Muutke küpsiste eelistusi

Producing for the Screen [Pehme köide]

Edited by (Università Cattolica del Sacro Cuore, Italy)
  • Formaat: Paperback / softback, 232 pages, kõrgus x laius: 234x156 mm, kaal: 460 g, 1 Line drawings, black and white; 16 Halftones, black and white; 17 Illustrations, black and white
  • Sari: PERFORM
  • Ilmumisaeg: 16-Apr-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367024608
  • ISBN-13: 9780367024604
  • Formaat: Paperback / softback, 232 pages, kõrgus x laius: 234x156 mm, kaal: 460 g, 1 Line drawings, black and white; 16 Halftones, black and white; 17 Illustrations, black and white
  • Sari: PERFORM
  • Ilmumisaeg: 16-Apr-2020
  • Kirjastus: Routledge
  • ISBN-10: 0367024608
  • ISBN-13: 9780367024604

Producing for the Screen is a collection of essays written by and interviews with working producers, directors, writers, and professors, exploring the business side of producing for film and television.

In this book, over 30 industry professionals dispel myths about the industry and provide practical advice on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to marketing, strategies for contending with the emotional highs and lows of producing, and money management while pursuing producing as a profession.

Written for undergraduates and graduates studying filmmaking, aspiring producers, and working producers looking to reinvent themselves, Producing for the Screen provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in film and television.

Foreword xiii
Acknowledgments xvi
Introduction: What Is Producing? 1(7)
Chapter 1 Getting Started
8(40)
The Curtain-Raiser: Finding The Flame, Fanning The Flame
11(9)
Lianne Halfon
Amedeo D'Adamo
Moving Towards A Career: What Are The Doorways?
20(5)
Jumping Into Low-Budget Producing: The Writer As Web-Series Producer: Driving The Independent Webisode
25(6)
Lydia Yeoman
Watch Your Metrics, Change Your Work, And Just Keep Producing! A Quick Guide To Producing For Youtube
31(8)
Bruna Capozzoli
Amedeo D'Adamo
Case Study: The Small Production Company
39(3)
Graziano Chiscuzzu
Story Pass: How To Help A Writer Move From A Pitch Or Story Idea To A Full Story, Part One - Character And Character Arcs
42(6)
Amedeo D'Adamo
Chapter 2 Sticking It Out
48(52)
Story Radar And Genius-Spotting: On Working With Directors
51(8)
Jack Lechner
Amedeo D'Adamo
Worksheet: Ten Steps To Producing Your First Feature: Your Initial Producing Package
59(6)
Media Labs: The New Development Deal: A Way To Create Buzz, Raise Your Profile, Network And Improve Your Story
65(6)
Gabrielle Kelly
"Are We All Making The Same Movie?": The Director-Producer Relationship
71(5)
Director Adam Salky
Amedeo D'Adamo
Know Your Priorities: The Art Of The Budget: Where To Spend, Where To Save
76(2)
Peggy Rajski
Welcome To Post-Production: How To Work With The Experts
78(4)
Niko Remus
Amedeo D'Adamo
The Cost Of Distribution: How To Know What You Want
82(5)
Avril Speaks
Story Pass: How To Help A Writer Move From Story To Script, Part Two - Character Objectives And Relationships
87(9)
Amedeo D'Adamo
Going `Round The Table: Sticking It Out A Conversation On Dealing With Rejection'
96(4)
Chapter 3 Finding Success
100(39)
When Governments Give You Money To Make Your Movie: Comparing The Us And Eu Producing Environments
102(6)
Nevina Satta
Finding Your Audience: Creating The Writer-Director-Producer Triangle
108(7)
Roshi Nedjad
Getting The Best From Your Team: How Do You Collaborate?: The 2-To-1 Rule For Artistic Collaboration
115(3)
Amedeo D'Adamo
On Being Focused, Honest And Prepared: Handling The Complicated Dynamics Between Producers And Directors
118(5)
Joost De Vries
Amedeo D'Adamo
What Kind Of Producer Will You Be? On Israel's Co-Production Landscape
123(5)
Katriel Schory
Amedeo D'Adamo
Screen Producing "Downunder": The Media-Producing Landscape In Australia
128(5)
Ian Dixon
Worksheet: Taking Charge Of Your Marketing Campaign: What Are The Marketing Hooks Of Your Film?
133(3)
Amedeo D'Adamo
Going `Round The Table A Conversation On Coping With Risk'
136(3)
Chapter 4 Getting Ahead
139(50)
The Path Into The Studio: Good Drama Makes Great Horror, And Other Tips On Moviemaking
141(12)
Jason Blum
Chris Green
Escaping The Alamo: How Directors Survive Producing
153(6)
Kimberly Peirce
Amedeo D'Adamo
"A High Calling In A Low Place": On Running A Studio
159(6)
Thorn Mount
Amedeo D'Adamo
Producer Tips: Finding Your Audience: A Short Primer On Marketing Demographics
165(3)
Amedeo D'Adamo
Native Americans Storm The System: A Producer's Approach To Racism
168(6)
Patricia Gomes
Ian Skorodin
Amedeo D'Adamo
Navigating Through Post: Finding The Creative Pinch-Points
174(6)
Polly Duval
Amedeo D'Adamo
Story Pass: "What Was The Name Of That Show Again?": Developing Titles That Sell
180(9)
Amedeo D'Adamo
Chapter 5 Starting Again
189(37)
The Writer-Producer In TV: Combining Luck, Preparation And Opportunity
191(6)
Miranda Kwok
Amedeo D'Adamo
Case Study: The Show-Runners Of Spain: Hbo's Patria And Glocal Producing
197(5)
Itxaso Del Castillo Aira
Marian Gonzalez-Abrisketa
Andoni Iturbe Tolosa
Story Pass: What Is Story Tone? How Can It Be Guided And Deepened In Pre-Production?: A Technique For Producing Your Pre-Vis Sessions
202(4)
On Casting: "Never Cast One Character At A Time"
206(2)
Lianne Halfon
"Always Come To The Table With Something": The Art Of Negotiating, Hiring And Handling People
208(6)
Carolyn Pfeiffer
Amedeo D'Adamo
Associate Producing And Post Supervising
214(4)
Mary Prendergast
Amedeo D'Adamo
Case Study: Producing In The Green Economy: Emellie O'Brien Builds A Company Where Before There Was Nothing But Waste
218(3)
Going `Round The Table: A Conversation On Regret'
221(5)
Conclusion 226(2)
Recommended Resources 228(2)
Index 230
Amedeo DAdamo currently teaches in the Directing discipline at the American Film Institute and filmmaking and producing at Universita Cattolica, Milan: he is also the Lead Teacher for the studio-funded Native American Feature Film Writers Lab in Los Angeles. He was the Scientific Director of the EU-funded Feature Development Program Puglia Experience (20082011) and the founding Dean and then President of the original Los Angeles Film School, where he also co-created and ran the Feature Film Development program. He has also taught at many universities and labs including Royal Holloway, Universita Svizzera and the University of Zurich, and with his wife Nevina Satta he designed and ran both the University Feature Development Lab and the University Doc Lab for the Locarno Film Festival. Together they also co-founded The Traveling Film School, a non-profit organization that provides free film and theater training to children in underdeveloped regions; it has built small tuition-free film schools in Cameroon and Sardinia. His book Empathetic Space on Screen (2018: Palgrave Macmillan) is about how character is expressed through production design, cinematography, and soundtrack. His features have been seen in festivals such as Rome, Miami, Austin, Torino, and others.