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Quartet for the End of Time: On Music, Grief and Birdsong [Kõva köide]

  • Formaat: Hardback, 304 pages, kõrgus x laius x paksus: 225x144x30 mm, kaal: 409 g
  • Ilmumisaeg: 17-Apr-2025
  • Kirjastus: Jonathan Cape Ltd
  • ISBN-10: 1787331857
  • ISBN-13: 9781787331853
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  • Formaat: Hardback, 304 pages, kõrgus x laius x paksus: 225x144x30 mm, kaal: 409 g
  • Ilmumisaeg: 17-Apr-2025
  • Kirjastus: Jonathan Cape Ltd
  • ISBN-10: 1787331857
  • ISBN-13: 9781787331853
'This is a rich, lively, profound book' ROWAN WILLIAMS

A personal reckoning with grief, doubt, faith and poetry set to one of the most celebrated musical works of the twentieth century, from the award-winning poet and librettist.

The story goes like this: on a freezing winter night in 1941, a new piece of chamber music was performed to a crowd of prisoners of war on a three-stringed cello, clarinet, violin and pub piano with sticky keys. It was the premiere of Olivier Messiaens Quatuor pour la fin du Temps.

Listeners since then have been captivated by the ecstatic music and mythology of Messiaens masterpiece. Michael Symmons Roberts own lifelong fascination with the Quartet having chanced upon it in a record shop in his late teens and fallen in love with its title - leads him on a quest to understand its enigmatic power. His fascination at times frustration with Messiaens vision opens into an exploration of grief, of personal faith and doubt, of the end of time and what may lie beyond it. Interwoven with poetry and wit, this book is an expansive evocation of music, loss, hope and time, seen through the lens of the Quartet's technicolour, apocalyptic vision.

Quartet for the End of Time is a moving, intimate and unforgettable book, attentive to ways of listening in our noisy world to birdsong, music, poems and radio silence, and to the call and response that we may find.

'A properly engrossing exploration of music, place, religion and what it is to be human' SARAH TARLOW, author of The Archaeology of Loss

Arvustused

In this remarkable book, Symmons Roberts explores his complex ongoing relationship with Messiaen's visionary work , alongside reflections on grief, faith and the creative process Symmons Roberts writes with wit, beauty and piercing insight... In responding to Messiaen's radiant masterpiece, Symmons Roberts has created a masterpiece of his own * BBC Music Magazine * This wonderful book should help to win the strange, bird-fixated composer new admirers. * The Spectator * Symmons Roberts proseis silky and emotive, with his success in weaving the personal strands with the musical partly owed to the deep connections wrought by his poems, each one seemingly chosen to heighten our understanding of what precedes it * Financial Times * Every sentence is beautifully assembled and polished... A properly engrossing exploration of music, place, religion and what it is to be human -- Sarah Tarlow, author of THE ARCHAEOLOGY OF LOSS I love Michael Symmons Roberts' poetry. He is a religious poet in a secular age. His work is about connection between the things of the spirit and the things of the world. And his work is about transcendence -- Jeanette Winterson He displays an amazing talent for intimacy on paper sometimes, it almost takes your breath away * Observer * An outstanding writer * Sunday Times *

Michael Symmons Roberts is a poet and librettist. His eight books of poetry have received accolades including the Forward Prize, the Costa Poetry Award and the Whitbread Poetry Prize. His words for music have been performed in concert halls and opera houses around the world. He is also an award-winning broadcaster and radio dramatist. Born in Preston, Lancashire, he is Professor of Poetry at Manchester Metropolitan University.