"This volume explores the possibilities and potentialities of "negative" affect in postcolonial literature and literary theory, featuring work on postcolonial studies, First Nations studies, cognitive cultural studies, cognitive historicism, reader response theory, postcolonial feminist studies, and trauma studies. The chapters of this work investigate negative affect in all its types and dimensions: analyses of the structures of feeling created by socio-political forces; assemblages and alliances produced by negative emotion; enactive interrelationships of emotion and environment; and the ethical implications of emotional response, to name a few. It seeks to rebrand "negative" emotions as productive forces which can paradoxically confer pleasure, agential power, and social progress through literary representation"--
It explores the potentialities of “negative” affect in postcolonial literature and theory. It seeks to rebrand “negative” emotions as productive forces which can confer pleasure, agency, and social progress through literary representation.
This volume explores the possibilities and potentialities of “negative” affect in postcolonial literature and literary theory, featuring work on postcolonial studies, First Nations studies, cognitive cultural studies, cognitive historicism, reader response theory, postcolonial feminist studies, and trauma studies. The chapters of this work investigate negative affect in all its types and dimensions: analyses of the structures of feeling created by socio-political forces; assemblages and alliances produced by negative emotion; enactive interrelationships of emotion and environment; and the ethical implications of emotional response, to name a few. It seeks to rebrand “negative” emotions as productive forces which can paradoxically confer pleasure, agential power, and social progress through literary representation.
Arvustused
"The Productivity of Negative Emotions in Postcolonial Literature promises to stand out among emotion studies for its simultaneous respect for scientific research and socio-historical context. Taking diverse approaches to emotions labeled negative, its scholars engage the latest cognitive, philosophical, and historical studies of emotions without giving any one field the final word."
- Laura Otis, Samuel Candler Dobbs Professor of English Emerita, Emory University, USA
This collection draws a fascinating affective map of the postcolonial condition through a range of emotional conflicts articulated in literature that stretches across modernity all the way to our globalized and digitized present. Given the historical realities of power and oppression, this collection on the negative is a richly productive step both along the planetary terrain of postcolonial literary study and the restless archive of critical theory.
-Saikat Majumdar Professor of English and Creative Writing, Ashoka University, India
List of Contributors
Foreword
Acknowledgments
Introduction / Donald R. Wehrs, Isabelle Wentworth, and Jean-François Vernay
THEORETICAL LINEAMENTS: NEGATIVE EMOTIONS AND THE AFFORDANCES OF FICTION
Chapter 1: Ontology of Diasporic Emotions in If You See Me, Dont Say Hi by
Neel Patel / Angelo Monaco
Chapter 2: The Productivity of Negative Emotions Through Shock Value
Fiction: The Case of Australian Indigenous Writers / Jun Feng & Jean-François
Vernay
Chapter 3: Negative Emotions in the Light of Neuropsychoanalysis: The
Generative Matrix of Witi Ihimaeras Multigenerational Saga / Alistair Fox
Chapter 4: First-hand Experiences of the Transformation of Traumatic Memories
and Cascading Emotions in the Creative Writing Process / Liane Gabora & Sue
Woolfe.
Chapter 5: Managing COVID-19 Anger and Anxiety: The Quarantine Train and the
Affective Functions of Online Poetry / Hannah Pardey
EMOTIONS OF LOSS:
Chapter 6: Representing and Resisting Maternal Melancholy in Buchi Emechetas
Second-class Citizen and The Joys of Motherhood / Sonya Andermahr
Chapter 7: Disaffection and Retrieved Agency in Lahiris Interpreter of
Maladies/ Donald R. Wehrs
Chapter 8: On Postcolonial Disappointment: Affects Formal Politics in
Post-Transition Narrative from South Africa / Andrew van der Vlies
EMOTIONS OF INSECURITY
Chapter 9: Solastalgia as an Epistemic Approach: A Map to the Next World,
Averno, and the Power of Negative Affect / Joydeep Chakraborty
Chapter 10: The squeals and groans are the same: Horror and
Subject-Development in Sydney Bridge Upside Down / William Shaw
Chapter 11: Fear in Indigenous Literatures of the Global South: The Poetry of
Graciela Huinao and Ellen van Neerven / Isabelle Wentworth
Chapter 12: On Negative Emotions in Apocalyptic Cultural Memories: Literary
Affects of Estrangement in Postcolonial Acadie / Matthew Cormier
EMOTIONS OF DISCONTENT
Chapter 13: A Cold Rage Penetrated Her Body: The Transformative Power of
Anger in Shahrnush Parsipurs Women Without Men / Mélanie Heydari
Chapter 14: On the Other Side of Anger: Nature, Ecology and Culture in
Rushdies Shalimar, the Clown / Lalita Pandit Hogan
Chapter 15: Negative Affect to Positive Resistance: Indignation in Césaires
Une Tempête / Bradley Irish
Index
Jean-François Vernay is the author of five monographs including The Seduction of Fiction: A Plea for Putting Emotions Back into Literary Interpretation (2016), translated into Mandarin by Dr Jun Feng, La séduction de la fiction (2019), and Neurocognitive Interpretations of Australian Literature: Criticism in the Age of Neuroawareness (Routledge, 2021). He has also edited a Routledge volume: The Rise of the Australian Neurohumanities: Conversations Between Neurocognitive Research and Australian Literature, published in 2021. His monographs have been taken up for translation into English, Arabic, Korean, and Mandarin.
Donald R. Wehrs, Hargis Professor of English Literature at Auburn University, Auburn, AL, USA, is editor or co-editor of five collections, most recently Cultural Memory: From the Sciences to the Humanities (Routledge, 2023) and The Palgrave Handbook of Affect Studies and Textual Criticism (2017). He is author of four monographs, most recently Ethical Sense and Literary Significance: Deep Sociality and the Cultural Agency of Imaginative Discourse (Routledge, 2024), as well as essays on literary theory, Shakespeare, postcolonial studies, 18th-century British fiction, and comparative literature.
Isabelle Wentworth is a lecturer in English at the Australian Catholic University. Her research is in cognitive literary criticism, particularly within the contemporary literature of Australia and South America. Her work has been recently published in Poetics Today, Textual Practice, Cognitive Systems Research, and Hispanic Studies Review, among other international journals. Her first monograph, Catching Time: Interaction, Cognition, and Temporality in the Novel (Routledge) was published in 2024.
