"Provenance and Possession deserves close reading by anyone interested in issues surrounding the ownership of global objects and the identity of forcibly displaced persons. . . .Lowe demonstrates the power of high-level archival research, in which unexpected treasures and questions can spring from documents at every turn."---Stefan Bauer, Times Literary Supplement "Dr. Kate Lowes marvellous new book Provenance and Possession . . . is a revelation. . . . [ It] presents a whole new way of thinking about provenance."---Michael Backman Ltd. "Provenance has received increasing and urgent attention as a means for contemporary scholars, curators, and collectors to determine the authenticity, context, and meaning of a work. However, Lowe grounds her study in archival records and finds that provenance functioned differently in the record-keeping and collecting practices of the Italian Renaissance. . . . Lowes contributions offer productive, historically grounded methods to readdress discourses about collecting practices, and the agency and ontology of objects within history, art history, and material studies."---Araceli Bremauntz Enriquez, H-Net Reviews "Through her meticulous analysis of specific records Lowe makes important discoveries, challenges easy assumptions, and illuminates the trajectory and reception of global goods in Renaissance Europe in exquisite and thought-provoking detail. Provenance and Possession is a masterful work from a scholar at the height of her powers."---Samantha Kelly, Sixteenth Century Journal "In many ways, Provenance and Possession is like a walk through the market stalls of sixteenth-century Lisbon as Campana or Biondi would have experienced them. In it, we peruse unexpected goods that we were not seeking but which are available and present, just like the sources Lowe used to craft her work. Unlike either of them, though, Lowe is an expert and deftly guides her readers along the path of context enhancement, resulting in unanticipated and sometimes challenging conclusions refreshingly well grounded in the documents, art, and artifacts of the period."---Bryan Givens, Renaissance Quarterly "A major contribution to the global direction of Italian Renaissance history and will inspire a new generation of scholars to follow the many avenues she opens up for further research."---Paula Findlen, Journal of Early Modern History