| Preface |
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xi | |
| Introduction to Salted Paper |
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1 | (4) |
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Chapter 1 A Brief History of Salted Paper |
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5 | (14) |
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PART ONE Salted Paper Step-by-Step |
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19 | (152) |
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Chapter 2 Setting Up the Salted Paper Dimroom |
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21 | (8) |
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22 | (1) |
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Chemistry for the salt enthusiast |
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22 | (1) |
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22 | (1) |
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22 | (1) |
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23 | (1) |
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23 | (1) |
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23 | (1) |
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23 | (1) |
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Varnishing supplies, if desired |
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23 | (1) |
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23 | (1) |
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Essential big(ger) equipment |
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23 | (1) |
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Nonessential bigger equipment |
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24 | (1) |
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Essential smaller equipment and supplies |
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24 | (1) |
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25 | (2) |
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27 | (2) |
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Chapter 3 Digital Negatives for Salted Paper |
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29 | (10) |
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30 | (1) |
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31 | (2) |
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Image preparation for all negatives |
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33 | (1) |
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Monochrome salted paper negative |
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34 | (1) |
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34 | (1) |
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35 | (1) |
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35 | (1) |
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36 | (3) |
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Chapter 4 Talbot's Photogenic Drawing Process |
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39 | (12) |
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40 | (1) |
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Unsalted paper/hot water fix |
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41 | (1) |
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Unsalted paper/salted water fix |
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42 | (2) |
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Unsalted paper/ammonia fix |
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44 | (2) |
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Salted paper/salted water fix |
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46 | (1) |
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Salted paper/potassium iodide fix |
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47 | (1) |
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Salted paper/potassium bromide fix |
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48 | (3) |
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Chapter 5 Creating Your First Salted Paper Print |
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51 | (6) |
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52 | (1) |
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52 | (1) |
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52 | (1) |
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1% gold chloride solution |
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52 | (1) |
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52 | (1) |
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52 | (1) |
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Gold sodium carbonate toner |
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52 | (1) |
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53 | (1) |
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53 | (1) |
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53 | (1) |
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53 | (1) |
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Exposing, processing, and toning |
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54 | (3) |
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Chapter 6 Salting and Sensitizing the Paper |
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57 | (12) |
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Supplies for salting and sensitizing |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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59 | (1) |
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60 | (1) |
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Salting and salt-size formulas |
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61 | (1) |
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Sodium chloride salting solution |
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61 | (1) |
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Sodium chloride/citric acid/Rochelle salts |
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61 | (1) |
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Ammonium chloride/sodium citrate |
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61 | (1) |
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Ammonium chloride/sodium citrate/gelatin |
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62 | (1) |
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Clark's arrowroot salt size I |
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62 | (1) |
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Clark's arrowroot salt size II |
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63 | (1) |
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63 | (1) |
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63 | (1) |
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Silver nitrate sensitizer |
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64 | (1) |
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64 | (1) |
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Silver nitrate/citric acid |
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65 | (1) |
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66 | (3) |
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Chapter 7 Exposing and Processing Salted Paper |
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69 | (8) |
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Determining exposure with an OHP strip |
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70 | (1) |
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Determining exposure by inspection |
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70 | (2) |
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72 | (1) |
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72 | (1) |
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72 | (1) |
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5% salted water wash formula |
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72 | (1) |
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73 | (1) |
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Ammonium thiosulfate rapid fix |
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73 | (1) |
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73 | (1) |
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Processing the exposed paper |
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73 | (1) |
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74 | (3) |
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Chapter 8 Toning Salted Paper |
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77 | (20) |
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78 | (1) |
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Amount of gold in the formula |
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79 | (1) |
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Alkalinity of the formula |
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79 | (1) |
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1% gold chloride solution |
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79 | (1) |
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Gold sodium bicarbonate toner |
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80 | (1) |
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Gold sodium carbonate toner |
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80 | (1) |
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81 | (1) |
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Gold sodium acetate toner |
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82 | (1) |
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Gold ammonium benzoate toner |
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82 | (1) |
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Gold sodium phosphate toner |
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83 | (1) |
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83 | (1) |
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Gold sodium tungstate toner |
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83 | (1) |
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83 | (1) |
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Gold iodide-thiocyanate toner |
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84 | (1) |
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Gold iodide-thiocyanate toner II |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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86 | (1) |
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Platinum and palladium toning |
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86 | (1) |
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Platinum or palladium toner |
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87 | (1) |
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88 | (1) |
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88 | (1) |
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89 | (1) |
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89 | (1) |
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90 | (1) |
