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Re-Thinking Kirchner [Kõva köide]

  • Formaat: Hardback, 240 pages, kõrgus x laius: 280x240 mm, kaal: 1580 g, 240 Illustrations
  • Ilmumisaeg: 28-Jan-2021
  • Kirjastus: Hirmer Verlag
  • ISBN-10: 377743373X
  • ISBN-13: 9783777433738
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  • Formaat: Hardback, 240 pages, kõrgus x laius: 280x240 mm, kaal: 1580 g, 240 Illustrations
  • Ilmumisaeg: 28-Jan-2021
  • Kirjastus: Hirmer Verlag
  • ISBN-10: 377743373X
  • ISBN-13: 9783777433738
German painter and printmaker Ernst Ludwig Kirchner (1880&;1938) was one of the most important artistic personalities of the twentieth century, and a founding figure of expressionism. After his work was labeled &;degenerate&; by the Nazis, hundreds of his works were sold or destroyed. Kirchner committed suicide in 1938 in the face of this persecution. In 2018, a conference was held in Kirchner&;s home city of Davos to commemorate the eightieth anniversary of his death. Growing out of the conference, this lavishly illustrated volume brings together international experts on Kirchner who offer a multifaceted overview of an oeuvre that has lost none of its topicality to this day. Kirchner&;s work is discussed here against a background of art-historical, sociocultural, and historical contexts. The contributors also delve into his interest in and study of non-European cultures, literature, philosophy, art criticism, and the role of the artist to provide new and exciting points of contact for today&;s art-theoretical and art-critical observations.
Preface of the Editors 7(1)
Annick Haldemann
Wolfgang Henze
Martina Nommsen
The Kirchner Conference 2018 8(2)
Katharina Beisiegel
Foreword 10(3)
Thorsten Sadowsky
Transatlantic Kirchner: Donald E. Cordon and the Beginnings of Legitimate Kirchner Scholarship
13(14)
Wolfgang Henze
"I AM A TRADEMARK": SELF-PROMOTION AND THE ARTIST
Davos: Kirchner's Evocation of an Alpine Paradise
27(12)
Daniel Hess
The Frame as Kirchner Trademark
39(8)
Werner Murrer
As Reflected in the "Other": Ernst Ludwig Kirchner, the "Primitive"
47(10)
Helene Ivanoff
A New Discovery: Ernst Ludwig Kirchner's Cafe Scene
57(10)
Eva Bader
ILLNESS AND ANXIETY
Illness as Transformation: Kirchner's Period of Crisis and Its Images
67(14)
Thomas Roske
Kirchner, Van Cogh, and the Mad Genius Debate
81(12)
Laura Prins
Artistic Obsession as Survival Strategy: Thoughts on the Motif of the "Circular Arch" in the Work of Ernst Ludwig Kirchner and Louise Bourgeois
93(10)
Kerstin Stremmel
Kirchner's Personality in His Letters
103(8)
Hans Delfs
CONSTRUCTIONS OF IDENTITY
Avatars and Atavism: Ernst Ludwig Kirchner's Encounters with Africa
111(12)
Christian Weikop
Reading the Footnotes: "Midi's Awakening," Black Women, Art, and Resistance
123(6)
Natasha A. Kelly
Liberating Difference: Kirchner's Coptic Research as an Antidote to Bourgeois Identity
129(10)
Eleanor Moseman
Ernst Ludwig Kirchner's Encounter with the "Foreign" in Dresden around 1910
139(12)
Silvia Dolz
PORTRAITS OF WOMEN / PORTRAITS OF MEN / PORTRAITS OFCHILDREN
Sexuality and the Nude
151(12)
Jill Lloyd
Ernst Ludwig Kirchner's View of Gender Roles Based on His Woodcut Cycle on Petrarch's Triumph of Love
163(12)
Regine Bonnefoit
The transposed Nude: Ernst Ludwig Kirchner's Double Portrait Franzi vorgeschnitztem Stuhl (c 1910)
175(10)
Jenny Graser
Ex malts minima: Kirchner, Simmel, and the "Tragic Mask" of Prostitution
185(10)
Marta Picchio
KIRCHNER: LITERATURE AND PHILOSOPHY
Literature's Role in the Emergence of Ernst Ludwig Kirchner's Fantasy Paintings during 1912
195(10)
Sherwin Simmons
Kirchner's "Painter's Confession of Faith": Literary Trial Balloon or Artistic Guideline?
205(8)
Sandra Oppmann
"Your Educators Can Be Only Your Liberators": Kirchner and the Importance of Friedrich Nietzsche, 1914-1917
213(12)
Sharon Jordan
"Singingthe Phallus": E. L. Kirchner and Walt Whitman's Leaves of Crass
225(10)
Hansdieter Erbsmehl
POSTER PRESENTATIONS: CURRENT RESEARCH ON ERNST LUDWIG KIRCHNER
The Height of Expression: Battles and Monumentality in Kirchner's Alpine Landscapes
235(6)
Frances Blythe
Elementary Forms and Primordial Phenomena: The Primitivism of Avant-Garde Art before 1914
241(4)
Tomasz Dziewicki
An Alternative Modernism in Latin America: Expressionism in Uruguayian Painting Between 1920 and 1960
245(10)
Maria Frick
Image Credits 255
Martina Nommsen is the exhibition manager at the Art Centre Basel. Annick Haldemann is a curator and the artistic director of the Kirchner Museum Davos.