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Real World Adobe Photoshop CS3 [Pehme köide]

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  • Formaat: Paperback / softback, 768 pages, kõrgus x laius x paksus: 194x224x32 mm, kaal: 1478 g
  • Ilmumisaeg: 19-Dec-2007
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0321518683
  • ISBN-13: 9780321518682
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Real World Adobe Photoshop CS3Suurem pilt
  • Formaat: Paperback / softback, 768 pages, kõrgus x laius x paksus: 194x224x32 mm, kaal: 1478 g
  • Ilmumisaeg: 19-Dec-2007
  • Kirjastus: Peachpit Press Publications
  • ISBN-10: 0321518683
  • ISBN-13: 9780321518682
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780321518682.html
Märksõnad:
Anyone who relies on Photoshop to meet tough production challenges knows that when a new version arrives, especially one as chockfull of enhancements as Photoshop CS3, there's no time to fool around. You need to get up to speed on it, and you need to do so now. This book will get you there. In this copiously illustrated book, best-selling author David Blatner offers shows you how to sharpen your Photoshop production techniques and provides clear explanations of the concepts that drive them. Readers will learn about managing color, correcting colors, capturing images, getting great scans, and more. They'll also find complete coverage of Photoshop CS3's new features: a streamlined interface, nondestructive Smart Filters, a new Quick Selection and Refine Edge tools, improved Curves, automatic layer alignment and blending, and more. Throughout, the emphasis in this book is on efficiency: the timesaving tips and professional shortcuts that will allow readers to solve their everyday production challenges creatively with Photoshop CS3.

