Audio Is Data, Representing Audio Waveforms |
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7 | (1) |
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MIDI Is Data, Representing Performance Events and Controller Data |
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7 | (3) |
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Multitrack Recording, Mixdown, and Mastering: An Overview |
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10 | (1) |
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11 | (7) |
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Introduction: Analog Recording |
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11 | (1) |
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11 | (7) |
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18 | (4) |
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19 | (2) |
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Software-Based Virtual Instruments for MIDI |
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21 | (1) |
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22 | (1) |
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Pro Tools Terms and Concepts |
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23 | (28) |
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23 | (6) |
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23 | (1) |
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24 | (1) |
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25 | (1) |
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26 | (1) |
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27 | (2) |
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How Pro Tools Handles Audio |
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29 | (8) |
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30 | (1) |
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31 | (3) |
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Virtual Tracks Versus Physical Tracks |
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34 | (1) |
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Destructive Versus Non-destructive Editing |
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35 | (1) |
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36 | (1) |
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37 | (8) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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39 | (2) |
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41 | (1) |
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41 | (1) |
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42 | (2) |
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44 | (1) |
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44 | (1) |
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45 | (3) |
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DAE (Digidesign Audio Engine) |
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46 | (1) |
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TDM (Time-Division Multiplexing) |
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46 | (1) |
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ReWire (and the DigiReWire Plug-in) |
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47 | (1) |
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Elastic Audio (Versions 7.4 and Higher) |
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47 | (1) |
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48 | (3) |
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Your System Configuration |
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51 | (56) |
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51 | (13) |
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51 | (2) |
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53 | (1) |
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54 | (2) |
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56 | (8) |
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Pro Tools Hardware Configurations |
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64 | (31) |
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Mbox 2 Family (Pro Tools 8 LE and a Digidesign Audio/MIDI Interface) |
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64 | (4) |
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Digi 003 and Digi 003 Rack (Pro Tools LE and an External FireWire Audio/MIDI Interface) |
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68 | (3) |
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M-Powered (Pro Tools M-Powered and an M-Audio Interface) |
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71 | (15) |
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Pro ToolslHD (External Audio Interfaces) |
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86 | (3) |
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89 | (6) |
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95 | (2) |
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Digidesign Control Surfaces for Pro Tools |
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97 | (8) |
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97 | (1) |
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Controll24 (Discontinued) |
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98 | (1) |
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99 | (1) |
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ProControl (Discontinued) |
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99 | (1) |
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100 | (2) |
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102 | (2) |
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104 | (1) |
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105 | (2) |
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Creating Your First Pro Tools Session |
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107 | (20) |
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108 | (7) |
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108 | (3) |
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111 | (1) |
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Importing Audio into Pro Tools |
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112 | (3) |
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115 | (6) |
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115 | (3) |
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Inserting Plug-in Effects |
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118 | (3) |
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121 | (4) |
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122 | (2) |
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124 | (1) |
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125 | (2) |
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127 | (20) |
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128 | (5) |
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129 | (1) |
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129 | (1) |
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130 | (1) |
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130 | (1) |
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131 | (2) |
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133 | (4) |
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Main/Sub Indicators for Current Location |
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133 | (1) |
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Play Selection: Start/End/Length Fields |
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134 | (1) |
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135 | (2) |
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137 | (1) |
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Record Enable Status/Input Status |
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137 | (1) |
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137 | (8) |
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138 | (1) |
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139 | (1) |
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139 | (1) |
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140 | (1) |
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140 | (1) |
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141 | (1) |
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142 | (3) |
