Muutke küpsiste eelistusi

Routledge Companion to Performance-Related Concepts in Non-European Languages [Kõva köide]

Edited by , Edited by (Freie Universität Berlin, Germany), Edited by (Free University of Berlin, Germany)
  • Formaat: Hardback, 642 pages, kõrgus x laius: 246x174 mm, kaal: 1340 g, 24 Halftones, black and white; 24 Illustrations, black and white
  • Sari: Routledge Advances in Theatre & Performance Studies
  • Ilmumisaeg: 31-May-2024
  • Kirjastus: Routledge
  • ISBN-10: 0367696703
  • ISBN-13: 9780367696702
  • Formaat: Hardback, 642 pages, kõrgus x laius: 246x174 mm, kaal: 1340 g, 24 Halftones, black and white; 24 Illustrations, black and white
  • Sari: Routledge Advances in Theatre & Performance Studies
  • Ilmumisaeg: 31-May-2024
  • Kirjastus: Routledge
  • ISBN-10: 0367696703
  • ISBN-13: 9780367696702
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.

The Companion features in-depth explorations of and expert introductions to a select number of performance-related key concepts in Arabic, Chinese, Japanese, Korean, Yorùbá as well as the Indian languages Sanskrit, Hindi and Tamil. Key conceptssuch as Fura in Arabic, for example, or Jiadingxing in Chinese, Gei in Japanese, Ìparadà in Yorùbá and Imyeon in Koreanthat defy easy translation from one language to another (and especially into English as the worlds lingua franca) and that reflect culturally specific ways of thinking and talking about the performing arts are thoroughly examined in in-depth articles. Written by more than 60 distinguished scholars from around the globe, the articles describe in detail each concepts dynamic history, its flexible scope of meaning and current range of usage. The Companion also includes extensive introductions to each language section, in which internationally renowned experts explain how the presented key concepts are situated within, and are constitutive of, distinct and dynamic epistemic systems that have different yet always interlinked histories and orientations.





Offers a fascinating insight into the unique histories, characteristics, and orientations of linguistically and culturally distinct epistemic systems related to the performative arts Contains extensive cross-references and bibliographies An invaluable research tool and one-of-a-kind reference source for scholars and students worldwide and across the humanities, especially in the fields of theatre, performance, dance, translation, area and cultural studies An accessible handbook for everybody interested in performance cultures and performance-related knowledge systems existing in the world today.

This volume provides an invaluable research tool and one-of-a-kind reference source for scholars and students worldwide and across the humanities, especially in the fields of theatre, performance, dance, translation and area studies, history (of science and the humanities) and cultural studies.
List of Figures

