Introduction: Texture, Adding a Differentiating Quality, |
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7 | (1) |
Choosing The Support, |
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8 | (26) |
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10 | (2) |
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12 | (2) |
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Building Up the Surface Texture, |
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14 | (4) |
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Let's Experiment Washes on a Sand Background, |
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16 | (2) |
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Fabric or Paper Wrinkles, |
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18 | (8) |
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Let's Experiment Painting on Wrinkled Paper, |
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20 | (4) |
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In The Style Of... Amadeo De Souza-Cardoso, |
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24 | (2) |
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Backgrounds with Heavy Texture, |
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26 | (8) |
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Effects A World of Possibilities, |
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28 | (2) |
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Let's Experiment Still Life with a Textured Gesso Background, |
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30 | (4) |
How To Add Volume To A Painting, |
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34 | (32) |
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Mediums and Gels: Modifiers of Fluidity, |
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36 | (2) |
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38 | (2) |
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Transparency with Textures, |
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40 | (2) |
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42 | (2) |
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44 | (4) |
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In The Style Of... Oskar Kokoschka, |
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46 | (2) |
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48 | (8) |
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Let's Experiment Landscape with Acrylics and a Spatula, |
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50 | (4) |
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Effects All About Gels and Mediums, |
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54 | (2) |
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56 | (6) |
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Let's Experiment Oils over Modeling Paste, |
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58 | (4) |
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62 | (4) |
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In The Style Of... Julian Schnabel, |
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64 | (2) |
Painting Over Textures, |
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66 | |
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68 | (2) |
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70 | (4) |
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Let's Experiment Glazes with Acrylics, |
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72 | (2) |
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Using Newsprint for Volume, |
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74 | (2) |
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76 | (2) |
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78 | (2) |
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80 | (2) |
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The Plasticity of Texture, |
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82 | (2) |
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A Landscape with Organic Materials, |
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84 | (2) |
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Using Objects in Collage, |
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86 | (2) |
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88 | (2) |
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90 | |
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Effects Atypical Textures, |
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92 | (2) |
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In The Style Of... Alberto Burri, |
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94 | |