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145 | (2) |
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147 | (60) |
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Edit Tools: The Zoomer, Trimmer, Selector, Grabber, Smart Tool, Scrubber, and Pencil |
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148 | (10) |
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149 | (1) |
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149 | (1) |
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150 | (2) |
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152 | (2) |
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154 | (1) |
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155 | (1) |
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156 | (2) |
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Edit Modes: Slip, Shuffle, Grid, and Spot |
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158 | (4) |
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158 | (1) |
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159 | (1) |
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159 | (1) |
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160 | (2) |
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Zoom Controls and Zoom Preset Buttons |
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162 | (3) |
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165 | (1) |
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Event Edit Area (Selection/Position Indicators) |
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165 | (3) |
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Edit Selection Indicators (Start/End/Length) |
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166 | (1) |
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166 | (1) |
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167 | (1) |
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Edit Window Transport Buttons |
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168 | (1) |
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169 | (5) |
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169 | (1) |
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Link Timeline and Edit Selection |
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170 | (1) |
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Link Track and Edit Selection |
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170 | (1) |
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171 | (1) |
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Insertion Follows Playback |
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171 | (1) |
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Grid Display and Grid Value Display |
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171 | (1) |
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172 | (1) |
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Cursor Location/Cursor Value |
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173 | (1) |
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173 | (1) |
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Edit Window View Selector |
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173 | (1) |
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Linearity Display Mode Selector |
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174 | (1) |
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174 | (1) |
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174 | (8) |
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Using the Regions List's Local Menu |
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177 | (5) |
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182 | (2) |
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184 | (1) |
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Track View Selector for Track Data |
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184 | (5) |
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184 | (3) |
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187 | (1) |
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VCA Master (Pro Tools HD Only) |
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187 | (1) |
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187 | (1) |
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MIDI and Instrument Tracks |
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187 | (2) |
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189 | (1) |
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Playlist Selector (Audio and MIDI Tracks) |
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190 | (1) |
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Samples/Ticks Timebase Selector |
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191 | (1) |
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192 | (1) |
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Timeline Display: Timebase Rulers and Marker Memory Locations |
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192 | (5) |
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193 | (3) |
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196 | (1) |
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196 | (1) |
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197 | (3) |
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199 | (1) |
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Real-Time MIDI Properties on MIDI/Instrument Tracks |
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200 | (1) |
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More About Automation in Pro Tools |
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200 | (3) |
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201 | (1) |
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202 | (1) |
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Automation and Controller Lanes |
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203 | (1) |
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203 | (3) |
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206 | (1) |
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207 | (32) |
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207 | (25) |
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208 | (12) |
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220 | (4) |
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224 | (2) |
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226 | (4) |
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230 | (2) |
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232 | (1) |
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233 | (2) |
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Safe Button for Automation |
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235 | (1) |
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Linked Panners (Multichannel and Stereo Tracks Only) |
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235 | (1) |
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Inverse Pan (Multichannel and Stereo Tracks Only) |
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235 | (1) |
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235 | (2) |
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237 | (1) |
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238 | (1) |
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Menu Selections: Highlights |
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239 | (82) |
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239 | (14) |
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Save, Save As, Save Copy In, Revert to Saved |
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239 | (6) |
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245 | (2) |
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Bounce to > QuickTime Movie |
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247 | (1) |
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248 | (5) |
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253 | (5) |
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Cut/Copy/Paste/Clear Special |
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253 | (1) |
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253 | (1) |
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253 | (1) |
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254 | (1) |
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254 | (1) |