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Photo Miniature copper toner |
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91 | (1) |
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92 | (1) |
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92 | (2) |
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94 | (3) |
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Chapter 9 Advanced Techniques for Salted Paper |
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97 | (10) |
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Taming an unsuitable paper |
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98 | (1) |
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98 | (1) |
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99 | (1) |
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100 | (1) |
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100 | (1) |
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Cupric chloride as a contrast agent |
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101 | (2) |
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Silver nitrate/citric acid |
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103 | (2) |
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105 | (1) |
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105 | (2) |
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Chapter 10 Troubleshooting Salted Paper |
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107 | (34) |
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Problems addressed, in this order |
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108 | (1) |
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Occurrence of problems, in this order |
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108 | (1) |
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The print has faded and/or yellowed |
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109 | (3) |
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The print has stains, splotches, spots |
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112 | (4) |
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The print has dark streaks in it |
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116 | (2) |
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The print has white streaks in it |
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118 | (1) |
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The print has yellowed in the highlights |
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119 | (1) |
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120 | (2) |
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The print is blotchy and mottled |
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122 | (1) |
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The print looks like it has the measles |
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123 | (3) |
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The print has toning issues |
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126 | (2) |
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The print is too low contrast and dull |
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128 | (1) |
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The print is high contrast and harsh |
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129 | (1) |
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130 | (2) |
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132 | (2) |
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The print has bronzed (too much) |
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134 | (1) |
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The color is inconsistent |
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135 | (1) |
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The silver nitrate solution is brown |
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136 | (1) |
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There are silver stains on clothes, etc. |
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136 | (5) |
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Chapter 11 Printing Gum Over Salted Paper |
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141 | (12) |
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141 | (1) |
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Duotone (warm/cool) negatives |
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142 | (1) |
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142 | (2) |
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Quadcolor (CMYK) negatives |
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144 | (1) |
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144 | (1) |
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145 | (1) |
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Pigment choice, in a nutshell |
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145 | (1) |
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Preparing stock solutions |
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146 | (1) |
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Preparing working strength solutions |
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146 | (1) |
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146 | (1) |
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147 | (1) |
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148 | (1) |
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148 | (1) |
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Using the salt negative for gum |
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149 | (1) |
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149 | (1) |
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Using tricolor (RGB) negatives |
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150 | (1) |
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150 | (1) |
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150 | (3) |
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Chapter 12 Handcoloring and Other Creative Ideas |
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153 | (10) |
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153 | (1) |
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153 | (1) |
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154 | (1) |
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154 | (2) |
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Printing salt over cyanotype |
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156 | (1) |
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156 | (2) |
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Printing salted paper on fabric |
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158 | (1) |
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Printing salted paper on wood |
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158 | (1) |
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159 | (1) |
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Printing on colored salted paper |
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160 | (1) |
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160 | (1) |
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160 | (1) |
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160 | (3) |
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Chapter 13 Finishing, Framing, and Storing Salted Paper |
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163 | (8) |
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Preserving a digital copy |
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163 | (1) |
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To varnish, or not to varnish |
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164 | (1) |
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How to best store the print |
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165 | (1) |
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165 | (6) |
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PART TWO Contemporary Salted Paper Artists |
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171 | (120) |
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Chapter 14 Contemporary Salted Paper Artists |
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173 | (118) |
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175 | (6) |
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181 | (4) |
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185 | (6) |
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191 | (4) |
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195 | (4) |
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199 | (4) |
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203 | (4) |
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207 | (2) |
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209 | (6) |
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215 | (4) |
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219 | (4) |
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223 | (4) |
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227 | (2) |
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229 | (4) |
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233 | (6) |
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239 | (4) |
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243 | (4) |
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247 | (2) |
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249 | (2) |
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251 | (4) |
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Carol Panaro-Smith and James Hajicek |
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255 | (4) |
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259 | (4) |
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263 | (4) |
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267 | (4) |
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271 | (4) |
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275 | (4) |
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279 | (4) |
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283 | (4) |
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287 | (4) |
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APPENDIX: Including Historical Salting Formulas |
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291 | (8) |
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Historical salting formula charts |
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292 | (2) |
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294 | (1) |
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Determining exposure with a step wedge |
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295 | (1) |
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296 | (1) |
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297 | (2) |
| Bibliography |
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299 | (4) |
| Index |
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303 | |
