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Prospecting Ocean [Pehme köide]

(Thyssen-Bornemisza Art Contemporary), Foreword by (Médialab of Sciences Po Paris)
  • Formaat: Paperback / softback, 240 pages, kõrgus x laius: 210x152 mm, 48 color illus.; 96 Illustrations
  • Sari: The MIT Press
  • Ilmumisaeg: 17-Dec-2019
  • Kirjastus: MIT Press
  • ISBN-10: 0262043270
  • ISBN-13: 9780262043274
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  • Formaat: Paperback / softback, 240 pages, kõrgus x laius: 210x152 mm, 48 color illus.; 96 Illustrations
  • Sari: The MIT Press
  • Ilmumisaeg: 17-Dec-2019
  • Kirjastus: MIT Press
  • ISBN-10: 0262043270
  • ISBN-13: 9780262043274
Investigating the entanglement of industry, politics, culture, and economics at the frontier of ocean excavations through an innovative union of art and science.

Investigating the entanglement of industry, politics, culture, and economics at the frontier of ocean excavations through an innovative union of art and science.

The oceans are crucial to the planet's well-being. They help regulate the global carbon cycle, support the resilience of ecosystems, and provide livelihoods for communities. The oceans as guardians of planetary health are threatened by many forces, including growing extractivist practices. Through the innovative lens of artistic research, Prospecting Ocean investigates the entanglement of industry, politics, culture, and economics at the frontier of ocean excavation. The result is a richly illustrated study that unites science and art to examine the ecological, cultural, philosophical, and aesthetic reverberations of this current threats to the oceans.

Prospecting Oceans takes as its starting point an exhibition by the photographer and filmmaker Armin Linke, which was commissioned by TBA21–Academy, London, and first shown at the Institute of Marine Science (CNR-ISMAR) in Venice. Linke is concerned with making the invisible visible, and here he unmasks the technologies that enable extractions from the ocean, including future seabed mining for minerals and sampling of genetic data. But the book extends far beyond Linke's research, presenting the latest research from a variety of fields and employing art as the place where disciplines can converge. Integrating the work of artists with scientific, theoretical, and philosophical analysis, Prospecting Ocean demonstrates that visual culture offers new and urgent perspectives on ecological crises.

Preface: Is the Common Heritage of Humankind a Mining Code? 7(4)
Markus Reymann
Foreword 11(4)
Bruno Latour
Exhibition views of "Prospecting Ocean"
15(6)
Prospecting Ocean
21(28)
Stefanie Hessler
Who Has Known the Ocean?
23(16)
Climate Change, Representation, and Art
How Prospecting Ocean Came into Being
The Ocean Spaces in this Book
Seabed Mining in Armin Linke's "Prospecting Ocean"
The Unevenly Distributed Oceanic Anthropocene
39(10)
Noticing the Uncertain Future of Deep-Sea Mining and Other Extractivisms
A Condensed Modern History of Distance
Visual Essay "Prospecting Ocean"
49(36)
Armin Linke
Extractive Disembeddings
Oceanic Representations
65(20)
Mapping the Remote
Viewing the Oceans
Technologized Distance and Patterns of Vision
Perspective in Art and Science
Notions of the Sublime
Visions of Earth from Afar
Visual Essay "Science, Law, Policy, and Protest"
85(60)
Armin Linke
Optical Consistency
Mediated Reality
Virtual Immersive Oceans
Partial Perspectives
The Collapse of Distance
113(16)
Planetary Sensing and Cinematic Oceans
The Pluripresence of Uneven Flows
Leviathan, or Sensing the Oceans
The Ocean as Place and Space
129(16)
Smooth and Striated Ocean Spaces through Time
Oceanic Heterotopias
Water Like Land and Land Like Water
Relational Oceans
Place Making and Conflicts in the Seabed
Visual Essay "Historical and Current Views of the Deep"
145(36)
Armin Linke
Technologies of the Deep
161(14)
Capsized Proportions
Rendering the Mining Zone
The Politics of Ocean Images
Watery (Dis)Solutions
175(6)
Connective Oceanic Distances
Visual Essay "Maps, Models, and Representations"
181(58)
Armin Linke
New and Old Frontiers in Deep-Sea Extractivism
The Nuclear Past and Present of the Radioactive
Ocean in French Polynesia
Spills Beyond Space and Time
Meaning Making Among Dissolving Causalities
Knowledge and Appropriation
Material-Discursive Oceans
213(26)
Seawater
Embodied-Material Techniques
The Seabed as an Architectural Complex
Aquatic Bodies that Matter
Swimming with Matter
Transcorporeal Sea
The New Ocean Frontier Is Closing In
Swim On
Colophon 239