Muu info

In this copiously illustrated book, best-selling author David Blatner offers shows you how to sharpen your Photoshop production techniques and provides clear explanations of the concepts that drive them.
Introduction Photoshop in the Real World ix
Building a Photoshop System
Putting It All Together
1(14)
Choosing a Platform
1(2)
Processors and cores
3(1)
RAM
4(4)
Virtual Memory
8(3)
Monitors
11(4)
Image Essentials
It's All Zeroes and Ones
15(26)
Pixels and Paths
15(3)
Pixels and Images
18(2)
Resolution
20(3)
How Much Is Enough?
23(7)
Resampling
30(2)
Image Mode
32(7)
Bitmaps and File Size
39(2)
Color Essentials
What Makes a Color
41(10)
Primary Colors
42(2)
The Color Wheel
44(2)
How Colors Affect Each Other
46(1)
Device-Independent Color
47(2)
Working with Colors
49(2)
Color Settings
Understanding Color Management in Photoshop
51(80)
Color Management Systems Explained
52(4)
The Conceptual Framework
56(6)
Photoshop and the Monitor
62(8)
Color Settings
70(5)
The RGB Working Space
75(10)
Choosing a CMYK Working Space
85(15)
Choosing a Gray Working Space
100(2)
Spot Spaces
102(1)
Color Management Policies
103(9)
Color Settings with More Options
112(4)
The Color Picker
116(1)
Applying Profiles Outside Color Settings
117(3)
Soft-Proofing Controls
120(7)
Converting Colors When You Print
127(3)
Isolating Variables
130(1)
Building a Digital Workflow
Making Quick Work of Digital Camera Images
131(138)
Digital Raw Formats
132(4)
Digital Workflow Phases
136(1)
Workflow Principles
137(2)
Copying Files from a Camera
139(4)
Verifying Images
143(1)
Camera Raw, Bridge, and Photoshop
144(1)
Refining a Shoot Using Bridge
145(1)
Opening Images with Camera Raw
146(1)
Camera Raw Static Controls
147(12)
Camera Raw Preferences
159(4)
The Main Control Buttons
163(1)
Adjusting with Precision and Speed
164(1)
Camera Raw Workflow Options
165(1)
Camera Raw Image Controls
166(1)
The Basic Tab
167(11)
Workflow Guidelines for the Image Controls
178(2)
The Tone Curve Tab
180(6)
The Detail Tab
186(5)
The HSL/Grayscale Tab
191(4)
The Split Toning Tab
195(2)
The Lens Corrections Tab
197(2)
The Camera Calibration Tab
199(2)
The Presets Tab
201(1)
Filmstrip Mode
202(1)
Using Adobe Bridge
203(6)
Image Previews and the Cache
209(1)
The Preproduction Phase
210(13)
The Production Phase
223(3)
Automating with the Batch Command
226(4)
Recording Batch Actions
230(6)
Running the Batch Dialog
236(1)
Bridge Windows
237(9)
Bridge Menu Commands
246(23)
Essential Photoshop Tips and Tricks
Making Photoshop Fly
269(74)
Window Tips
269(3)
Navigation Tips
272(6)
Moving Tips
278(2)
Guides, Grids, and Alignment Tips
280(3)
Dialog Tips
283(4)
New Document Tips
287(1)
Keyboard Shortcut Tips
288(2)
Menu Customization Tips
290(1)
Tips for Tools
291(17)
Palettes and Workspaces
308(24)
Setting Preferences
332(7)
When Things Go Worng
339(1)
Easter Eggs
340(3)
Image Adjustment Fundamentals
Stretching and Squeezing the Bits
343(84)
Stretching and Squeezing the Bits
344(6)
Tonal-Correction Tools
350(1)
The Histogram Palette
351(3)
The Info Palette
354(2)
Levels
356(14)
Curves
370(6)
Choosing a Color Mode for Editing
376(6)
Hands-On Levels and Curves
382(16)
Quick Lab Mode Fixes
398(4)
Using Color Samplers
402(1)
Hue, Saturation, and Lightness
403(13)
Replace Color
416(1)
Selective Color
417(2)
Channel Mixer
419(1)
Photo Filter
420(1)
Shadow/Highlight
421(3)
Tools We Don't Use
424(3)
The Digital Darkroom
Layers, Masks, Selections, Channels, and More
427(52)
Adjustment Layer Basics
430(3)
Selections, Masks, and Channels
433(6)
Adjustment Layers in Practice
439(5)
Image Adjustment with Blending Modes
444(15)
Beyond Adjustment Layers
459(3)
Advanced Pixel-Blending
462(6)
History and Virtual Layers
468(4)
Optimizing an Image for Print
472(7)
Making Selections
Getting Just What You Need
479(52)
Masking-Tape Selections
480(1)
Tips for All Selection Tools
480(12)
Quick Masks
492(3)
Anti-Aliasing and Feathering
495(3)
Refining a Selection
498(3)
Channels
501(7)
The Select Menu
508(17)
Step-by-Step Selections
525(6)
Sharpness, Detail, and Noise Reduction
Getting an Edge on Your Image
531(52)
How the Unsharp Mask Filter Works
534(4)
Working the Controls
538(1)
A Practical Sharpening Workflow
539(8)
Sharpening Techniques
547(11)
High-Pass Sharpening
558(1)
Sharpening in Photoshop vs. Camera Raw
559(3)
Noise Reduction
562(8)
Smart Sharpen
570(6)
Lens Correction
576(5)
Avoiding the Crunchies
581(2)
Essential Image Techniques
Pushing Pixels into Place
583(86)
The Color of Grayscale
584(5)
Line Art
589(4)
Reproducing Screened Images
593(3)
HDR Imaging
596(6)
Retouching
602(14)
Compositing Images
616(8)
Vectors vs. Pixels
624(15)
Text and Typography
639(10)
Filters and Effects
649(3)
The Nondestructive Workflow
652(1)
Actions, Automate, and Scripting
653(16)
Image Storage and Output
The Right File for the Right Job
669(60)
Storing Images
669(1)
Save As Dialog
670(4)
Opening Images
674(1)
Creating Output for Prepress
675(4)
Halftone, Contone, and Hybrid Screening
679(6)
Image Differences
685(3)
Printing from Photoshop
688(11)
Creating Images for the Web
699(4)
Saving Images for the Web or Mobile Devices
703(7)
File Formats
710(16)
Compressing Images
726(3)
Index 729
David Blatner is an internationally known expert on Photoshop and QuarkXPress and is the author of numerous other books, including Real World QuarkXPress and Real World Adobe InDesign. David lectures on desktop publishing and digital imaging at conferences and workshops around the world.



Conrad Chavez began providing education, training, and support for digital-media applications in 1987, contributing countless pages to the user guides for print, Web, and digital video products at Aldus Corporation and Adobe Systems Incorporated. Now a freelance writer and editor, Conrad co-authored the books Adobe Photoshop CS/CS2 Breakthroughs (with David Blatner) and Real World Scanning and Halftones, Third Edition, and is a contributing writer for The Adobe Illustrator CS2 Wow! Book by Sharon Steuer.

Bruce Fraser is a widely recognized authority on digital imaging and color reproduction. He is the author of the best-selling Real World Camera Raw with Adobe Photoshop CS2 and the co-author of Real World Color Management, and was a principal and co-founder of Pixel Genius, LLC.