A new definitive overview of the founding Abstract Expressionist celebrated for his Elegies to the Spanish Republic
Famously the most politicized and intellectual of the Abstract Expressionists, Robert Motherwell (1915–91) evolved a form of austere gesturalism reflective of both the human psyche and the political realm. Robert Motherwell: Pure Painting offers an in-depth exploration of his oeuvre—the first publication to do so in many years. Leading art scholars Jennifer Cohen, Susan Davidson, Simon Kelly, Monica McTighe and Sarah Rich examine Motherwell’s turn from Surrealism to abstraction and consider the major series that developed over his 50-year career. The catalog also studies the dialogue between Motherwell’s art and the 19th-century French painting tradition, and investigates his relationship to Spanish painting techniques and processes, with an emphasis on underlying political significance of this relationship (as expressed in his great series Elegies to the Spanish Republic). Another section looks at Motherwell’s unique use of ocher pigment, with its evocation of deep geological time and of avant-garde strategies.
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Intuition, Philosophy and Politics: The Poetics of Abstraction
In 1940s New York City ROBERT MOTHERWELL (*1915, Aberdeen, WA1991, Provincetown, MA) entered a milieu of artists whose radical new style of painting came to be known as Abstract Expressionism. A theorist of this informal groupincluding artists such as Mark Rothko, Jackson Pollock, and Willem de Kooninghe taught throughout his life.
