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Religious Materiality in the Early Modern World [Kõva köide]

Edited by , Edited by , Edited by
  • Formaat: Hardback, 286 pages, kõrgus x laius: 246x174 mm, kaal: 840 g, 26 Illustrations, color; 38 Illustrations, black and white
  • Sari: Visual and Material Culture, 1300-1700
  • Ilmumisaeg: 04-Nov-2019
  • Kirjastus: Amsterdam University Press
  • ISBN-10: 9462984654
  • ISBN-13: 9789462984653
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  • Kõva köide
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  • Formaat: Hardback, 286 pages, kõrgus x laius: 246x174 mm, kaal: 840 g, 26 Illustrations, color; 38 Illustrations, black and white
  • Sari: Visual and Material Culture, 1300-1700
  • Ilmumisaeg: 04-Nov-2019
  • Kirjastus: Amsterdam University Press
  • ISBN-10: 9462984654
  • ISBN-13: 9789462984653
Teised raamatud teemal:
This edited volume is the first work to engage with religious materiality comparatively across the early modern world. It demonstrates how artefacts can provide their own bodies of material evidence about the nature of early modern religious practice and belief - and the nature of religious change - that can test, or even run counter to conventional, text-based narratives. Across twelve chapters this volume offers an unprecedented survey of early modern religious materiality in all its diversity. It brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of areas of expertise, including history, art history, museum curatorship and social anthropology. At the same time, the volume emphasizes cultural encounter and exchange. In keeping with broader trends in the history of religion, the studies range from the use of objects prescribed by religious authorities to interactions with religious matter in the context of everyday lay beliefs.

Arvustused

"This volume is a fine example of what the material turn in historical studies can produce. All of the essays are framed as historical rather than theoretical projects and proceed by historicizing materiality within the coordinates of time and place. The prose is uniformly clear and lends the book to classroom use. Readers will benefit from the authors careful attention to the material characteristics of the artifacts and practices they study. All of the essays teach in one way or another that matter matters. What things are made of, how they are made, and how people used them come to the fore to demonstrate the difference that the material turn makes in historical work." - David Morgan, Duke University, Renaissance Quarterly, Volume LXXIV, No. 2, 2021

List of Illustrations
7(4)
Abbreviations 11(2)
Acknowledgements 13(2)
Introduction 15(20)
Suzanna Ivanic
Mary haven
Andrew Morrall
Part I Meanings
1 Wax versus Wood: The Material of Votive Offerings in Renaissance Italy
35(16)
Mary Laven
2 The Substance of Divine Grace: Ex-votos and the Material of Paper in Early Modern Italy
51(16)
Maria Alessandra Chessa
3 Powerful Objects in Powerful Places: Pilgrimage, Relics and Sacred Texts in Tibetan Buddhism
67(18)
Hildegard Diemberger
4 Myer Myers: Silversmith in the Spanish-Portuguese Synagogue Ledger
85(18)
Vivian B. Mann
Part II Practices
5 Christian Materiality between East and West: Notes of a Capuchin among the Christians of the Ottoman Empir
103(16)
John-Paul A. Ghobrial
6 The Materiality of Death in Early Modern Venice
119(18)
Alexandra Bamji
7 Living with the Virgin in the Colonial Andes: Images and Personal Devotion
137(14)
Gabriela Ramos
8 `Watching myself in the mirror, I saw `Ali in my eyes': On Sufi Visual and Material Practice in the Balkans
151(26)
Sara Kuehn
Part III Transformations
9 Religious Materiality in the Kunstkammer of Rudolf II
177(16)
Suzanna Ivanic
10 The Reformation of the Rosary Bead: Protestantism and the Perpetuation of the Amber Paternoster
193(18)
Rachel King
11 Magical Words: Arabic Amulets in Christian Spain
211(18)
Abigail Krasner Balbale
12 Mesoamerican Idols, Spanish Medicine: Jade in the Collection of Philip II
229(18)
Kate E. Holohan
Epilogue 247(10)
Caroline Walker Bynum
Index 257
Suzanna Ivanic is Lecturer in Early Modern European History at the University of Kent. Her research focuses on religion and material culture in central Europe and she has published on religious material culture and on travelogues in early modern Bohemia. She is currently working on a monograph on the religious materiality of seventeenth-century Prague. Mary Laven is Professor of Early Modern History at the University of Cambridge. While she has published on many different aspects of religion, her recent work has focused especially on the material culture of devotion. In 2017, she co-curated the exhibition, Madonnas and Miracles: The Holy Home in Renaissance Italy at the Fitzwilliam Museum. Andrew Morrall is Professor of Early Modern Art and Material Culture at the Bard Graduate Center, New York. He has written widely on the visual and material culture of the Reformation and, most recently, on urban craft productions and the Kunstkammer. His publications include Jörg Breu the Elder: Art, Culture and Belief in Reformation Augsburg.