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Robert Bresson: Cinematic Style as Philosophy [Pehme köide]

  • Formaat: Paperback / softback, 176 pages, kõrgus x laius x paksus: 229x152x15 mm, kaal: 286 g, 15 color plates, 44 halftones
  • Ilmumisaeg: 19-Jan-2026
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226845044
  • ISBN-13: 9780226845043
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  • Formaat: Paperback / softback, 176 pages, kõrgus x laius x paksus: 229x152x15 mm, kaal: 286 g, 15 color plates, 44 halftones
  • Ilmumisaeg: 19-Jan-2026
  • Kirjastus: University of Chicago Press
  • ISBN-10: 0226845044
  • ISBN-13: 9780226845043
A philosophical engagement with Bresson’s many films, attentive to more than their religiosity.
 
Over a forty-year career, Robert Bresson developed one of the most distinctive cinematic styles in the history of filmmaking. Criticizing conventional movies as “filmed theater,” Bresson proposed instead a way of writing with images, which he called “cinematographs.” Robert B. Pippin argues here for a way of understanding how these stylistic innovations express a range of philosophical commitments, explorations of the possible sources of meaning in late modern life, and the implications of the absence of such sources.

Arvustused

This lucid, scintillating book deepens Pippins exploration of cinemas capacity for filmed thought and challenges transcendental interpretations of the great French directors oeuvre. Pippin identifies ethical, psychological, and philosophical commitments that underpin Bressons distinctive minimalism, approach to performance, and concern for meaning. Beautifully illustrated and full of provocative insights, there is much here for both Bresson aficionados and those seeking an introduction to the inimitable films and worldview of Robert Bresson. -- Jonathan Hourigan, assistant to Robert Bresson on LArgent This singularly beautiful account of Bressons oeuvre asks us to say less about the films and to instead learn to live with their strange, ordinary clarityultimately, to live with each other just as we live with these films. Pippin has done, in my view, what only filmmakers have done before: respond to the power of Bresson in aesthetically sensitive ways that remind us how intensely moving it always is to see and feel his films for the first time. -- Brian Price, University of Toronto Mississauga

1. Truth in Cinema
2. Justice in Diary of a Country Priest
3. Atmosphere as World in Pickpocket
4. Balthazars World
5. Mouchettes Mind
6. Counterfeit Life in LArgent
Concluding Remarks

Acknowledgments
References
Index
Plates follow page 000.
Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of many books on philosophy, literature, art, and film.