Muutke küpsiste eelistusi

Reasons and Feelings: Writing for the Humanities Now [Pehme köide]

  • Formaat: Paperback / softback, 288 pages, kõrgus x laius: 229x152 mm, kaal: 454 g, 2 halftones
  • Sari: Chicago Guides to Writing, Editing, and Publishing
  • Ilmumisaeg: 20-Oct-2025
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226843629
  • ISBN-13: 9780226843629
Teised raamatud teemal:
  • Pehme köide
  • Hind: 27,10 €
  • See raamat ei ole veel ilmunud. Raamatu kohalejõudmiseks kulub orienteeruvalt 2-4 nädalat peale raamatu väljaandmist.
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Tellimisaeg 2-4 nädalat
  • Lisa soovinimekirja
  • Formaat: Paperback / softback, 288 pages, kõrgus x laius: 229x152 mm, kaal: 454 g, 2 halftones
  • Sari: Chicago Guides to Writing, Editing, and Publishing
  • Ilmumisaeg: 20-Oct-2025
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226843629
  • ISBN-13: 9780226843629
Teised raamatud teemal:
This book of practical writing and publishing advice celebrates the creative, community-building pleasures of humanist expertise.

Humanities experts today are embattled. In a world of crises undermining higher education at every turn, what can still motivate humanists to write? Galvanizing, imaginative, and unrepentantly nerdy, Sarah Mesles Reasons and Feeling offers practical writing and publishing advice alongside a forcefully affirmative account of why humanities writing matters.

Mesle proposes that writing can help envision sustainable community, but only when we recognize that humanist authority comes from both our reasons and our feelings. Alongside everyday compositional adviceincluding strategies for addressing different audiences, pitching publications, and managing writing anxietyreaders will find an account of how such craft practices connect to both their intellectual commitments and their historical conditions. Mesle shows how university-trained writers at all levels benefit from embracing a broader range of styles and affects. Doing so helps them harness their writings community-building potential and makes them better able to value their own expertise, whether they write for the classroom, in public venues, or for the specialized scholarly communities that share their niche, weird, or beloved, objects of study.

Reasons and Feelings draws on Mesles expertise as a professor of writing and her work as an editor helping academics shift between writing for scholarly venues and journalistic ones. In a voice thats honest, warm, accessible, and bracingly funny, Reasons and Feelings gives humanists a path toward bolder fantasies of the worlds their writing can make.

Arvustused

The world seems to be collapsing, the humanities are in crisis, but in this uncertain-at-best moment, Sarah Mesle offers writers a path not just toward hope but toward joy, as well. In this immensely readable, immensely useful book, Mesle reminds us why it remains worthwhile to sit down and put words to paper. * Naomi Fry, staff writer, The New Yorker * Fresh, nerdy, sober, quirky, and only sort of optimistic, Reasons and Feelings wrestles with the angle that could make writing betteror even simply possibleas the humanities totter around us. * William Germano, author of "On Revision" * With Reasons and Feelings, Mesle has given us a guide for the perplexedfor those who arent sure what intellectual life in the humanities will look like tomorrow, let alone several years from now; for those who arent certain how, why, or where to write about the books and ideas that matter to them; which is to say, for all of us. Writing as ally, therapist, expert, veteran, teacher, colleague, storyteller, and host, Mesle gives us a pioneers and survivors view of humanistic writing after the coming-apart of postwar structures and tells us that were not alone, that were (still) in this together. * Nicholas Dames, coeditor in chief of Public Books *

Preface: Who

Part One: Why
1. Reasons for Writing
2. Writing About Feelings
3. Some Feelings About Writing in Public; Some Reasons for a Counterpublic
Humanities
4. But Is It Any Good?: Or, Some Feminist Questions About Academic
Writing

Part Two: How
5. You Have to Practice
6. Who Is Your Girl and Where Is She Going?
7. You Write with Your Body, Which Keeps the Score
8. Pitches and Abstracts: Or, Some Ways of Building Worlds with Words
9. Know Your Noun
10. Arguments and Other Stories
11. The Subject of the Sentence
12. Give the Pull Quote
13. Burden of Proof
14. Red Rage
15. A Short Note About When We Dont Need Your Thoughtful Essay
16. Critical Distance
17. Elements of Teaching Style
18. Elements of Teaching Style, Redux: Against the Thesis Statement
19. Small Acts of Finishing
20. Writing in Time
Coda: Hospitality

Acknowledgments
Notes
Bibliography
Index
Sarah Mesle is a professor of writing at the University of Southern California. The former senior humanities editor at the Los Angeles Review of Books, where she is also a regular contributor, Mesle is the founding coeditor of the LARB channel Avidly and the short-book series Avidly Reads. Mesle's writing has also appeared in venues ranging from Studies in American Fiction to InStyle to The New York Times Magazine.