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Psychoanalytic Criticism: A Reappraisal 2nd edition [Kõva köide]

(University of Calgary, Canada)
  • Formaat: Hardback, 232 pages, kõrgus x laius: 229x152 mm, kaal: 430 g
  • Ilmumisaeg: 25-Aug-1998
  • Kirjastus: Routledge
  • ISBN-10: 0415921449
  • ISBN-13: 9780415921442
Teised raamatud teemal:
  • Formaat: Hardback, 232 pages, kõrgus x laius: 229x152 mm, kaal: 430 g
  • Ilmumisaeg: 25-Aug-1998
  • Kirjastus: Routledge
  • ISBN-10: 0415921449
  • ISBN-13: 9780415921442
Teised raamatud teemal:
As criticism settles into an end-of-century milieu, its appropriations of psychoanalysis are increasingly polarized: while the last ten years have witnessed a spate of virulent and provocative attacks on psychoanalysis in general and Freud in particular, at no time has psychoanalysis burgeoned and thrived so strongly in literary theory and practice. In this thoroughly updated version of Elizabeth Wright's classic text, the author explores the ways in which Freudian theory has become essential to our experience of literature. Wright's comprehensive, historical approach to literary theory and practice since Freud loses none of its sharpness for its breadth: from Artaud to Zizek, Foucault to Kristeva, Psychoanalytic Criticism maintains a sharp focus on our experience of language, literature and consciousness.
Preface xi
Introduction 1(6)
Part I 7(62)
1 Classical Psychoanalysis: Freud
9(24)
1.1 Theoretical principles and basic concepts
9(7)
1.2 The dream and the strategies of desire
16(7)
1.3 Art and the strategies of desire
23(10)
2 Classical Freudian Criticism: Id-Psychology
33(15)
2.1 Psychoanalysis of the author: Bonaparte on Poe
34(6)
2.2 Psychoanalysis of the character: Freud and Jones on Hamlet
40(2)
2.3 Psychoanalysis of culture: Lawrence on American literature
42(6)
3 Post-Freudian Criticism: Ego-Psychology
48(11)
3.1 Aesthetic ambiguity: Kris
49(3)
3.2 The dynamics of response: Lesser and Holland
52(7)
4 Archetypal Criticism: Jung and the Collective Unconscious
59(10)
4.1 Archetypal symbols: theory
63(3)
4.2 Magical archetypes: practice
66(3)
Part II 69(28)
5 Object-Relations Theory: Self and Other
71(26)
5.1 Fantasy and reality: Klein
71(5)
5.2 Object-relations and aesthetics
76(8)
5.3 Playing and reality: Winnicott
84(6)
5.4 Potential space and the field of illusion
90(7)
Part III 97(44)
6 Structural Psychoanalysis: Psyche as Text
99(21)
6.1 Psychoanalysis and language: Lacan
99(6)
6.2 Lacan, literature and the arts
105(7)
6.3 The turn of the reader/writer
112(8)
7 Post-Structural Psychoanalysis: Text as Psyche
120(21)
7.1 Derrida and the scene of writing
120(4)
7.2 The return of Freud: jokes and the uncanny
124(11)
7.3 Bloom and the return of the author
135(6)
Part IV 141(30)
8 Psychoanalysis and Ideology I: Focus on Subversion
143(14)
8.1 Psychoanalysis as a discourse: sexuality and power
143(2)
8.2 Deleuze and Guattari: schizoanalysis and Kafka
145(9)
8.3 Gradiva rediviva: towards a way out
154(3)
9 Psychoanalysis and Ideology II: Focus on Dialectic
157(14)
9.1 Psychoanalysis and the theatrical: the dance theatre of Pina Bausch
157(5)
9.2 Psychoanalysis and music
162(4)
9.3 Psychoanalysis and popular culture: Slavoj Zizek
166(5)
Part V 171(21)
10 Feminist Psychoanalytic Criticism
173(19)
10.1 The critique of the phallus
174(4)
10.2 The problem of masquerade
178(3)
10.3 The feminist critique of the cinema
181(5)
10.4 Desiring woman: Mary Kelly's Post-Partum Document and Interim
186(6)
Conclusion 192(3)
References 195(11)
Further Reading 206(4)
Index 210
Elizabeth Wright is a Fellow of Griton College, Cambridge. She is the author of Postmodern Brecht: ARe-Presentation(1989) and the editor of Feminism andPsychoanalysis: A Critical Dictionary.