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Return of the 90s: A Cultural History of the Present [Pehme köide]

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  • Formaat: Paperback / softback, 240 pages, kõrgus x laius x paksus: 216x140x16 mm
  • Ilmumisaeg: 20-Jun-2026
  • Kirjastus: Pluto Press
  • ISBN-10: 0745351301
  • ISBN-13: 9780745351308
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  • Formaat: Paperback / softback, 240 pages, kõrgus x laius x paksus: 216x140x16 mm
  • Ilmumisaeg: 20-Jun-2026
  • Kirjastus: Pluto Press
  • ISBN-10: 0745351301
  • ISBN-13: 9780745351308
Why are we so obsessed with the 90s? This is an insightful political reckoning with an anomalous decade


The 1990s were a cultural watershed, marking a turning point in popular music, television, cinema, literature, and fashion. Nestled between the fall of the Berlin Wall and the 9/11 attacks, the decade witnessed the 'end of history' and the birth of the internet, the consolidation of neoliberalism, and a political urgency embodied by the anti-globalization movement. We now see this pivotal decade in the rearview mirror as a force to reckon with, have yet to write its history, and have only begun to come to terms with its lasting significance.

This anthology dives into the contemporary fascination with the '90s. Plotting a playful course between sociology and cultural studies on the one hand, and giddy nostalgia on the other, the book charts decisive developments of the decade to fully apprehend its resonances today.

Covering everything from 'girl power,' Star Trek, and hip-hop, to queer cinema, anarchist counterculture, and the erotic thriller, The Return of the '90s excavates key moments in '90s culture and uncovers its multiple reckonings in the present.

Arvustused

'If the 90s announced the end of historyas well as ideology, theory and critiquethankfully, the thinkers in this collection didn't take heed. Read these skillful historicizations to understand how the contradictions animating the cultural formations of the 90s become the presuppositions of the present conjuncture.' -- Beverley Best, author of The Automatic Fetish: The Law of Value in Marx's Capital 'This sharp collection vividly demonstrates that the 90s are particularly difficult to periodize. The decade produced the euphoric temporality of a continuous present of consumption, liberal democracy and the financialization of everyday life. But, through various forms of cultural practices as well as the possibilities that emerge from the critique of "the actual 90s," these essays show that another time and another history was and is possible' -- Jeff Derksen, author of After Euphoria 'Trenchant, capacious, and, yes, funny, this volume is an important response to the command to always historicize' -- Leigh Claire La Berge, author of Marx for Cats and Fake Work 'This book made me think about this much-discussed decade, my generation, and periodization itself in a completely new way. Rigorous, varied essays and astute editorial framing breathe fresh air into the stagnant basement of millennial nostalgia, giving us a prismatic new vision of consequential years that seem both very present and very far away' -- Lydia Kiesling, author of Mobility and The Golden State 'A look into how the dreams and nightmares of the 90s persist in our current popular and political culture. Its not just an ideal volume for teaching because of its range of global perspectives; its also a certifiable page-turner. I couldnt put it down even though we know the historical outcomes, and that might just be the energy we need to pursue other possibilities' -- Karen Tongson, author of Normporn: Queer Viewers and the TV That Soothes Us 'Whether you lived thru the 90s or only dreamed it, this book is a living manual for revolution in our time, and for all times' -- Clint Burnham, Professor of English at Simon Fraser University 'These jewel-like essays, small and expertly crafted, limn the cultural geography of American Empire at dusk. What emerges is an atlas of global capitalism in a period suspended between triumph and catastrophe, whose contradictions now stretch from Queensbridge, NY, to Gaza.' -- Dara Orenstein, Associate Professor of American Studies, George Washington University

Introduction by Madeline Lane-McKinley and Sean OBrien

I: Excavations

1. 'Mobster Politics' by Fernando Esquivel-Suarez

2. 'Girl Power' by Isabel Bartholomew

3. 'The Moment of New Queer Cinema' by Philip Longo and Octavio R. González

II: The Post-60s

4. 'Its not linear!' by Shama Rangwala

5. 'The Good Life 2.0' by Sean OBrien

6. 'High School TV and the New Class' by Sam H Samore

III: Foreclosures

7. 'On Waste and Limitlessness' by Jacob Miller

8. 'welcome to fucktown' by Sam Weselowski

IV: The Long '90s

9. 'The Single Career Girl and the Diversity Friend' by Anna Zalokostas

10. 'Cultural Jetlag' by Alya Ansari

11. 'The Return of the Erotic Thriller' by Madeline Lane-McKinley

V: Reckonings

12. 'Revenge of the 'Super Predators'' by Austin McCoy

13. 'Black Bloc Epoch' by Vienna

14. 'Siren Song' by Eva Graham

Afterword by Annie McClanahan

Acknowledgments
Madeline Lane-McKinley is a writer, editor, and cultural critic based in Portland, Oregon. Her books include Comedy Against Work: Utopian Longing in Dystopian Times, Solidarity with Children: An Essay Against Adult Supremacy, and Fag/Hag. She is also an editor for Blind Field: A Journal of Cultural Inquiry, a contributor to the Museum of Capitalism. Her writing has appeared in the Los Angeles Review of Books, Boston Review, The New Inquiry, Protean Magazine, and elsewhere.

Sean O'Brien is a writer and educator based in Canada and the United Kingdom. He is lecturer in the department of English at the University of Bristol. His research has appeared in Cultural Critique, Discourse, Polygraph, Science Fiction Studies, Crossings, and the Bloomsbury Companion to Marx.

Annie McClanahan is an Associate Professor of English at University of California, Irvine. She writes about US popular culture, political economy, and contemporary capitalism and is the author of Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work.