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Separate Region Submenu/Heal Separation |
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254 | (1) |
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255 | (1) |
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256 | (1) |
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257 | (1) |
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257 | (1) |
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258 | (3) |
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258 | (1) |
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Mix Window/Edit Window Submenus |
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258 | (1) |
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259 | (1) |
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259 | (1) |
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260 | (1) |
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260 | (1) |
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261 | (1) |
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261 | (4) |
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261 | (1) |
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262 | (1) |
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262 | (1) |
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262 | (1) |
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263 | (1) |
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Write MIDI Real-Time Properties |
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263 | (1) |
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Input Only/Auto Input Monitoring |
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264 | (1) |
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264 | (1) |
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Clear All Clip Indicators |
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264 | (1) |
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265 | (1) |
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265 | (4) |
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265 | (1) |
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265 | (1) |
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Send to Back/Bring to Front |
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265 | (1) |
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Group/Ungroup/Ungroup All/Regroup |
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266 | (1) |
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266 | (1) |
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267 | (1) |
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Identify Sync Point/Remove Sync Point |
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267 | (1) |
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268 | (1) |
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Elastic Properties (Versions 7.4 and Higher) |
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268 | (1) |
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Conform to Tempo (Versions 7.4 and Higher) |
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269 | (1) |
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269 | (13) |
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Time Operations Submenu: Change Meter, Insert Time, Cut Time, Move Song Start |
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269 | (2) |
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271 | (1) |
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272 | (4) |
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276 | (1) |
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277 | (1) |
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MIDI Real-Time Properties |
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278 | (1) |
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279 | (1) |
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279 | (1) |
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280 | (1) |
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280 | (2) |
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282 | (1) |
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All MIDI Notes Off: The Panic Button! |
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282 | (1) |
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282 | (1) |
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283 | (9) |
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283 | (1) |
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284 | (1) |
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284 | (2) |
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TrackPunch (HD Systems Only) |
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286 | (1) |
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287 | (1) |
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Video Out Fire Wire (Mac Only) |
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287 | (1) |
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287 | (1) |
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287 | (1) |
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Link Timeline and Edit Selection |
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287 | (1) |
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Link Track and Edit Selection |
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288 | (1) |
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289 | (1) |
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289 | (1) |
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289 | (1) |
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289 | (1) |
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290 | (1) |
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291 | (1) |
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Low-Latency Monitoring (Digi 002 Systems Only) |
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291 | (1) |
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Use Delay Compensation (HD Systems Only) |
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292 | (1) |
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292 | (17) |
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293 | (1) |
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294 | (2) |
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296 | (1) |
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296 | (1) |
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297 | (2) |
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299 | (2) |
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301 | (2) |
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303 | (1) |
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303 | (6) |
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309 | (10) |
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309 | (1) |
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310 | (1) |
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311 | (1) |
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312 | (1) |
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313 | (1) |
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314 | (1) |
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314 | (1) |
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315 | (2) |
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317 | (1) |
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317 | (1) |
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318 | (1) |
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Disk Space and System Usage |
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319 | (1) |
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319 | (2) |
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Plug-ins, Inserts, and Sends |
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321 | (38) |
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Signal Routing in Pro Tools |
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321 | (12) |
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323 | (1) |
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Audio and Aux Input Tracks |
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324 | (2) |
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326 | (1) |
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327 | (1) |
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327 | (1) |
