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Romanticism, Realism and the Lines of Mimesis [Pehme köide]

(Durham University)
  • Formaat: Paperback / softback, 240 pages, kõrgus x laius: 234x156 mm, 8 black and white illustrations
  • Ilmumisaeg: 01-Jan-2026
  • Kirjastus: Edinburgh University Press
  • ISBN-10: 139950651X
  • ISBN-13: 9781399506519
Teised raamatud teemal:
Romanticism, Realism and the Lines of MimesisSuurem pilt
  • Formaat: Paperback / softback, 240 pages, kõrgus x laius: 234x156 mm, 8 black and white illustrations
  • Ilmumisaeg: 01-Jan-2026
  • Kirjastus: Edinburgh University Press
  • ISBN-10: 139950651X
  • ISBN-13: 9781399506519
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781399506519.html
Märksõnad:
Since Platos Republic, mimesis the artworks tacit claim to reflect or imitate real life has faced a near-constant stream of assaults, being accused of naturalising a supposedly uncomplicated relationship between world and fiction. Lines of Mimesis offers a revisionary account of mimesis. Specifically, it proposes a rethinking of the representational attitudes of two literary schools usually understood to be at odds with one another Romanticism and Realism through close readings of writings and drawings made by two figures usually taken to be proponents of those schools respectively: E. T. A. Hoffmann and Honoré de Balzac. Across these readings, Dickson argues that a more capacious understanding of mimesis is achieved when we understand it to pertain not to the reduplication of objects in the world, but to a negotiation of the subjects sensory entwinement with those objects. This new understanding can, in turn, more closely illuminate an artworks own reflections on its relationship to the world, shedding light on the entanglements and crossovers between Romanticism and Realism.

Arvustused

With its clear focus, this book is a must-read for anybody working on realism, mimesis, and the Franco-German cultural exchanges in the 1820s and 1830s all discourses that will benefit greatly from this new and inspiring study. -- Dennis Schäfer, Princeton University * Oxford German Studies * [ Romanticism, Realism and the Lines of Mimesis] invites questions about the function of mimesis and linear figuration in other geo-cultural instantiations of Romantic and realist literature beyond the ones that occupy centre stage here. One hopes that Dickson will continue to explore these broader implications in future work, given how insightful and dynamic the present readings are. Every page showcases her keen talents as both a critic and a stylist; under her pen, subject-matter that otherwise might have drifted towards the stodgy (e.g. modernisms reception of Platonic aesthetics) is crisp and engaging. -- Alexander Sorenson, Binghamton University * Modern Language Review * I know of nothing quite like this bold, innovative and endlessly intriguing way of juxtaposing a range of binaries: concepts, movements and authors. This is a book not to miss. -- Christopher Prendergast, University of Cambridge Mimesis constitutes realism, fantasy Romanticism? Polly Dickson examines how algorithmically entwined and logically unstable mimesis and fantasy actually are. This lucid and erudite investigation of writers from Plato to Wilde discloses a new Hoffmann and a new Balzac, a new Romanticism and a new realism. -- Nicholas Saul, Durham University

List of Figures

Acknowledgements

Notes on Abbreviations and Translations

Introduction: Balzac and Hoffman

I: Mimesis

1. Mimesis and the Chiasm

2. A Brief History of Undulating Lines

II: Lines

3. Arabesque: Der goldne Topf and La Peau de chagrin

4. Scribble: Der Artushof and Le Chef-doeuvre inconnu

5. Cross: Die Elixiere des Teufels and LÉlixir de longue vie

Conclusion: Fiction's Pretexts

Bibliography

Index
Polly Dickson is Assistant Professor in German at Durham University. She works primarily on nineteenth-century literary and visual cultures, with particular interests in realism and in authors doodles.