This original book asks how, in an age of convergence, when 'television' no longer means a box in the corner of the living room that we sit and watch together, do we remember television of the past? How do we gather and archive our memories? Kristyn Gordon and Joanne Garde-Hansen explore these questions through first person interviews with tv producers, curators and archivists, and case studies of popular television series and fan communities such as 'Cold Feet' and 'Doctor Who'. Their discussion takes in museum exhibitions, popular televison nostalgia programming and 'vintage' tv websites.
Muu info
This innovative new book explores how we remember television, and how 'heritage' television is curated, archived and exhibited, in the museum, on television itself and on 'vintage' tv websites.
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vi | |
| Acknowledgements |
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vii | |
| Preface |
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ix | |
| Introduction |
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1 | (26) |
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1 Remembering Television's Past |
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27 | (16) |
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2 Remembering Television Production: Producer-ly Memory |
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43 | (22) |
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3 Television's Treasures and Archival Values |
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65 | (22) |
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4 The End of `Experience TV' at the National Media Museum |
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87 | (20) |
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5 Caring for Past Television: The Case of Children's Television |
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107 | (24) |
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6 Nostalgia and Paratexual Memory: Cold Feet (ITV, 1997--2016), Reminiscence Clip Shows and `Vintage' Television Websites |
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131 | (20) |
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7 Regenerative Television Memory?: Crafting Doctor Who |
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151 | (18) |
| Conclusion: Television's Mnemonic Warriors -- From Mr Getty to Me |
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169 | (9) |
| References |
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178 | (19) |
| Index |
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197 | |
KRISTYN GORTON is Senior Lecturer in Television Studies in the Department of Theatre, Film & Television at the University of York, UK. She is the author of 'Psychoanalysis and the Portrayal of Desire in Twentieth-Century Fiction' (2006), 'Theorising Desire: From Freud to Feminism to Film' (2008) and 'Media Audiences: Television, Meaning and Emotion' (2009). She is co-author with Joanne Garde-Hansen of 'Emotion Online: Theorising Affect on the Internet' (2013). She has written numerous articles on television and film for journals such as Critical Studies in Television, Studies in European Cinema and the Journal of British Film and Television. JOANNE GARDE-HANSEN is Associate Professor in Culture, Media and Communication at the University of Warwick, UK. She is co-editor of 'Save AsDigital Memories' (2009) with Andrew Hoskins and Anna Reading, author of 'Media and Memory' (2011), co-editor of Geography and Memory (2012) with Owain Jones and co-author with Kristyn Gorton of 'Emotion Online: Theorizing Affect on the Internet' (2013). She has led a number of funded research projects on media, memory and community (Flood Memories, Dennis Potter Heritage project, Hidden Lives project).
