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Rethinking Displays of Chinese Contemporary Art: Cultural Diversity and Tradition 2024 ed. [Kõva köide]

Edited by , Edited by , Edited by , Edited by
  • Formaat: Hardback, 244 pages, kõrgus x laius: 210x148 mm, 63 Illustrations, color; 2 Illustrations, black and white; XXIII, 244 p. 65 illus., 63 illus. in color., 1 Hardback
  • Sari: Contemporary East Asian Visual Cultures, Societies and Politics
  • Ilmumisaeg: 21-Aug-2024
  • Kirjastus: Palgrave Macmillan
  • ISBN-10: 981972905X
  • ISBN-13: 9789819729050
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  • Kõva köide
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  • Formaat: Hardback, 244 pages, kõrgus x laius: 210x148 mm, 63 Illustrations, color; 2 Illustrations, black and white; XXIII, 244 p. 65 illus., 63 illus. in color., 1 Hardback
  • Sari: Contemporary East Asian Visual Cultures, Societies and Politics
  • Ilmumisaeg: 21-Aug-2024
  • Kirjastus: Palgrave Macmillan
  • ISBN-10: 981972905X
  • ISBN-13: 9789819729050
Teised raamatud teemal:
This is the first edited collection to critically address in its entirety questions related to the displaying of Chinese contemporary art. It includes chapters by scholars and cultural workers from diverse backgrounds involved in the interpretation of artistic as well as curatorial discourses and practices. Each of those chapters gives a detailed account of a particular, socio-culturally informed, approach to the making and showing of Chinese art - including in relation to queer identities, transculturality, the use of social media, artivism, social engagement, institutional critique, and neo-Confucian aesthetics. Together they present a vital intervention with established curatorship amidst the intensely interconnected and increasingly multi-polar cultural conditionalities of early 21st-century contemporaneity.
Chapter 1: Introduction.
Chapter 2: Aestheticized Display in Chinas
Three Cosmological Realms.
Chapter 3: Performing Artivism: Social Engaged
Queer Art in China.
Chapter 4: Curating Global Contemporary Chinese-Ink Art:
Zheng Chongbins Pictorial and Digital Ink Works in Western Art Institutional
Contexts.
Chapter 5: Thinking (and Practice) (In-/)Outside the (Yellow) Box:
toward the displaying of visual-cultural poly/cacophony.
Chapter
6: Pharmakon socially engaged art and online hybrid display in Hong Kong.-
Chapter 7: Curating Human Togetherness: Artivism and the Remaking of People
and Place in Mainland China.
Chapter 8: Beyond Existing Approaches to the
Displaying of Chinese Art: Three Case Studies.
Paul Gladston is Judith Neilson Chair Professor of Contemporary Art, University of New South Wales, Sydney, Australia.





Lynne Howarth-Gladston is an artist, curator, and scholar. She has exhibited her painting internationally, including in the Peoples Republic of China, the UK, and Australia.





Johnson Tsong-zung Chang is a curator, director of the Hanart TZ Gallery in Hong Kong, and guest professor at the China Academy of Art, Hangzhou.





Jason Kuo is Professor of Art History and Archaeology, University of Maryland, College Park, MD, US.