In this book, Melissa Mueller brings two of the most celebrated poets from Greek antiquity into conversation with contemporary theorists of gender, sexuality, and affect studies. Like all lyric poets of her time, Sappho was steeped in the affects and story-world of Homeric epic, and the language, characters, and themes of her poetry often intersect with those of Homer. Yet the relationship between Sappho and Homer has usually been framed as competitive and antagonistic. This book instead sets the two side by side, within the embrace of a non-hierarchical, 'reparative reading' culture, as first conceived by queer theorist and poet Eve Kosofsky Sedgwick. Reintroducing readers to a Sappho who supplements Homer's vision, it is an approach that locates Sappho's lyrics at the center of timely discussions about materiality, shame, queer failure, and the aging body, while presenting a sustaining and collaborative way of reading both lyric and epic.
Arvustused
' fascinating readings of Sappho and some new features of the compared episodes in Homeric poems Recommended.' H. M. Roisman, CHOICE 'Amid the extensive scholarship on Sappho and Homer, this book distinguishes itself through its intricate weaving of classical texts and modern theories, smooth and engaging style, and groundbreaking perspective.' Pei He, Bryn Mawr Classical Review
Muu info
Brings two of ancient Greece's most famous poets into conversation with contemporary theorists of gender, sexuality, and affect studies.
Introduction: A Colicky Muse; Part I. Reparative Reading:
1. Reparative
Intertextualities: Sappho and Homer Between Lesbos and Troy;
2. Sappho and
Sedgwick as Reparative Readers; Part II. Sappho and Homer:
3. Plaiting and
Poikilia: the Materialities of Sappho's Craft;
4. Aphrodite and the Poetics
of Shame;
5. In the Bardo with Tithonos;
6. Sappho fr. 44V, or Andromache's
'No Future' Wedding Song;
7. Sappho's Third Alternative: Helen and the
Queering of Epic Desire;
8. Sapphic Remembering, Lyric Kleos; Epilogue:
Homer's Night, Sappho's Day; Appendix: On the Absence of the newest Sappho
fragments from this book.
MELISSA MUELLER is Professor of Classics at the University of Massachusetts Amherst. She is the author of Objects as Actors: Props and the Poetics of Performance in Greek Tragedy (2016), co-editor of The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles, and Euripides (2018), and series co-editor of Ancient Cultures, New Materialisms for Edinburgh University Press.