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328 | (3) |
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331 | (1) |
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332 | (1) |
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333 | (7) |
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334 | (1) |
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RTAS (Real-Time AudioSuite) |
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335 | (2) |
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TDM (Time-Division Multiplexing), TDM II |
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337 | (2) |
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339 | (1) |
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340 | (9) |
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About Digital Signal Processing (DSP) |
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340 | (1) |
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Categories of Audio Effects |
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340 | (6) |
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Plug-ins Included with Pro Tools 8 |
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346 | (3) |
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Third-Party Plug-in Developers |
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349 | (1) |
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Tips for Using Sends (to External I/O, PT Busses, and Aux Inputs) |
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349 | (1) |
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350 | (2) |
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Getting the Most Out of Available DSP |
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352 | (6) |
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354 | (3) |
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AudioSuite Effects Versus Real-Time Plug-ins |
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357 | (1) |
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Bouncing Effects into Tracks and Submixes |
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357 | (1) |
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358 | (1) |
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359 | (42) |
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A Technical Overview of MIDI |
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359 | (4) |
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360 | (3) |
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363 | (1) |
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364 | (1) |
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364 | (4) |
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Macintosh (Audio MIDI Setup) |
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365 | (1) |
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365 | (3) |
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368 | (1) |
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368 | (4) |
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Why Use Virtual Instruments Instead of External MIDI Gear? |
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370 | (1) |
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Virtual Instrument Programs (ReWire) |
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371 | (1) |
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Virtual Instrument Plug-ins for Pro Tools |
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371 | (1) |
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Recording into MIDI and Instrument Tracks |
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372 | (3) |
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373 | (2) |
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Editing MIDI and Instrument Tracks in the Edit Window |
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375 | (3) |
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378 | (3) |
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381 | (19) |
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381 | (4) |
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385 | (3) |
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388 | (9) |
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MIDI Real-Time Properties |
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397 | (1) |
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398 | (1) |
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399 | (1) |
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399 | (1) |
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399 | (1) |
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399 | (1) |
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Other Commands Relating to MIDI |
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400 | (1) |
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400 | (1) |
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401 | (18) |
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401 | (2) |
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403 | (6) |
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Synchronization Example with an External Video Deck |
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404 | (2) |
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SMPTE Time Code Formats: LTC, VITC, and MTC |
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406 | (2) |
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Frame Rates (30/29.97 Drop/Non-Drop, 25, 24 Frames per Second) |
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408 | (1) |
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409 | (1) |
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410 | (4) |
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SMPTE/MIDI Interface (Trigger Sync) |
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411 | (1) |
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SMPTE/MIDI Interface Plus Separate Hardware Clock |
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411 | (2) |
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Synchronizers That Include Reference Sync |
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413 | (1) |
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414 | (2) |
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414 | (1) |
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415 | (1) |
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415 | (1) |
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Using QuickTime, Other Digital Video File Formats |
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416 | (2) |
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418 | (1) |
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419 | (28) |
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419 | (3) |
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Using ``Assembled'' Percussion Parts and Region Groups |
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421 | (1) |
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422 | (5) |
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The Event > Identify Beat Command |
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422 | (2) |
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The Region > Loop/Unloop Commands |
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424 | (3) |
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Using the Time Trimmer for Adjusting Durations |
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427 | (1) |
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Working with REX and ACID Files |
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427 | (2) |
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Importing REX/ACID Files into Pro Tools |
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428 | (1) |
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429 | (3) |
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432 | (8) |
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Event Markers and Warp Markers |
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433 | (1) |
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Editing Event and Warp Markers |
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434 | (1) |
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Elastic Audio Plug-in Window |
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434 | (2) |
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Elastic Properties Window |