Acknowledgements

List of Contributors

General Introduction: Performance-Related Concepts as Epistemic Systems

Erika Fischer-Lichte

1 In Lieu of a Conclusion: Stimulating Research on Performance-Related
Concepts as Epistemic Tools and Systems

Torsten Jost

2 Editorial Statement

Astrid Schenka

PART I Yorùbá

3 Introduction

Bídún Jéyifò

4 Notes on the Language Editing of the Yorùbá Section

M. Cristina Boscolo

5 Eré

Philip Adédtun Ògúndèjì

6 Egúngún

M. Cristina Boscolo

7 Oríkì

Karin Barber

8 Àl

Níyì úndáre and Bídún Jéyifò

9 Ìjúbà

Adélékè Adék

10 Ìparadà

Philip Adédtun Ògúndèjì

11 gùn Gígùn

Dúrótoyè A. Adélékè

12 Òde

Olú báfmi

13 Ìwà Lwà and mlúwàbí

Olúfémi Táíwò

14 Ààb r

M. Cristina Boscolo

PART II Chinese

15 Introduction

Shen Lin



16 Notes on the Language Editing of the Chinese Section

Stefan Christ

17 Xiju and Xiqu

Siyuan Liu

18 Xiqu Hangdang and Yan Ma

Tian Mansha and Yan Ma

19 Piaoyou

Zhang Nan

20 Chang

Zhang Nan

21 Chengshi (Hua)

He Chengzhou



22 Jiadingxing

Huang Jue



23 Kongling

Stefan Christ

24 Qi Yun

Yin Qiuyan



25 Xu and Shi

Wang Ankui



26 Xieyi and Xieshi

Siyuan Liu

27 Shen and Xing

Kuan-wu Lin and Siyuan Liu

PART III Arabic

28 Introduction

Khalid Amine

29 Notes on the Language Editing of the Arabic Section

Heba Tebakhi

30 Fura

Khalid Amine

31 Fa

Nora Amin and Fadil Jaf

32 Al-alqa

Khalid Amine

33 asad

Nora Amin , Khalid Amine and Fadil Jaf

34 Ad /Taml

Lina Saneh

35 akawt

Shams Eldin Younis Nagmeldin and Khalid Amine


36 Maqm

Edward Ziter

37 Drmtry Rukiyya

Khalid Amine

38 Masra ab

Nora Amin and Khalid Amine

39 Masra Mustaqill

Nora Amin , Khalid Amine , Shams Eldin Younis Nagmeldin

and Edward Ziter

PART IV Korean

40 Introduction

Ah-Jeong Kim and Haekyung Um

41 Notes on the Language Editing of the Korean Section

Jan Creutzenberg

42 Wonhyeong

CedarBough T. Saeji and Ah-Jeong Kim

43 Gut

Kim Hyunjung



44 Nori

Esther Kim Lee

45 Puri

Kim Jeongsuk

and Ah-Jeong Kim

46 Han ()

Shim Jung-Soon



47 Madang / Pan

Choi Jae-Oh



48 Gulsin ()

CedarBough T. Saeji and Jan Creutzenberg

49 Sori

Haekyung Um

50 Bak ()

Chan E. Park

51 Imyeon ()

Tara McAllister-Viel

PART V Japanese

52 Introduction

Stanca Scholz-Cionca and Nanako Nakajima

53 Notes on the Language Editing of the Japanese Section

Hanna McGaughey

54 Gei

Nanako Nakajima

55 Hana /

Hanna McGaughey

56 Jo-Ha-Ky

Andreas Regelsberger

57 Kata

Andreas Regelsberger

58 Ma

Yamashita Yoshiteru



59 Mitate

Yamashita Yoshiteru



60 Monomane and Riaru

M. Cody Poulton

61 Mugen

M. Cody Poulton

62 Shintai ,

Peter Eckersall

63 Ygen

Hanna McGaughey

PART VI Indian Languages

64 Introduction

Kedar A. Kulkarni

65 Notes on the Language Editing of the Indian Languages Section

Sarah Merkle-Schneider

66 Abhinaya

Anuradha Kapur

67 am vis-à-vis Kttu and Ll

Heike Oberlin

68 Classical

Anurima Banerji

69 Kath

Kedar A. Kulkarni

70 Loknya

Vasudha Dalmia

71 Nak

Aparna Dharwadker

72 Nya

Saskia Kersenboom

73 Rasa and Bhva

Vinay Dharwadker

74 Riyz

Ashok D. Ranade

75 Vam

Hanne M. de Bruin

76 Vinysa

Vinay Dharwadker

77 Yathrthvd

Vasudha Dalmia

PART VII Outlook: Aboriginal English

78 Approaching Indigenous Performance Concepts: Aboriginal Artists Talk About
Country

Helen Gilbert and Margaret Werry, with David Milroy, Dalisa Pigram and Wesley
Enoch
Erika Fischer-Lichte is the director of the International Research Center Interweaving Performance Cultures at Freie Universität Berlin.

Torsten Jost is an academic coordinator at the Cluster of Excellence Temporal Communities: Doing Literature in a Global Perspective at Freie Universität Berlin.

Astrid Schenka is a performing arts scholar, dramaturg and translator. She was a research associate at the International Research Center Interweaving Performance Cultures at the Freie Universität Berlin (20152022) and has been a guest lecturer at the Zurich University of the Arts since 2015.