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renovatio urbis: Architecture, Urbanism and Ceremony in the Rome of Julius II [Kõva köide]

(University of Huddersfield, UK)
  • Formaat: Hardback, 366 pages, kõrgus x laius: 234x156 mm, kaal: 420 g, 43 Line drawings, black and white; 92 Halftones, black and white
  • Sari: The Classical Tradition in Architecture
  • Ilmumisaeg: 21-Apr-2011
  • Kirjastus: Routledge
  • ISBN-10: 0415473853
  • ISBN-13: 9780415473859
Teised raamatud teemal:
  • Formaat: Hardback, 366 pages, kõrgus x laius: 234x156 mm, kaal: 420 g, 43 Line drawings, black and white; 92 Halftones, black and white
  • Sari: The Classical Tradition in Architecture
  • Ilmumisaeg: 21-Apr-2011
  • Kirjastus: Routledge
  • ISBN-10: 0415473853
  • ISBN-13: 9780415473859
Teised raamatud teemal:
The material here first appeared in his 2001 PhD dissertation, says Temple (architecture, U. of Lincoln, England), then again as a series of research papers in various cities as he tested his ideas and gauged responses from other academics. Here he regroups the tempered and battle hardened ideas back into a unified treatise. He shows how the proposals for new ceremonial streets, bridges, public squares, and building during the pontificate of Julius II (1503-13) were motivated by a desire to remap and so transform the topography of the ancient and medieval city. This, he argues, was part of a larger scheme by humanists and artists in the papal court to promote Rome as another Jerusalem and a renewed imperial city. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)

Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503–13) this book focuses on the political, religious and artistic motives behind the changes. Each chapter focuses on a particular project, from the Palazzo dei Tribunali to the Stanza della Segnatura, and examines their topographical and symbolic contexts in relationship to the broader vision of Julian Rome.

This original work explores not just historical sources relating to buildings but also humanist/antiquarian texts, papal sermons/eulogies, inscriptions, frescoes and contemporary maps. An important contribution to current scholarship of early sixteenth century Rome, its urban design and architecture.

List of figure
ix
Figure credits
xiv
Acknowledgements xv
Introduction 1(6)
1 Signposting Peter and Paul
7(27)
The Tiber's sacred banks
7(2)
Peripheral centres
9(5)
"inter duas metas"
14(12)
Papal rivalries
26(2)
Chigi Chapel
28(6)
2 Via Giulia and papal corporatism: the politics of order
34(60)
The Julian lapide
34(9)
Via Giulia
43(4)
The legacy of Sixtus IV
47(5)
Quartiere dei Banchi
52(4)
Via Peregrinorum, Via Papalis and Via Recta
56(2)
Solenne Possesso and Via Triumphalis
58(7)
Papal corporatism
65(9)
Pons Neronianus and Porta Triumphalis
74(4)
Early Christian precedents
78(3)
Meta Romuli and Serlio's Scena Tragica
81(4)
Crossing thresholds: Peter and Caesar
85(4)
The papal `hieroglyph' and the Festa di Agonc
89(5)
3 Palazzo dei Tribunali and the meaning of justice
94(32)
Sedes iustitiae
94(3)
The four tribunals
97(7)
The Capitol and Commune/Cardinal's Palace
104(3)
St Blaise and Justice
107(9)
Iustitia cosmica
116(4)
Caesar and iustitia
120(3)
Pax Romana
123(3)
4 Cortile del Belvedere, Via della Lungara and vita contemplativa
126(36)
`The beautiful view'
126(25)
Via suburbana/via sanctus
151(8)
Passage and salvation
159(3)
5 St Peter's Basilica: orientation and succession
162(52)
Transformations from old to new
162(1)
Territorium triumphale
163(4)
Sixtus IV and the Cappella del Coro
167(17)
Julius II and Caesar's ashes
184(5)
Janus and Peter
189(12)
Janus Quadrifrons
201(6)
The Tegurium
207(7)
6 The Stanza della Segnatura: a testimony to a Golden Age
214(50)
Topographical and geographical connections
214(1)
In facultatibus
215(5)
Triune symbolism
220(23)
Conversio
243(6)
St Bonaventure and the Itinerarium Mentis in Deum
249(2)
Justice and Poetry
251(12)
Mapping the Golden Age
263(1)
Conclusion: pons/facio: popes and bridges
264(10)
The Julian `project'
264(2)
Pontifex Maximus
266(4)
Corpus Mysticum
270(2)
Raphael's portrait
272(2)
Notes 274(49)
Bibliography 323(18)
Index 341
Nicholas Temple is Professor of Architecture at the University of Lincoln, having previously taught at the University of Liverpool, Nottingham University, the University of Pennsylvania and Leeds Metropolitan University. A Rome Scholar (1986-88), his previous publications include Disclosing Horizons: Architecture, Perspective and Redemptive Space and co-editor of The Humanities in Architectural Design (Routledge 2006 and 2010).