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Rem Koolhaas / OMA [Kõva köide]

4.33/5 (36 hinnangut Goodreads-ist)
(EPFL, Switzerland)
  • Formaat: Hardback, 348 pages, kõrgus x laius: 246x174 mm, kaal: 885 g, 2 16 pp colour inserts; 100 Line drawings, black and white; 200 Halftones, black and white
  • Ilmumisaeg: 18-Jul-2008
  • Kirjastus: Routledge
  • ISBN-10: 0415461456
  • ISBN-13: 9780415461450
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Rem Koolhaas / OMASuurem pilt
  • Formaat: Hardback, 348 pages, kõrgus x laius: 246x174 mm, kaal: 885 g, 2 16 pp colour inserts; 100 Line drawings, black and white; 200 Halftones, black and white
  • Ilmumisaeg: 18-Jul-2008
  • Kirjastus: Routledge
  • ISBN-10: 0415461456
  • ISBN-13: 9780415461450
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9780415461450.html
Märksõnad:

In this book, the projects, buildings and theories of Koolhaas, as well as the other members of the Office for Metropolitan Architecture, are examined in chronological and thematic sequence, beginning with the period of Koolhaas’ education at the Architectural Association School of Architecture of London in the cultural context of the neo-avant-gardes at the end of the 60s and at the beginning of the 70s. The essay then discusses the period of his stay in New-York, his contact with Ungers, Eisenman, Rowe, as well as the polemic confrontation with the emerging post-modernism movement; and it concludes with the last critical contributions of Koolhaas. The starting point is design, which, in the case of Koolhaas, usually grows out of an alchemy of logic, influenced both by the proposed program (as viewed by the clients and institutions) and the metaphorical and autobiographical aspiration of the artist. The analysis is carried through to the details of construction, with special attention paid to the choice of materials, the configuration of the structure, and the role and position of the installation. The book is richly illustrated and includes an exhaustive bibliography.

Experiences with the Paranoid-Critical Method
2(74)
Studies at the Architectural Association School of Architecture of London: ``Berlin Wall as Architecture'' and ``Exodus''
3(10)
Learning from Manhattan, 1972-74
13(8)
``Rectangular Projects'', 1974-75
21(4)
The founding of the Office for Metropolitan Architecture and the projects for Welfare Island, 1975-76
25(15)
The case of Leonidov and the Floating Swimming Pool
40(3)
The ``Ductpark'', subconscious infrastructure of the metropolis
43(2)
City-archipelago of Ungers: the example of Berlin
45(1)
Teaching at the Architectural Association-School of Architecture, 1975-80
46(10)
``The Culture of Congestion'' and the poche plan of Rome by Nolli
56(6)
``Delirious New York'', 1978: paranoid-critical interpretation of the grid and the skyscrapers of Manhattan
62(14)
New Sobriety vs. Post-Modern and Contextualism
76(66)
Projects 1978-79: the criteria of the Cadavre Exquis and the Tektonik
77(6)
Polemical writings of OMA, 1979-80
83(7)
Works for Rotterdam, Berlin, Amsterdam and Scheveningen, 1980
90(12)
``Invisible Congestion'': projects for Paris, 1982-83
102(7)
The Danstheater at The Hague, 1984-87: ``collision''
109(5)
``Vernacular Modernity'' of the mid-1980s
114(4)
Strategy of the ``void'': project for the Ville Nouvelle at Melun-Senart and the ``Contemporary City''
118(6)
The pavilion at the Milan Triennale, the De Brink in Groningen, the two patio houses in Rotterdam: Miesian surrealism
124(6)
The projects for the Churchill-plein in Rotterdam and the City Hall of The Hague: forms of Dutch Manhattanism
130(5)
The villa at Saint-Cloud, 1985-91: metamorphosis of the Berlin Wall and the Floating Swimming Pool
135(7)
The epoch of the merveilles
142(80)
Projects for the Kunsthal I and the headquarters of the Nederlands Architectuur Institut in Rotterdam, 1987-88
143(5)
Kunsthal II, 1989-92, essences of the modern
148(9)
The Zentrum fur Kunst und Medientechnologie at Karlsruhe and the Tres Grande Bibliotheque de France in Paris: evolutions of the Vierendeel beam
157(8)
From the Terminal at Zeebrugge to the Grand Palais at Lille: the ``importance des merveilles''
165(21)
Geerlings house in Holten, metaphor of the slipping plane
186(5)
Deux Bibliotheques de l'Universite Jussieu, Educatorium, Cardiff Bay Opera House and the ``pliable surface''
191(12)
The house at Floirac, or of the Floating Box
203(12)
Projects for Miami, Munich, Almere
215(7)
S, M, L, XL, 1995: principles for a theory of architecture
222(24)
Typical Plan, or the neutral rectangular plan
223(4)
Theory of Bigness
227(1)
``Vierendeel concept''
228(2)
Generic City, Utopia of the continuous surface
230(5)
``Composite stability'' and ``caractere'': projects for towers
235(11)
Generic volume, informal polyhedral solids and functional diagrams
246(93)
The McCormick Tribune Campus Center and the US facilities of Prada: Haussmannian poche and ``sponge''
247(11)
Guggenheim Museum: OMA vs. Las Vegas
258(5)
The generic volume with trajectory and the prism with sloping planes: Almere Block 6, Dutch Embassy, Haus um die Schenkung
263(9)
The Y2K house, the Casa da Musica, the Seattle Public Library: informal polyhedra
272(26)
Variants of ``Manhattanism''
298(4)
Form or program: NeWhitney and LACMA
302(7)
Koningin Julianaplein, CCTV and TVCC, Hamburg Hafencity: apotheosis of the merveilles
309(11)
Junkspace
320(2)
Universal Modernization Patent
322(2)
``The age of icon''
324(5)
Automatically generated Land Art/Architecture, from Ras al Khaimah to St. Petersburg
329(10)
Name Index 339
Having obtained his degree at the Faculty in Florence in 1983, Roberto Gargiani completed his doctorate on the history of architecture and urbanism in 1992. He has published several works on Perret, Le Corbusier, Labrouste, Semper and Brunelleschi.



Roberto Gargiani taught the history of architecture in Florence, Rouen and Paris then, beginning in 1999, at the Faculty of Architecture at Roma Tre where he was appointed to the post of Professor in 2001. In 1999, he became Visiting Professor at the EPFL, teaching the history of architecture to 3rd and 4th year students. In March 2005, he was appointed to the post of Professor of the history of architecture and construction at the School of Architecture of the ENAC Faculty. He is currently head of the Theory and History of Architecture Laboratory of the Institute of Architecture,at the EPFL, Lausanne.