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Schoenberg in Context [Kõva köide]

Edited by (University of Alberta, Augustana)
  • Formaat: Hardback, 350 pages, Worked examples or Exercises
  • Sari: Composers in Context
  • Ilmumisaeg: 31-Jul-2025
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1316513823
  • ISBN-13: 9781316513828
  • Formaat: Hardback, 350 pages, Worked examples or Exercises
  • Sari: Composers in Context
  • Ilmumisaeg: 31-Jul-2025
  • Kirjastus: Cambridge University Press
  • ISBN-10: 1316513823
  • ISBN-13: 9781316513828
Breathes new life into the study of Schoenberg's worlds and work, exploring his multi-faceted environments and showcasing his centrality to the understanding of musical modernism. Providing fresh, multi-disciplinary perspectives, the book will be essential reading for those interested in the intersections of music, modernity, society and culture.

Contradictory and paradoxical, Schoenberg was responsible for explosively radical innovations in composition - including atonality and the twelve-tone method - that changed the face of music in the twentieth century. This volume explores Schoenberg's life, work and world, offering contributions from internationally recognized musicologists, music theorists, cultural historians, literary scholars and more. Chapters examine the different places where Schoenberg lived, his various approaches to composition, the people and institutions that shaped his life and work, and the big issues and ideas that informed his worldview, including religion, gender, technology and politics. This book is essential for students and educators but also accessible to a general audience interested in the intersections of music, modernity, society and culture, offering a variety of fresh, multi-disciplinary perspectives on Schoenberg and his richly variegated world.

Muu info

Explores the richly variegated world that shaped Schoenberg's radical creativity, and showcases his central importance within and beyond musical modernism.
List of illustrations; List of musical examples; Notes on contributors;
Preface and acknowledgements; List of abbreviations; Part I. Schoenberg in
Place:
1. At home: a conversation with Nuria Schoenberg-Nono Alexander
Carpenter;
2. Vienna Mirjana Plath;
3. Schoenberg's Three Berlins Joseph
Auner;
4. Mödling Eike Feß;
5. Los Angeles Sabine Feisst; Part II. More Than
a Composer:
6. Schoenberg the Painter Raymond Coffer;
7. Schoenberg the
Teacher Gordon Root;
8. Schoenberg the Theorist Severine Neff;
9. Schoenberg
the Writer Steven J. Cahn; Part III. Approaches to Composition:
10. Tonality
Walter Frisch;
11. Atonality Richard Kurth;
12. The twelve-tone style Jack
Boss; Part IV. Paradoxes and Predicaments:
13. Popular Music John Covach;
14.
Money (and mythos) Alexander Carpenter;
15. The gender of modernism Elizabeth
L. Keathley; Part V. Schoenberg's Others:
16. Richard Wagner Matthias
Schmidt;
17. Johannes Brahms Lucy Y. Liu;
18. Igor Stravinsky (and Adorno)
Stephen D. Smith;
19. Alexander Zemlinsky Clare Carrasco;
20. Gustav Mahler
Federico Celestini;
21. Richard Strauss James Deaville;
22. Alban Berg and
Anton Webern Alexander Carpenter; Part VI. Viennese Institutions:
23. Café
Culture Diane V. Silverthorne;
24. Empire the Habsburgs Joseph F. Patrouch;
25. Theatre Sherry Lee;
26. Psychoanalysis Daniela Finzi; Part VII.
Performers and Critics:
27. Performing Schoenberg Mark Berry;
28. Music
criticism and music critics Benjamin M. Korstvedt; Part XIII. Convictions and
Interventions:
29. Religion Pamela Cooper-White;
30. Philosophy James K.
Wright;
31. War and politics Joon Park;
32. Poetry, literature and language
Jeremy Tambling;
33. Technology J. Daniel Jenkins; Index.
Alexander Carpenter is Professor of Music at the University of Alberta, where he also serves as Director of the Wirth Institute for Austrian and Central European Studies. He is the author of numerous book chapters and scholarly articles, on topics ranging from Schoenberg and the Second Viennese School, opera and the waltz to popular music and film music.