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436 | (1) |
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Using the DigiBase Browsers with Elastic Audio |
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437 | (3) |
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440 | (6) |
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441 | (5) |
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446 | (1) |
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A Multitrack Music Session |
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447 | (24) |
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Track Setup and Click Track for Recording |
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448 | (10) |
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Track Setup for Recording |
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449 | (4) |
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453 | (3) |
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Creating Effects and a Drum Submix |
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456 | (2) |
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Setting Up a Cue Mix with Effects |
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458 | (6) |
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Creating Multiple Cue Mix Sends |
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460 | (4) |
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Making the Most of Available Tracks |
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464 | (1) |
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Tips for Remote Recording with Pro Tools |
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465 | (4) |
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469 | (2) |
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Postproduction and Soundtracks |
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471 | (32) |
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471 | (5) |
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472 | (2) |
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474 | (1) |
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475 | (1) |
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DV Toolkit 2 (Pro Tools LE Only) |
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475 | (1) |
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Using Video Files in Post |
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476 | (1) |
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Tips for Recording Voice-Overs |
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477 | (2) |
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Spotting Techniques, Sound Effects |
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479 | (3) |
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479 | (1) |
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480 | (2) |
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482 | (1) |
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482 | (7) |
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Surround Formats Overview |
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485 | (1) |
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Software and Hardware Accessories for Surround |
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486 | (1) |
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Monitoring in Surround on a Budget |
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487 | (1) |
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488 | (1) |
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Audio Editing for Avid-Based Video Projects |
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489 | (9) |
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489 | (1) |
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OMF, AAF, and the DigiTranslator Program |
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490 | (4) |
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Gain Optimization for Video |
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494 | (4) |
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Audio Editing for Linear (Tape-Based) Video Suites |
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498 | (4) |
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Audio Transfer from Tape Master |
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498 | (2) |
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500 | (2) |
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502 | (1) |
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Sound Design for Interactive Media |
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503 | (20) |
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Sound-Effects Libraries, Synths/Samplers, Sound Creation |
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505 | (1) |
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Common Multimedia File Formats |
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506 | (3) |
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How Audio Is Used in Interactive Media |
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509 | (5) |
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509 | (2) |
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511 | (1) |
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Music/Effects Backgrounds |
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512 | (2) |
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Sharing Well with Others: About Bandwidth |
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514 | (7) |
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515 | (1) |
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516 | (1) |
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516 | (1) |
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517 | (2) |
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Creating Audio for Digital Video Files |
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519 | (2) |
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521 | (2) |
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Bouncing to Disk, Other File Formats |
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523 | (24) |
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523 | (3) |
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Converting to Common Audio File Formats |
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525 | (1) |
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Bounce to QuickTime Movie |
|
|
526 | (2) |
|
Normalization and Gain Optimization |
|
|
528 | (5) |
|
Normalizing Within Pro Tools |
|
|
530 | (1) |
|
Normalizing Bounced Mixes |
|
|
531 | (1) |
|
Digidesign Dither Plug-ins |
|
|
531 | (2) |
|
|
533 | (1) |
|
Sample Rate and Bit Depth |
|
|
533 | (1) |
|
Compressed File Formats (MP3, AAC, MPEG-4, RealAudio, and So On) |
|
|
534 | (3) |
|
|
536 | (1) |
|
|
537 | (1) |
|
Additional Audio-Editing Programs |
|
|
537 | (4) |
|
|
538 | (1) |
|
|
538 | (1) |
|
|
539 | (1) |
|
Audacity (Mac, Windows, Linux) |
|
|
539 | (1) |
|
Autodesk Cleaner, Cleaner XL |
|
|
539 | (1) |
|
|
540 | (1) |
|
|
541 | (4) |
|
Programs for One-Off Copies |
|
|
542 | (1) |
|
Easy Media Creator (Windows) |
|
|
542 | (1) |
|
Programs for Creating Duplication Masters for Commercial CDs |
|
|
543 | (2) |
|
|
545 | (2) |
|
|
547 | (10) |
|
|
548 | (1) |
|
Editing with the Pencil Tool |
|
|
548 | (1) |
|
Keys, Meters, and Chords in the Score Editor Window |
|
|
549 | (3) |
|
|
549 | (1) |
|
|
550 | (1) |
|
|
551 | (1) |
|
|
552 | (4) |
|
The Notation Display Track Settings |
|
|
552 | (2) |
|
|
554 | (2) |
|
|
556 | (1) |
|
Pro Tools Power: The Next Step |
|
|
557 | (18) |
|
Upgrade Path: For Your System |
|
|
557 | (13) |
|
Pro Tools Hardware Upgrades |
|
|
558 | (1) |
|
Computer Hardware and Operating System Upgrades |
|
|
559 | (1) |
|
Pro Tools Software Upgrades |
|
|
560 | (1) |
|
|
560 | (1) |
|
|
561 | (9) |
|
Upgrade Path: For Your Mind |
|
|
570 | (1) |
|
|
571 | (1) |
|
Maintaining a Learning Attitude and Finding Additional Resources |
|
|
572 | (1) |
|
|
573 | (2) |
Appendix A Further Study, and Resources on the Web |
|
575 | (6) |
Appendix B Add-ons, Extensions, and Cool Stuff for Your Rig |
|
581 | (28) |
Appendix C Archive and Backup |
|
609 | (14) |
Appendix D Power Tips and Loopy Ideas |
|
623 | (20) |
Appendix E Signal Flow in Pro Tools |
|
643 | (4) |
Index |
|
647 | |