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Ritual Landscapes and Borders within Rock Art Research: Papers in Honour of Professor Kalle Sognnes [Pehme köide]

Edited by , Edited by , Edited by
  • Formaat: Paperback / softback, 200 pages, kõrgus x laius x paksus: 297x210x9 mm, kaal: 1160 g, Illustrated in colour throughout
  • Ilmumisaeg: 31-Oct-2015
  • Kirjastus: Archaeopress Archaeology
  • ISBN-10: 1784911585
  • ISBN-13: 9781784911584
  • Formaat: Paperback / softback, 200 pages, kõrgus x laius x paksus: 297x210x9 mm, kaal: 1160 g, Illustrated in colour throughout
  • Ilmumisaeg: 31-Oct-2015
  • Kirjastus: Archaeopress Archaeology
  • ISBN-10: 1784911585
  • ISBN-13: 9781784911584
Romano-British mosaics are rich in depictions of fauna, with more than 700 creatures recorded from at least 140 mosaics. Few figured mosaics did not feature an animal of some kind, and yet these animals have never been the subject of a comprehensive study.

Romano-British mosaics are rich in depictions of fauna, with more than 700 creatures recorded from at least 140 mosaics. Few figured mosaics did not feature an animal of some kind, and yet these animals have never been the subject of a comprehensive study. In broad terms, some 2,000 Roman mosaics have been recorded from Britain, with about a tenth of these containing depictions of figures. Animals were prominently featured in almost half of all figured mosaics and were also included, albeit less obviously, in another third. A figured mosaic without some sort of creature was very much the exception. The aim of this study is to look closely at this fictive menagerie, collating the information, identifying the animals and assessing their role in floor decoration. Seemingly overlooked as a subject of serious study, these appealing creatures were more than mere decoration or a convenient way of filling a space. They were usually chosen with care and offer insights into the overall iconography of the pavements in which they appear.

Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research.
List of figures
iii
Editorial preface vii
Introduction 1(2)
Ragnhild Berge
Heidrun Stebergløkken
Knowing by learning by being there -- the course which formed a new generation of rock art researchers
3(10)
Jarl Nordbladh
Contested worlds -- a chronotopic essay about mortuary monuments and cultural change in Northern Europe in the second millennium BC
13(18)
Joakim Goldhahn
Art and intimacy within the prehistoric landscapes of Norway: how hunter/fisher/gatherers organised their ritual and political worlds through art
31(16)
George Nash
May-Tove Smiseth
Making community: rock art and the creative acts of accumulation
47(12)
Mark Sapwell
Liliana Janik
Bow and errors
59(8)
Paul G. Bahn
The method and physical processes behind the making of hunters' rock art in Western Norway: the experimental production of images
67(12)
Trond Klungseth Lødøen
Boundless rock art -- symbols, contexts and times in prehistoric imagery of Fennoscandia
79(20)
Ulf Bertilsson
Subsistence in central Norway elucidated through rock art excavation and documentation
99(12)
Eva Lindgaard
Between land and water: the ship in Bronze Age West Norway
111(8)
Melanie Wrigglesworth
The motif of the boat in Valcamonica rock art -- problems of chronology and interpretation
119(22)
Angelo Eugenio Fossati
Contrasts of the maritime environment -- possible implications in prehistory -- A very short course of cognition in the ancient maritime cultural landscape
141(14)
Christer Westerdahl
Rock art and the importance of style -- style complexes and group identity -- South-Western United States and Mid-Scandinavia -- a comparable approach
155(12)
David Vogt
Memory and destruction -- pictorial practices surrounding red ochre paintings in late neolithic Northern Sweden
167(14)
Ylva Sjostrand
Bibliography Kalle Sognnes 1971-2015
181
Eva Lindgaard